A man decides to turn his moribund life around by winning back his ex-girlfriend, reconciling his relationship with his mother, and dealing with an entire community that has returned from the dead to eat the living.
When a bumbling pair of employees at a medical supply warehouse accidentally release a deadly gas into the air, the vapors cause the dead to re-animate as they go on a rampage through ... See full summary »
A group of men head to a remote village to help one of their friends get over his divorce; when they get there, though, they discover that all the women have been infected with a virus that makes them man-hating cannibals.
In Los Angeles, a fallen soldier who has joined the ranks of the living dead reunites with his best friend in order to deal with the city's drug dealers and killers - a perfect way to collect the blood that one of them so desperately needs.
D. Kerry Prior
Growing up on the family sheep farm was idyllic for smart, sensitive Harry Olfield, except for some knavish mischief from cocky brother Angus, until their dad has a fatal accident. Fifteen years later, Harry has finished sheep-phobia therapy and his ICT schooling and returns. Angus buys him out, all ready to present the genetically engineered Oldfield sheep he bred with a ruthless team. When environmentalist Grant steals a discarded embryo, which has sharp teeth, he gets bitten by it, and thus the first the be infected with predatory hunger and a mechanism that turns any mammal into a werewolf version. Running for the farm men, Grant's mate, student Experience, gets teamed up with Harry and his boorish but gentle pastoral youth friend Tucker. They must survive both the bloodthirsty sheep and their creators, who didn't realize this yet but dispose of an antidote. Written by
When they're in the house getting attacked by weresheep-Grant, the digital clock in the background goes from "3:12" to "3:11" in a later scene. See more »
Geranium: aromatherapy for uplift and hormonal balance.
Do your hormones really need balancing?
Considering I've been attacked by genetically-engineered monsters, jumped off a moving vehicle, been chased across a paddock, dragged into a torture chamber, pulled into a mountain of rotting flesh - yes, my hormones need fucking balancing.
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Black Sheep, a black comedy from Jonathan King, was anything but sheepish when it came to blood and gore. Reminiscent of early Peter Jackson films, the graphic detail is bound to make you squirm, and at times chuckle. Incidentally, the film borrowed one of Jackson's Oscar winning tools, Weta Workshops. Needless to say the effects are bound to impress.
With a number of international movies shot in New Zealand with plots that could easily take place anywhere, Black Sheep offers a refreshingly unique New Zealand twist to the well-used zombie theme. The characters and issues related so well that even the Aussies couldn't claim it as their own- well, except maybe the sheep shagging jokes.
It certainly doesn't take long to adjust to hearing Kiwi accents on the big screen and start relishing in the subtle humour, grotesque effects and brilliant performances by some underrated New Zealand talent.
King's first feature film has taken the zombie flick back to grass roots level. Not baaad.
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