7.5/10
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L'illusionniste (2010)

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1:33 | Trailer

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A French illusionist finds himself out of work and travels to Scotland, where he meets a young woman. Their ensuing adventure changes both their lives forever.

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Writers:

(adaptation), (original screenplay)
Nominated for 1 Oscar. Another 6 wins & 29 nominations. See more awards »

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Cast

Cast overview:
Jean-Claude Donda ...
The Illusionist / French Cinema Manager (voice)
Eilidh Rankin ...
Alice (voice)
Duncan MacNeil ...
Additional Voices (voice)
Raymond Mearns ...
Additional Voices (voice)
James T. Muir ...
Additional Voices (voice)
...
Additional Voices (voice)
...
Additional Voices (voice)
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Storyline

Details the story of a dying breed of stage entertainer whose thunder is being stolen by emerging rock stars. Forced to accept increasingly obscure assignments in fringe theaters, garden parties and bars, he meets a young fan who changes his life forever. Written by Anonymous

Plot Summary | Plot Synopsis

Genres:

Animation | Drama

Motion Picture Rating (MPAA)

Rated PG for thematic elements and smoking | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Release Date:

11 February 2011 (USA)  »

Also Known As:

Illusionisten  »

Filming Locations:


Box Office

Budget:

£11,000,000 (estimated)

Opening Weekend:

$38,594 (USA) (24 December 2010)

Gross:

$2,231,024 (USA) (6 May 2011)
 »

Company Credits

Production Co:

, ,  »
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Technical Specs

Sound Mix:

|

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

If you put close attention exactly at 5:08 min the movie has started, when the Illusionist is boarding a boat, on the bottom left you will see the Policeman from the short film "The Old Lady and the Pigeons" (1997) which was made by Sylvain Chomet too. See more »

Goofs

Despite being set in 1959/1960, the Scottish Police motorcycles have 'American-style' sirens, which were not introduced until the 1980s. See more »

Crazy Credits

At the end of the final credits, there's a short bonus scene. See more »

Connections

References Jour de fête (1949) See more »

Soundtracks

Chanson Illusionist
Written & Composed by Sylvain Chomet
Published by Django Films Ltd
Performed by Didier Gustin, Jil Aigrot, and Frédéric Lebon
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User Reviews

 
Masterpiece
22 May 2011 | by (Saint Paul, MN) – See all my reviews

Sylvain Chomet's long-awaited follow-up to The Triplets of Belleville adapts an unfilmed screenplay by French master Jacques Tati. Chomet's film doesn't feel much like a Tati film, though - it's very much a Chomet film. But that's okay. I wouldn't want some poor director to feel he has to ape another filmmaker's style. The Illusionist follows a vaudeville magician, modelled after Tati (and called Tatischeff, which was Tati's real last name). He's old, and his world is starting to fade. He leaves France for an extended tour of Britain. Eventually he finds his way to a remote Scottish island, where he meets up with a young woman, Alice. When Tatischeff leaves the island, the girl coyly follows him, and he pretty much adopts her. The two go to Edinburgh (or a fictionalized, Edinburgh-like city) and Tatischeff gets a regular job at a theater (and another at a gas station, secretly, at night) so he can provide the girl with the beautiful clothes she desires (having existed in squalor on the island, she has never seen dresses as beautiful as she does in the city).

The biggest resemblance that it bears to Tati's films, besides the Tati caricature at its center, is the fleeting, impossible romance between the man and the girl. All four of the M. Hulot films contain this element to one degree or another. In The Illusionist, the relationship falls somewhere between the analogous romances in M. Hulot's Holiday and Mon Oncle. In Mon Oncle, there is a teenage girl who has a crush on M. Hulot, but he knows he's far too old for her and treats her in an avuncular fashion. In M. Hulot's Holiday, he is quite a bit older than the blonde, who is frequently bothered by boys her own age, but at least he has a chance. In The Illusionist, Tatischeff is an old man. He does love the girl. He can keep her, but can never have her. She essentially isn't any different than his rabbit - living its life in a cage. When it's free, it's only going to bite his finger when he gets too close.

The film does not contain much in the way of the grotesque oddities that fueled The Triplets of Belleville. It is much subtler, gentler, and more beautiful. It has a grace all its own. It can be very funny when it wishes. Chomet has obviously spent years on this film, and it looks spectacular. Even if he had made only The Triplets of Belleville, his reputation amongst cinematic animators would be secure, but The Illusionist puts him very near the top of the list of the greatest who ever lived.


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