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La última mirada (2006)
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Overview
User Rating:
Release Date:
30 March 2007 (Mexico) moreTagline:
If you could choose... what would be the last thing you ever saw?Plot:
A drama centered on the relationship between a painter who's losing his sight and a maid in a Mexican brothel. | add synopsisAwards:
3 wins moreUser Comments:
Gorgeous Mexican film on art, desire and entrapment moreCast
(Credited cast)| Sergi Mateu | ... | Homero | |
| Marisol Centeno | ... | Mei | |
| Alexa Damián | ... | Ikerne | |
| Arcelia Ramírez | ... | Hermana Irma | |
| Gina Morett | ... | Madame Lin Lin | |
| Enrique Arreola | ... | Nazario | |
| Samuel Gallegos | ... | Refugio | |
| Martin LaSalle | ... | Don Jaime | |
| Pablo Astiazarán | ... | Chava | |
| rest of cast listed alphabetically: | |||
| Jorge Becerra | ... | Noe | |
| Mary Paz Mata | |||
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
Mexico:123 minCountry:
MexicoLanguage:
SpanishColor:
ColorAspect Ratio:
1.85 : 1 moreSound Mix:
Dolby DigitalFAQ
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Discuss this movie with other users on IMDb message board for La última mirada (2006)| Recent Posts (updated daily) | User |
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| ending? | sesalb |
| Last thing you'd like to see? | whatdoyoumean |
Recommendations
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| IMDb Drama section | IMDb Mexico section | Add this title to MyMovies |


*** This comment may contain spoilers ***
I saw this beautiful film at the Chicago Film festival and I highly, highly recommend it. First off, it is a deeply moving story that revolves around two characters in a small Mexican town: Mei - a young girl who works as a maid in a brothel - and Homero - a painter losing his sight who can only see the color red for a few more weeks before he is about to go completely blind. The story focuses on the contingency and chance crossings of their paths before they actually meet in the final scene, which is ABSOLUTELY brilliant. But more importantly, the movie's exploration of the two characters' subjective, fantasy relations to an impending, terrifying entrapment (blindness and servitude respectively) is unparalleled in Mexican cinema. Second, the movie is visually lush and gorgeous and is a constant delight to watch. But perhaps most importantly, and of special significance to anyone used to watching Mexican cinema over the past decades, Arriaga's movie is, I would say, the ONLY mature Mexican cinematographic inquiry into the relation between art and sexuality I have seen over the past years. It sheds the crass sexual clichés to which Mexican audiences have become accustomed, and takes an honest, compassionate look at the nature of desire - particularly, and uniquely, the growing feminine sexuality of the adolescent Mei as she comes to terms with her own desires, surrounded by a world where sex seems to be some kind of ritualized violence. Besides the many other things that make this film a profound pleasure to watch, for this alone, as a Mexican moviegoer, one gives thanks.