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Night Catches Us (2010)

R  |   |  Drama, Romance  |  3 December 2010 (USA)
6.3
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Ratings: 6.3/10 from 1,193 users   Metascore: 65/100
Reviews: 14 user | 46 critic | 18 from Metacritic.com

In 1976, complex political and emotional forces are set in motion when a young man returns to the race-torn Philadelphia neighborhood where he came of age during the Black Power movement.

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Title: Night Catches Us (2010)

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Cast

Cast overview, first billed only:
...
Jamara Griffin ...
Iris Wilson
Sadiq Afif ...
Colin Dixon
Shango Rich ...
Francis Southerland
...
...
Carey Ford
Tariq Trotter ...
Bostic Washington
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Auntie Lorraine
...
Auntie Cecile
...
Old Man Harrison
...
William Zielinski ...
Frank Cherry
Christopher Kadish ...
Partner
...
Dwayne 'DoRight' Miller
...
T.T
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Storyline

In 1976, complex political and emotional forces are set in motion when a young man returns to the race-torn Philadelphia neighborhood where he came of age during the Black Power movement.

Plot Summary | Add Synopsis

Taglines:

United by revolution, divided by the past

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for language, some sexuality and violence
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Details

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Release Date:

3 December 2010 (USA)  »

Also Known As:

Stringbean and Marcus  »

Box Office

Opening Weekend:

$13,562 (USA) (3 December 2010)

Gross:

$75,795 (USA) (18 February 2011)
 »

Company Credits

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Technical Specs

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Did You Know?

Trivia

This movie reunites Anthony Mackie and Kerry Washington who previously starred together in Spike Lee's 2004 film 'She Hate Me.' See more »

Goofs

The blue Chevy Caprice police car is a 1986-1990 model, even though the film is supposed to take place in 1976. See more »

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User Reviews

 
Strong, sensitive, honest feeling slice of African-American life 1976
11 November 2014 | by (United States) – See all my reviews

Night Catches Us (2010)

A really fascinating look at an African-American reality in Philadelphia in 1976. The plot hook is more sensational than the movie itself—a former Black Panther returning home has to adjust to regular life and accusations of tattling. What really grips you, though, is the "regular life" part, because the acting and direction make this all feel honest and revealing. A slice of life done well.

If the core of the movie is how Blacks of different attitudes and philosophies learn to get along (and not get along) with each other, there is also the more expected acrimony between the Black community and the mostly White cops patrolling it. It's hard to know how accurate this part is, because here we are shown clichés of some very dumb and mean and hardheaded white cops, and maybe that was the norm. I'd like to think that some other movies have it right when there are those bad eggs on the force, but that many make an effort to get along and be reasonable with the people they are protecting.

But maybe one message of the movie taken whole is just how different it was back then, in the shadow of the truly radical and violent 1960s, as the Muslim influence was rising, as power was promising to shift more evenly between groups but was lurching too slowly. Maybe it was just filled with such distrust it led to caricatures for real. There are several segments of archival footage of Panthers and other protesting, and the gritty roughness of those scenes reveals some kind of glossing over of the situation for this fictional version made 35 years later.

The leading actor, Anthony Mackie, and leading actress, Kerry Washington, are both likable and excellent. You might say too likable and excellent—there is a modern feel to their demeanors that's hard to put your finger on. But they're both a joy to watch act and interact. The intentions are low key, and the result is easy going despite the tensions around them. It's a love story after all! Writer and director Tanya Hamilton is making her first feature film here, and she makes the most of her modest intentions.

As a commentary on race relations it is nearly the opposite of Spike Lee's approaches in their highly produced flair. And whatever the limitations of the film and its script, it has the net gain of a feeling of sincerity. Which goes a long way.


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