Studly German soldier David gets a warm welcome, after a tour of NATO 'peace-making' duty in Afghanistan, from his girlfriend and house-mate Kirsten and his own (step-)family. But the ... See full summary »
Torge is a good looking, popular teenager, self confident and known for his sexual conquests in his town, an example of the "nice but macho" guy from a small Western European town, endowed ... See full summary »
Preest is a masked vigilante detective, searching for his nemesis on the streets of Meanwhile City, a monolithic fantasy metropolis ruthlessly governed by faith and religious fervor. Esser ... See full summary »
In a small town in the Basque country, Lucas and Maria are an elderly brother and sister. They share a house with their memories and the ghosts of the people they have loved throughout ... See full synopsis »
Axel and Karla are an ill-matched couple in a borderline situation. The two meet in the hospital. Axel is keeping watch at his son's bedside and Karla is waiting for some sign of life from ... See full summary »
1648. After the Thirty Years War, Germany is a wretched, plundered land, still ravished by the Black Death. Urchin Krabat gets separated from his beggar friends and finds refuge on the flourishing estate of the black miller. the hard worker gets initiated in his secret magic society. Only afterward he learns its terrible dark secrets, which spell death and/or solitude for the boys and their beloved village girls. A surprising friend offers a daring way out. Written by
Krabat, boring??? How can that be? I just don't get it - Preussler s novel would have made a wonderful script, if they stuck to his idea instead of changing most of it. didn't they see it? In an age when fantasy works like the Lord of the Rings are made into fantastic movies, it is inexcusable that the screenwriters changed so much of the original storyline, and killed so much of its beauty and depth. The movie was shallow at best Yes, the basic story is about love being the only thing that can overcome the darkness. the biggest crime that was done here was to change the characters: The deep bond between Michal and Merten, which leads to Merten trying to run away and finally kill himself. Lyschko not a bad guy in the end, the betrayal played down to nothing... I really like Daniel Brühl, but Tonda? Also, whatever magic there was, it didn't come through.
It was all about power over people, why not lighten the story up as Preussler had done magnificently in the book and send them off to the market or show how the master - and therefore the devil whom he served
manipulated the politicians of this time? could it have been a matter
of budget? Or is it just impossible for us Germans to dive into the spiritual side of things? I don't think any of the changes made to the story were really necessary - it was perfect as it was written, and the screenwriters changed it into a mediocre, lenghty dark tale, nothing more or less. Definitely not what the book was: A story that captured generations of readers. I predict that this movie will be forgotten very quickly.
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