| Photos (See all 11 | slideshow) | Videos (see all 14) |
| Nathan Meister | ... | Henry Oldfield | |
| Peter Feeney | ... | Angus Oldfield | |
| Danielle Mason | ... | Experience | |
| Tammy Davis | ... | Tucker | |
| Oliver Driver | ... | Grant | |
| Tandi Wright | ... | Doctor Rush | |
| Glenis Levestam | ... | Mrs. Mac | |
| Nick Blake | ... | Taxi Driver | |
| Matthew Chamberlain | ... | Oliver Oldfield (as Matt Chamberlain) | |
| Nick Fenton | ... | Young Henry | |
| Eli Kent | ... | Young Angus | |
| Sam Clarke | ... | Young Tucker | |
| Richard Chapman | ... | Muldoon | |
| Louis Sutherland | ... | Winston | |
| Ian Harcourt | ... | Brash | |
| James Ashcroft | ... | Prebble | |
| Mick Rose | ... | Mike | |
| Kevin McTurk | ... | Weresheep | |
| Lucy Briant | ... | Investor | |
| Justin B. Carter | ... | Investor (as Justin Carter) | |
| Deana Elvins | ... | Investor | |
| Luke Hawker | ... | Investor | |
| Jono Manks | ... | Investor (as Jono Marks) | |
| Lewis Rowe | ... | Investor | |
| Peter Rutherford | ... | Investor | |
| Matthew Saville | ... | Investor | |
| Richard Whiteside | ... | Investor | |
| Min Windle | ... | Investor | |
| Tim Wong | ... | Investor |
Directed by | |||
| Jonathan King | |||
Writing credits | ||
| Jonathan King | (written by) | |
Produced by | |||
| Philippa Campbell | .... | producer | |
| Judith Trye | .... | line producer | |
Original Music by | |||
| Victoria Kelly | |||
Cinematography by | |||
| Richard Bluck | |||
Film Editing by | |||
| Chris Plummer | |||
Casting by | |||
| Liz Mullane | |||
Production Design by | |||
| Kim Sinclair | |||
Art Direction by | |||
| Simon Bright | |||
Set Decoration by | |||
| Tanea Chapman | |||
Costume Design by | |||
| Pauline Bowkett | |||
Makeup Department | |||
| Debra Ashton | .... | additional makeup artist | |
| Hayley Atherton | .... | makeup assistant | |
| Katherine Brown | .... | special makeup effects artist | |
| Debra East | .... | makeup supervisor | |
| Davina Lamont | .... | special makeup effects artist | |
| Samantha Lyttle | .... | special makeup effects technician | |
| Angela Mooar | .... | additional makeup artist | |
| Jess Reedy | .... | special makeup effects artist | |
Production Management | |||
| Rosemary Dority | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Sarah Lowe | .... | second assistant director | |
| Joe Nolan | .... | first assistant director | |
Art Department | |||
| Brett Blenkin | .... | carpenter | |
| Vanessa Cole | .... | assistant art director | |
| Sean Golding | .... | paint hand | |
| Neil Kirkland | .... | construction manager | |
| Alastair Maher | .... | head scenic | |
| Eileen McCann | .... | set finisher | |
| Francie McGirr | .... | art runner | |
| Christian Pearce | .... | concept artist | |
| Nick Riera | .... | on-set carpenter | |
| Sarah Weinberg | .... | stand-by props | |
| Gillian West-Walker | .... | set dresser | |
| Ben Whale | .... | set dresser | |
Sound Department | |||
| Phil Burton | .... | temp mixer | |
| Gethin Creagh | .... | sound re-recording mixer | |
| Chris Hiles | .... | sound recordist | |
| Greg Junovich | .... | score engineer | |
| Gilbert Lake | .... | sound re-recording mixer | |
| Matthew Lambourn | .... | sound effects editor | |
| Robyn McFarlane | .... | foley recordist | |
| Carolyn McLaughlin | .... | foley artist | |
| Tim Prebble | .... | sound designer | |
| Nigel Scott | .... | adr engineer | |
| Sam Spicer | .... | boom operator | |
| Chris Todd | .... | dialogue editor | |
Special Effects by | |||
| Steven Boyle | .... | special effects makeup artist | |
| Marion Davey | .... | creature effects coordinator: Weta Workshop | |
| Ryk Fortuna | .... | special effects makeup | |
| Ryk Fortuna | .... | special effects technician | |
| Chris Guise | .... | designer | |
| Iain Hutton | .... | armourer | |
| Iain Hutton | .... | special effects technician | |
| Phil McLaren | .... | special effects technician | |
| Kevin McTurk | .... | special effects makeup: Weta Workshop | |
| Gayle Munro | .... | production manager: Weta Workshop | |
| Richard Taylor | .... | special effects | |
| Paul Tobin | .... | designer | |
Visual Effects by | |||
| Dan Ashton | .... | scanning and recording technician: Weta Digital | |
| Nick Booth | .... | scanning and recording supervisor: Weta Digital | |
| Mara Bryan | .... | visual effects producer | |
| Elika Burns | .... | roto/paint supervisor: CIS Hollywood | |
| David Hampton | .... | scanning and recording technician: Weta Digital | |
| Stephen Karl | .... | visual effects artist | |
| George Port | .... | visual effects supervisor: PRPVFX | |
| Abigail Scollay | .... | digital compositor | |
| Jon Thorsen | .... | visual effects | |
| Pania Williams | .... | compositor | |
| Pete Williams | .... | scanning and recording manager: Weta Digital | |
| Carol Petrie | .... | visual effects artist: PRPVFX Limited (uncredited) | |
| George Ritchie | .... | visual effects artist: PRPVFX Limited (uncredited) | |
Stunts | |||
| Justin B. Carter | .... | stunts | |
| Augie Davis | .... | stunt coordinator | |
| Winham Hammond | .... | stunts | |
| Tim McLachlan | .... | stunt double | |
| Tim Wong | .... | assistant stunt coordinator | |
| Tim Wong | .... | fight coordinator | |
Camera and Electrical Department | |||
| David Brown | .... | gaffer | |
| Jamie Couper | .... | lighting technician | |
| Dion Hartley | .... | key grip | |
| Garth Michael | .... | second assistant camera | |
| Matt Tuffin | .... | epk camera operator | |
Costume and Wardrobe Department | |||
| Chantelle Bowkett | .... | costume assistant | |
| Pauline Laws | .... | head pattern maker | |
Editorial Department | |||
| Clare Burlinson | .... | digital intermediate colorist | |
| David Hollingsworth | .... | telecine colorist | |
| Shanon Moratti | .... | digital intermediate editor | |
| Nicola Spencer | .... | assistant editor | |
Transportation Department | |||
| Richard Cuthbert | .... | cast driver | |
Other crew | |||
| Anne Chamberlain | .... | unit publicist | |
| James Delaney | .... | animal trainer | |
| Jock Fyfe | .... | location manager | |
| Caroline Girdlestone | .... | animal trainer | |
| Thea Govorko | .... | production secretary | |
| Matthew Grainger | .... | script consultant | |
| Cale Hetariki | .... | production assistant | |
| Veronique Lawrence | .... | script supervisor | |
| Andy Wickens | .... | lab liaison | |
| Brigitte Yorke | .... | production coordinator | |
| Rose-Marie Salmon | .... | craft service (uncredited) | |
Thanks | |||
| Peter Jackson | .... | thanks | |
| Terry Rossio | .... | thanks | |
| Jamie Selkirk | .... | thanks | |
| Michael Stephens | .... | thanks | |
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| 30 Days of Night | Re-Animator | The Girl with the Dragon Tattoo | Demons 2 | The Thing |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb New Zealand section |
I went to see a screening of "Black Sheep" last night at Tribeca and I have to say I was immensely impressed!! The film gets right to the point after a bit of exposition & once it revs up it's engines & hits the gas it really moves!. The subject matter?? Zombie Sheep of course! What did you think it was about eh?? The usual rigamarole about genetic testing with sheep DNA & human DNA & what do you get?? A horde of flesh eating sheep that would tear thru Romero's zombies anywhere...anytime. The performances are top rate & the script and direction are more than satisfactory. Let's get one thing straight here, This film isn't trying to reinvent the wheel, It's just looking to take a ludicrous premise & have a gory good time with it. It does this most efficiently. My only quibble with it is some of the accents took a little bit of time getting used to. You have to kind of pick up the cadence & the rhythm of it. It took a little bit of time for me but I picked it up. Luckily this is the type of film that doesn't need a lot of dialogue to get into. The story is simple and plays very easily on screen. The gore is top notch also. Do not think that they skimp on it...They don't. The blood & viscera fly freely, Along with the limbs. I groaned in disgust more than a few times while watching this movie. All in all, A great time at the movies. As a matter of fact it's the most fun I've had at the movies this year, Supplanting "GrindHouse" which was a blast...But a long blast. "Black Sheep" gets it right & does it in the right amount of time. Go see it...It's a hoot!!