A mechanic (Elba) enlists the help of a successful-but-lonely attorney (Union) while trying to wrest custody of his three daughters from his treacherous ex-wife and her larcenous boy friend... See full summary »
Stella is a highly successful, forty-something San Francisco stock broker who is persuaded by her colorful New York girlfriend Delilah to take a well deserved, first-class vacation to ... See full summary »
Darius Lovehall is a young black poet in Chicago who starts dating Nina Moseley, a beautiful and talented photographer. While trying to figure out if they've got a "love thing" or are just ... See full summary »
A married woman realizes how unhappy her marriage really is, and that her life needs to go in a different direction. After a painful divorce, she takes off on a round-the-world journey to "find herself".
A mechanic (Elba) enlists the help of a successful-but-lonely attorney (Union) while trying to wrest custody of his three daughters from his treacherous ex-wife and her larcenous boy friend. Along the way, the working relationship between the blue collar dad and his uptown attorney grows into something more. This is a simple, touching story of two people trying to overcome their different backgrounds to find love, a down-on-his-luck man struggling to protect his children from abuse and neglect, and a community looking to purge itself from the criminals terrorizing their neighborhood. Written by
The passage the priest reads is Galatians 6:9. See more »
When Monty and Julia arrive at the club, they appear to be driving down (and parking on) on a one-way street, as the cars are all parked in the same direction that Monty's car was traveling. However, the four-lane road they are on has a double-yellow line in the middle, indicating a two-way street. Also, in the wide shot as the car comes to a stop, there are signal lights and street identification signs placed in a manner where the flow of traffic on this "one-way street" would not be able to see them unless they were traveling in the opposite direction. See more »
The biggest problem with this is that it's so totally predictable almost from the very beginning. Is there any surprise that comes up at any point in the entire movie? About the only thing thrown in that threw me off for a few minutes was the rape conviction against Monty (Idris Elba) which ended up being explained away anyway. The basis of the story, of course, was Monty's frantic need to get custody of his 3 daughters back from his ex-wife, who's hooked up with a drug dealer and seems to be into some pretty bad stuff herself. That leads to his budding relationship with Julia (Gabrielle Union) - a high powered lawyer who had employed Monty as her driver for a while, and finds herself strangely drawn to him both personally and professionally, as she ends up representing him. There's a lot of extraneous material thrown in - the community's combination of outrage and impotence against local drug dealers, the wrong side of the tracks romance between Monty and Julia, the situation the kids find themselves in when they're taken away from Monty and handed over to their mother. Sometimes it seemed as if there was a bit too much extraneous material to be honest.
What I liked about the movie was the decision to make the girls' father the good guy, and the fact that the black community living in Monty's neighbourhood was shown to be diverse and mostly good, honest folk with a few losers thrown in. I also liked the performances from Elba and Union - they worked well together - and from the 3 McClain girls (I assume sisters themselves) who played Monty's children. They were as far removed from irritating child actors as you could imagine. They were quite good.
Unfortunately, what I didn't like about this was the predictability of the whole thing. There was virtually no dramatic tension throughout, because you knew without any doubt how pretty much everything was going to turn out. That really drags a movie down in my opinion. (4/10)
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