After being committed for 17 years, Michael Myers, now a grown man and still very dangerous, escapes from the mental institution (where he was committed as a 10 year old) and he immediately returns to Haddonfield, where he wants to find his baby sister, Laurie. Anyone who crosses his path is in mortal danger.
Sleazy fur trader Jake Feldman will do anything for quality skin. When Jake crosses paths with fur trapper Jameson offering raccoon pelts caught at the sight of an ancient burial place, Jake jumps at the chance to cash in by stealing them in order to win the heart of a stripper named Shanna. But little does Jake know is that the raccoon pelts are cursed and will bring bloody revenge against anyone who touches them. Written by
Very gory, erotic and beautifully looking flick from Argento
Once again combining eroticism with buckets of blood and guts, Italian maestro Dario Argento makes another memorable entry in the wildly uneven Masters of Horror series. The story is slim this time around and it's not as thought provoking as Jenifer but it's got a point and it slams it in your face.
Supernatural forces allow animals (racoons to be precise) to take revenge on their killers and those who profit with their slaughter. When their fur is handled in any way the people begin to either kill others like them or begin self mutilation in explicitly graphic ways.
Argento says it's a story about greed and where it leads and that's another way of looking at Pelts. But however you look at it, Pelts at least sets the motion for some incredibly horrific and gory set pieces and who better than Argento to be at the helm. Some truly disgusting scenes of violence, murder and self mutilation are displayed and for gore fans it doesn't get much better than this.
Another thing Argento doesn't skimp on is the visual aspect. Bathing the film in strong and glorious colors and some beautiful set design, Argento still has the visual sense down to a tee.
Pelts is also very well acted, with Meat Loaf in top form and genre legend John Saxon makes a welcome return in an Argento film. Pelts may not require much brain power but just sit back and enjoy a gore filled, gloriously looking ride from a true master in bloody good form.
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