When strange anomalies in time start to appear all over England, Professor Cutter and his team have to help track down and capture all sorts of dangerous prehistoric creatures from Earth's distant past.
Andrew Lee Potts,
A North American spin-off of the hit U.K. television series, PRIMEVAL: NEW WORLD follows a specialized team of animal experts and scientists that investigates the appearance of temporal ... See full summary »
Refusing to believe her story about cave-dwelling monsters, the sole survivor of a spelunking exploration gone horribly wrong is forced to follow the authorities back into the caves where something awaits.
Michael J. Reynolds,
A group of friends on vacation decide to venture onto a trail high up in the mountains that has been closed for repairs. The climb proves more perilous than planned, especially as they soon... See full summary »
TV show star reporter Tim Manfrey and his cameraman Steven Johnson travel to Burundi to get sensational footage of a giant crococilian monster which attacked a UN identification team and the Tutsi-Hutu tribal civil war carnage mass grave corpses it was digging up in a Great Lakes marsh area. But it turns out danger also lurks in the armed form of a local war lord. Written by
In real life, as seen in this film, an attempt to bait the crocodile failed. The team used a live goat as bait one night, and the team continued this for days. One day the goat disappeared. The camera failed the night before due to a storm, and then political issues in the area forced the team out of the country. Leaving them unable to know what happened that night. See more »
(at around 1h 4 mins) During the chasing scene in the swamps you can hear squealing tires although there is only sand and grass. See more »
After a noted scientist is killed by what can only be described as some sort of beast an expedition is sent to track it down. Dealing with their own problems, conflicts, and the fact they are in country torn part by civil war.
The film starts as a typical monster flick with an intense death scene and a hint of political agenda. It then proceeds to be a typical creature feature with some decent gore and terror, but the political agenda brought up subtly in the beginning resurfaces and the film becomes mismatched. Fans of gore and horror will have fun with the gore and horror, but the political theme is sorely out of place. It is hard to say that it is irrelevant, because if it was well developed it could serve as a decent metaphor.
Godzilla, for one, is a monster metaphor - the bastard of the nuclear age. Here that is what the film tries to do with Gustave - the HUGE killer croc. It fails - whether it is noble failure or pathetic failure is ultimately up to you - but the failure to intertwine themes and idea throughout the movie results in this mismatching. Things just seems to appear out of nowhere, like a long sequence where the main beast literally disappears from the film. It was right there in the previous scene, but for a while it is gone. Then it is conveniently back for the conclusion. In a funny way this seems to be a monster horror flick from the Sci-Fi channel that has the seriousness of "Blood Diamond" here and there. That just doesn't work, folks. Metaphors and themes must be a pervasive presence to work. --- 4/10
Rated R: graphic violence/gore and profanity
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