Geremia, an aging tailor/money lender, is a repulsive, mean, stingy man who lives alone in his shabby house with his scornful, bedridden mother. He has a morbid, obsessive relationship with...
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The debut feature by acclaimed Italian director Paolo Sorrentino (La Grande Bellezza) is a stylish and blackly comic look at the dark side of fame. Evocatively set during the eighties, the ... See full summary »
A stylistic and unusual exercise by director Paolo Sorrentino capturing a decisive rugby match, with a father and son playing for the same team. It involves the team's preparation, their ... See full summary »
Jep Gambardella has seduced his way through the lavish nightlife of Rome for decades, but after his 65th birthday and a shock from the past, Jep looks past the nightclubs and parties to find a timeless landscape of absurd, exquisite beauty.
A retired orchestra conductor is on holiday with his daughter and his film director best friend in the Alps when he receives an invitation from Queen Elizabeth II to perform for Prince Philip's birthday.
The title deliberatly recalls the famous L'oro di Napoli (Napoli's Gold) by Vittorio De Sica (1954). Alike De Sica's film here Naples is the real protagonist: Naples and its dust, not its ... See full summary »
Geremia, an aging tailor/money lender, is a repulsive, mean, stingy man who lives alone in his shabby house with his scornful, bedridden mother. He has a morbid, obsessive relationship with money and he uses it to insinuate himself into other people's affairs, pretending to be the "family friend". One day he is asked by a man to lend him money for the wedding of Rosalba, his daughter. Geremia falls in love at first sight with the bewitching creature and and soon indulges in a "beauty and the beast" relationship... Written by
With only 6 full-length feature films under his belt Paolo Sorrentino has already established himself as one of the cinema's greatest stylists. Indeed, I think Sorrentino will turn out to be one of the great directors and not just in his native Italy. His first foray into English, "This Must Be The Place", was an extraordinary American road- movie and a very worthy addition to both that genre and to those visions of America, (and in that particular case, Ireland as well), as seen through the eyes of an outsider. "The Family Friend" was his third film and it, too, is astonishing. It's about a loan shark, the thoroughly despicable Geremia, (a wonderful performance from Giacomo Rizzo), who could have come straight from the pages of a Dickens novel and, though himself in middle-age, lives with his ancient, bed-ridden mother and is on the look-out for a wife or at least a woman. He is a man who takes no prisoners and is certainly not the kind of man you would like to cross. Then one day he meets Rosalba, the daughter of a couple who have borrowed money from him to pay for her wedding, and he is smitten, even though she despises him. This is a dark and very funny film; a variation on "Beauty and the Beast" where the beast really is a beast, a "Phantom of the Opera" where the phantom is as hideous on the inside as he is on the outside, told in the same gloriously broad strokes that Sorrentino has brought to all his films. Critics have compared him to Fellini, (and his most recent film, "The Great Beauty", is a "La Dolce Vita" for the 21st century), but Sorrentino is much too original a talent to be compared to anyone and "The Family Friend" is a true original. Right now I think the only director turning out movies this good, on such a consistent basis, is Paul Thomas Anderson. For starters, they both share the same sense of the absurd though when it comes to the use of music in his movies I think Sorrentino has the edge on all his competitors.
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