| Paul Wesley | ... | Aaron Corbett | |
| rest of cast listed alphabetically: | |||
| Kwesi Ameyaw | ... | Policeman | |
| Fernanda Andrade | ... | Vilma Rodriguez | |
| Sharon Canovas | ... | Vilma's cousin | |
| Jennifer Marie Chung | ... | Sam's assistant | |
| Stuart Cowan | ... | David Brady | |
| Doolittle | ... | Gabriel | |
| Alex Ferris | ... | Stevie Corbett | |
| Chelah Horsdal | ... | Lori Corbett | |
| Jesse Hutch | ... | Peter Lockhart | |
| Jennifer Kitchen | ... | Driver | |
| Elizabeth Lackey | ... | Verchiel (as Lisa Lackey) | |
| Carmen Lavigne | ... | Zeke's Daughter | |
| Byron Lawson | ... | Kushiel | |
| Byron Mann | ... | Samchiel | |
| Phillip Mitchell | ... | Fireman | |
| David Orth | ... | Gym Teacher | |
| Eileen Pedde | ... | Mrs. Baker | |
| Russell Porter | ... | Tom Corbett | |
| Darren Scott | ... | Gabe (voice) | |
| Jim Shield | ... | Peniel | |
| Tom Skerritt | ... | Zeke | |
| Malcolm Stewart | ... | Dr. Michael Jonas | |
| Michal Suchánek | ... | Boy | |
| Graham Wardle | ... | Jock #2 | |
| Peter Williams | ... | Kolazonta | |
| Rhys Williams | ... | Jock #1 | |
| Rick Worthy | ... | Camael | |
| Diego Klattenhoff | ... | Nathaniel (uncredited) | |
| Matt Ward | ... | Rob (uncredited) | |
| Paul Wu | ... | Raziel (uncredited) | |
Directed by | |||
| Mikael Salomon | |||
Writing credits(WGA) | ||
| Sara B. Cooper | (teleplay) | |
| Tom Sniegoski | (novel) | |
Original Music by | |||
| David C. Williams | |||
Cinematography by | |||
| Jon Joffin | |||
Film Editing by | |||
| Alan Cody | |||
Casting by | |||
| Sandi Logan | |||
Production Design by | |||
| Troy Hansen | |||
Art Direction by | |||
| Michael Corrado | |||
Makeup Department | |||
| Zabrina Matiru | .... | key makeup artist | |
Production Management | |||
| Simon Abbott | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Larissa Ballstadt | .... | trainee assistant director | |
| Tristan Calvo | .... | on-set third assistant director | |
| Michele E. Dutka | .... | second assistant director | |
| David Heimbecker | .... | third assistant director | |
| Ken Shane | .... | first assistant director | |
Art Department | |||
| Robert Gagno | .... | original artwork | |
| Kumvana Gomani | .... | set designer | |
| Scott Holburn | .... | set dresser | |
| Leo Aza O'Leary | .... | laborer (as Lee O'Leary) | |
| Valentine Pavuls | .... | property master | |
| Laura Schneider | .... | props | |
| Neil Westlake | .... | graphic designer | |
Sound Department | |||
| Bob Costanza | .... | sound effects editor | |
| David S. DiPietro | .... | sound recordist | |
| Paul Drenning | .... | adr mixer | |
| Will Edwards | .... | sound recordist | |
| David C. Eichhorn | .... | supervising sound editor | |
| Lars Ekstrom | .... | sound mixer | |
| Pete Elia | .... | sound re-recording mixer | |
| Greg Farrell | .... | adr engineer | |
| Shelik Fernandez | .... | assistant sound editor | |
| Mike Gardner | .... | boom operator | |
| Bob Holbrook | .... | boom operator | |
| Kurt Kassulke | .... | sound re-recording mixer | |
| Mark Lanza | .... | sound designer | |
| Darryl Marko | .... | sound assistant | |
| Marla McGuire | .... | sound effects editor | |
| Stacey Michaels | .... | foley mixer | |
| Michael Mullane | .... | sound effects editor | |
| Noel Vought | .... | foley artist | |
Special Effects by | |||
| Jeffrey Butterworth | .... | special effects coordinator | |
| Terence J. Cox | .... | special effects | |
| Kurt Jackson | .... | special effects first assistant | |
| Terry Weaver | .... | special effects assistant | |
Visual Effects by | |||
| Jan Bubenícek | .... | character animator | |
| Natalia Diaz | .... | compositor: Bad Angels Productions, Vancouver | |
| Ales Dlabac | .... | 3D artist | |
| Jiri Forejt | .... | digital compositor | |
| Roland Friedrich | .... | Flame artist | |
| Miro Gal | .... | Flame artist | |
| Lukas Herrmann | .... | digital matte paint artist | |
| Jan Heusler | .... | digital compositor | |
| Tomas Kalhous | .... | digital compositor: UPP | |
| Vít Komrzý | .... | visual effects producer | |
| Tomas Krejzek | .... | compositor | |
| Jirí Linhart | .... | digital effects artist | |
| Robert Loudil | .... | visual effects artist | |
| Tomas Munzar | .... | digital compositor | |
| Peter Nemec | .... | Inferno artist | |
| Joseph Ngo | .... | systems administrator | |
| Viktor Plch | .... | special visual effects | |
| Robert Polewski | .... | matte painter | |
| Jiri Stamfest | .... | matte artist: digital painter | |
| Petr Vcelicka | .... | digital compositor | |
| Jan Vseticek | .... | visual effects coordinator | |
| David Vána | .... | visual effects supervisor | |
| Kim Wiseman | .... | visual effects animator | |
Stunts | |||
| Chris Atkinson | .... | stunt rigger | |
| Claude Bouchard | .... | key stunt rigger | |
| Philip Chang | .... | stunts | |
| Jim Dunn | .... | stunt performer | |
| Kylie Furneaux | .... | stunt double | |
| Leif Havdale | .... | stunt double (pilot episode) | |
| Paul Lazenby | .... | stunt double | |
| Reg Milne | .... | stunt rigger | |
| J.J. Perry | .... | stunts | |
| Jeff Sanca | .... | stunt double | |
| Hugo Steele | .... | wire technician | |
| Sylvesta Stuart | .... | stunt double: Rick Worthy | |
| Ty Trand | .... | stunt rigger | |
Camera and Electrical Department | |||
| Aaron Haesler | .... | second assistant camera: "a" camera | |
| Kieran Humphries | .... | first assistant camera | |
| Mike Kolafa | .... | gaffer | |
| Daniel Volonino | .... | second assistant camera | |
| Michael Wale | .... | camera operator | |
| Scott Wallace | .... | video assist operator | |
Casting Department | |||
| Elizabeth Boykewich | .... | casting executive | |
| Sara Brown | .... | extras casting assistant | |
| James Moore | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Lyne Talbot | .... | on-set costumer | |
Editorial Department | |||
| Scott Bradbury | .... | on-line editor | |
| Tao Madama | .... | post-production assistant | |
| James Renfroe | .... | first assistant editor | |
Music Department | |||
| Moira Marquis | .... | music editor | |
| Joel J. Richard | .... | composer: main title music | |
| Steven Vincent | .... | music supervisor (as Steven Christopher) | |
Other crew | |||
| Mike Atwater | .... | production assistant | |
| Les Ford | .... | computer playback designer | |
| Benjamin Haab | .... | key production assistant | |
| Terry Haws | .... | set supervisor | |
| Brynn Kinnee | .... | background coordinator | |
| Oliver Lee | .... | key production assistant | |
| Nathan Lomax | .... | production assistant | |
| Julianne Manchur | .... | accounting clerk | |
| Tiffany McFarlane | .... | assistant accountant | |
| Carol Phiniotis | .... | production assistant | |
| Chris Shearman | .... | production assistant | |
| Winona Sim | .... | playback coordinator | |
| Craig Stapleton | .... | production accountant | |
| Anthony Szigety | .... | production assistant | |
| Tom Teotico | .... | trainee assistant location manager | |
| Lisa Warren | .... | payroll accountant | |
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I liked this movie. Obviously I'm not the only one who thought it seemed more a premiere of TV show. Tina's review of the movie clearly indicates that she thinks this is a new show. It watched like a premiere, it talked like a premiere, it acted like a premiere, and it ended like a premiere. Unfortunately, it's just a book made into a TV movie.
With the exception of Tom Skerritt, the acting was excellent. I've always love Tom's work, but his performance was very overdone and contrived in this movie. It did serve to contrast against the great performances by the other actors. Dialog that could have easily turned into groaning, eye-rolling diatribes by an unnecessarily wordy and preachy script was, instead, smart, funny, and well paced.
They could have gone crazy with the flaming swords and weapons, but subtle and creative foley artwork kept it from becoming some sort of Holy Light Saber battle. The only really annoying thing to me was the dog's voice! Scale it back a bit! I thought it would've been better if they touched it up a bit to sound as if it were more like he were hearing the dog's words in his head.
I hope the networks get enough positive feedback that this does eventually get developed into a regular show.