| Photos (See all 18 | slideshow) | Videos (see all 4) |
| Balinese Tari Legong Dancers | ... | Dancers: Indonesia | |
| Ni Made Megahadi Pratiwi | ... | Dancer: Valinese Tari Legong Dancers, Indonesia | |
| Puti Sri Candra Dewi | ... | Dancer: Valinese Tari Legong Dancers, Indonesia | |
| Putu Dinda Pratika | ... | Dancer: Valinese Tari Legong Dancers, Indonesia | |
| Marcos Luna | ... | Tattoo Daddy: USA | |
| Hiroshi Ishiguro | ... | Professor and Robot Clone: Japan (as Prof. Hiroshi Ishiguro) | |
| Olivier De Sagazan | ... | Mat At Desk: France | |
| Ladyboys of Cascade Bar | ... | Dancers: Thailand | |
| Kikumaru | ... | Geisha: Japan | |
| Crisanto Neire | ... | Lead Singer: Cebu Provincial Detenton Center, Philippines | |
| Robert Henline | ... | U>S> Army Veteran: USA (as Staff Sergeant Robert Henline) | |
| rest of cast listed alphabetically: | |||
| Tai Lihua | ... | Lead Dancer: 1000 Habds Goddess Dance, China (as Iai Lihua) | |
Directed by | |||
| Ron Fricke | |||
Writing credits(in alphabetical order) | ||
| Ron Fricke | concept and treatment written by | |
| Mark Magidson | concept and treatment written by | |
Produced by | |||
| Salim Amin | .... | location producer: Ethiopia, CamreaPix | |
| Suha Arraf | .... | location producer: Israel | |
| Keiko Hagihara Bang | .... | location producer: South Korea, Bang Singapore Pte (as Keiko Bang) | |
| Leigh Clarke | .... | location producer: United Arab Emirates, Filmworks Dubai | |
| Myles Connolly | .... | line producer | |
| Bianca Costa | .... | location producer: Brazil, Copacabala Films & Production | |
| Touré Ousmane Diadié | .... | location producer: Mali | |
| J.C. Earle | .... | associate producer (as John Chandler Earle) | |
| Deborah Gabinetti | .... | location producer: Indonesia | |
| Hala Galal | .... | location producer: Egyt, Semat Production &Distribution | |
| Rasmini Gardiner | .... | location producer: Indonesia | |
| Dan Halsted | .... | consulting producer | |
| Kim Hansen | .... | location producer: Denmark, Ceenema | |
| Winifred Hmensa | .... | location producer: Ghana, PaperKut Limited | |
| Genevieve Hofmeyr | .... | location producer: Nambia, Moonlighting Film | |
| Miles Johnson | .... | location producer: Thailand, Bullet Productions | |
| Ann L. Kalber | .... | location producer: Hawaii | |
| Mick Kalber | .... | location producer: Hawaii | |
| Richard Kipnis | .... | location producer: Japan, Virgin Earth | |
| Ute Leonhardt | .... | location producer: Italy, Panorama Films | |
| Samanna Lui | .... | location producer: Hong Kong | |
| Mark Magidson | .... | producer | |
| Michael Neale | .... | associate producer: Los Angeles | |
| Maria Polotan | .... | location producer: Phillipines | |
| Marco Valerio Pugnini | .... | location producer: Italy, Panorama Films | |
| Christopher Reyna | .... | imaging producer | |
| Ghassan Salti | .... | producer: Jordan. Film Crew TV Productions | |
| Zulfikar Shahnawaz | .... | location producer: Saudi Arabia, Madarat Productions | |
| Dileep Singh Rathore | .... | line producer: India, On The Road Productions | |
| Tim Smythe | .... | location producer: United Arab Emirates, Filmworks Dubai | |
| Thananath Songchaikul | .... | location producer: Thailand, Bullet Productions | |
| Sonny Nyunt Thein | .... | location producer: Mayanmar | |
| Amadou Thiam | .... | location producer: Mali | |
| Sushil Tyagi | .... | location producer: India, On The Road Productions | |
| Jean Manuel Vignau | .... | location producer: France (as Jean-Manuel Vignau) | |
| Dylan Voogt | .... | location producer: Nambia, Moonlighting Film | |
| Noah Weinzweig | .... | producer: China, Teneighty Productions | |
| Aydan Özbalkan | .... | location producer: Turkey | |
Original Music by | |||
| Marcello De Francisci | |||
| Lisa Gerrard | |||
| Michael Stearns | |||
Cinematography by | |||
| Ron Fricke | |||
Film Editing by | |||
| Ron Fricke | |||
| Mark Magidson | |||
Production Management | |||
| Christopher Reyna | .... | post-production supervisor | |
Sound Department | |||
| James Bailey | .... | foley artist (as James Baily) | |
| J.C. Earle | .... | location sound recordist (as John Chandler Earle) | |
| Kaspar Hugentobler | .... | sound recordist | |
| Matthew Iadarola | .... | sound re-recording mixer | |
| Albert Michael Idioma | .... | location sound recordist (as Michael Idioma) | |
| Jon Johnson | .... | sound effects editor | |
| Michael Magidson | .... | additional foley | |
| Michael Magidson | .... | location sound recordist | |
| Greg Mauer | .... | foley mixer | |
| Rick Owens | .... | foley artist | |
| Angelo Palazzo | .... | sound effects editor | |
| Miguel Rivera | .... | sound designer | |
| Miguel Rivera | .... | sound effects editor | |
| Miguel Rivera | .... | supervising sound editor | |
| Will Staszak | .... | location sound recordist | |
| Michael Stearns | .... | sound designer | |
| Trevor Ward | .... | dolby sound consultant | |
Visual Effects by | |||
| Susan Alexander | .... | visual effects producer: 4k scanning & 4k image processing, FotoKem Digital Film Services (as Sue Alexander) | |
| Jenny Head Appleton | .... | visual effects producer: 4k image processing, Spy Post | |
| Jonathan Block | .... | 3d animator: main and end titles, Picture Mill | |
| Jay Cox | .... | 65mm line-up: 4k scanning & 4k image processing, FotoKem Digital Film Services | |
| Sean Cox | .... | digital artist: 4k image processing, Griffiti Studios | |
| Frank Fieser | .... | digital artist: 4k image processing, Griffiti Studios | |
| Greg Gilmore | .... | flame compositor: 4k image processing, Spy Post | |
| Michael L. Griffin | .... | 65mm line-up: 4k scanning & 4k image processing, FotoKem Digital Film Services (as Mike Griffin) | |
| Amy Hollywood Wixson | .... | senior visual effects producer: 4k image processing, Spy Post | |
| Rick Lopez | .... | scanning: 4k scanning & 4k image processing, FotoKem Digital Film Services | |
| Paul McGhee | .... | scanning: 4k scanning & 4k image processing, FotoKem Digital Film Services | |
| Les Meek | .... | scanning: 4k scanning & 4k image processing, FotoKem Digital Film Services | |
| Jesse Morrow | .... | digital artist: 4k digital intermediate services, Colorworks | |
| Rob Nederhorst | .... | visual effects supervisor: 4k image processing, Griffiti Studios | |
| John Nicolard | .... | head of digital production: 4k scanning & 4k image processing, FotoKem Digital Film Services | |
| Darren Orr | .... | visual effects supervisor: 4k image processing, Spy Post | |
| Daniel Rapo | .... | visual effects producer: 4k scanning & 4k image processing, FotoKem Digital Film Services | |
| Bill Schultz | .... | general manager: 4k scanning & 4k image processing, FotoKem Digital Film Services | |
| Rene Simen | .... | digital artist: 4k scanning & 4k image processing, FotoKem Digital Film Services | |
| Micole Toyloy | .... | digital paint artist: 4k image processing, Spy Post | |
| Paul Winze | .... | visual effects producer: 4k image processing, Griffiti Studios | |
| Nelson Yu | .... | animator: main and end titles, Picture Mill | |
| Donald Strubler Jr. | .... | digital compositor (uncredited) | |
Camera and Electrical Department | |||
| Siddhartha Abbazi | .... | additional camera assistant (as Siddhartha Abbazzi) | |
| Kenneth C. Barrows | .... | 65mm senior camera engineer (as Ken Barrows) | |
| Shane Combs | .... | lead machinist: 65mm motion control time lapse camera system | |
| Michael DelTorre | .... | camera prep technician (as Michael Delatorre) | |
| J.C. Earle | .... | first assistant camera (as John Chandler Earle) | |
| J.C. Earle | .... | gaffer (as John Chandler Earle) | |
| Alexander Falk | .... | second assistant camera | |
| Stephen Franklin | .... | additional camera assistant | |
| Ron Fricke | .... | designer: 65mm motion control time lapse camera system | |
| Dylan Goss | .... | aerial photography: Dubaï | |
| Rob Greiner | .... | motion control software programming: Smart Engineering | |
| Hillary Hanak | .... | electrician: California | |
| Brian L. Hauge | .... | electrician: California | |
| Travis Huston | .... | grip: California (as ravis 'Trigger; Huston) | |
| Igori Kamoevi | .... | grip: California | |
| Justin Thomas Ostensen | .... | additional camera assistant | |
| Greg Reilman | .... | 65mm camera service manager | |
| Dan Sasaki | .... | 65mm camera lens designer and engineer | |
Editorial Department | |||
| Andy Chua | .... | data management: 4k digital intermediate services, Colorworks | |
| Chris Clark | .... | color science: 4k digital intermediate services, Colorworks | |
| J.C. Earle | .... | additional editor (as John Chandler Earle) | |
| Jeff Heacock | .... | lab manager: 65mm film services, Fotokem | |
| Tim Heugele | .... | digital intermediate data management: 4k digital intermediate services, Colorworks | |
| Jim Houston | .... | digital intermediate engineer: 4k digital intermediate services, Colorworks | |
| Grant Janssen | .... | digital intermediate engineer: 4k digital intermediate services, Colorworks (as Grant Jansen) | |
| Kevin Lomet | .... | digital intermediate assistant: 4k digital intermediate services, Colorworks | |
| Greg Mucino | .... | digital intermediate data management: 4k digital intermediate services, Colorworks | |
| Maureen O'Connor | .... | digital intermediate producer: 4k digital intermediate services, Colorworks | |
| Andrew Oran | .... | operations: 65mm film services, Fotokem | |
| Sara Pasanen | .... | ocn lineup: 65mm film services, Fotokem | |
| John Persichetti | .... | digital intermediate colorist: 4k digital intermediate services, Colorworks | |
| Vince Roth | .... | technical director: 65mm film services, Fotokem | |
| Cat Rowe | .... | digital intermediate assistant: 4k digital intermediate services, Colorworks (as Kat Rowe) | |
| Jason Saulog | .... | digital intermediate conformist: 4k digital intermediate services, Colorworks | |
| Benjamin Sutor | .... | digital intermediate conformist: 4k digital intermediate services, Colorworks | |
| Robert Tomaszewski | .... | telecine operator: 65mm film services, Fotokem | |
| Erin White | .... | data transfer editor: 65mm film services, Fotokem | |
| Gwili Wilson | .... | digital intermediate assistant: 4k digital intermediate services, Colorworks | |
| Bill Young | .... | conform qc editor (as William Young) | |
| Kristen Zimmerman | .... | color timer: 65mm film services, Fotokem | |
Music Department | |||
| Paul Abell | .... | bell collection | |
| Zuleikha Bethami | .... | consultant: source music | |
| David Brownlow | .... | music recordist: dharamsala monk recordings | |
| Marcello De Francisci | .... | music mixer: Ross 424 | |
| Marcello De Francisci | .... | musician: charango, viola, percussion | |
| Lisa Gerrard | .... | musician: vocals | |
| Kaspar Hugentobler | .... | music editor: Ross 424 | |
| Mark Magidson | .... | musical director | |
| Don Markese | .... | musician: flutes on 'Food Chain' | |
| James Orr | .... | additional music engineer: Ross 424 | |
| Amir Pakrooh | .... | musician: Persian ney flute on ;Dubai; | |
| Michael Stearns | .... | music editor: Ross 424 | |
| Michael Stearns | .... | music mixer: Ross 424 | |
| Michael Stearns | .... | musical director | |
| Nancie Stern | .... | music clearances: Music Resources | |
| Vidia Wesenlund | .... | musician: vocals on 'Pagan, ' 'Katrina, ' 'Organics' and 'St Peters' | |
Other crew | |||
| Iris Azadi | .... | junior title designer: P{icture Mill | |
| Shel Bachrach | .... | insurance: Bachrach & Associates | |
| Ayesha Chagla | .... | production coordinator - UAE | |
| David Clayton | .... | title designer: Picture Mill | |
| Nina Huang Fan | .... | fixer | |
| Bryan Gardiner | .... | location scout: New Orleans | |
| Linda Giella | .... | lead researcher | |
| Michelle Grenier | .... | internet presence assistant | |
| Paul Harper | .... | production assistant | |
| Ron Hess | .... | insurance: Bachrach & Associates | |
| James Hornstein | .... | legal: Lapidus, Root, Franklin & Sacharow | |
| Elly Jonez | .... | internet presence consultant | |
| Ryan Key | .... | production assistant | |
| Paul Kimball | .... | production assistant | |
| Aaron Krinsky | .... | production assistant | |
| Manjari Makijany | .... | production coordinator: india | |
| Clark McClutcheon | .... | legal: Lapidus, Root, Franklin & Sacharow | |
| David Midgen | .... | titles producer: Picture Mill | |
| William Osborne | .... | production accountant: Gorelick & Uslaner | |
| Derek Ostensen | .... | production assistant | |
| Michelle Peele | .... | production coordinator | |
| Peggy Robinson | .... | additional research | |
| Henry Root | .... | legal: Lapidus, Root, Franklin & Sacharow (as Henry W. Root) | |
| Ghassan Salti | .... | production consultant: Turkey | |
| Rachel Siegal | .... | visa services: Intercontinental Visa Service | |
| Barkin Smith | .... | legal: Lapidus, Root, Franklin & Sacharow | |
| Jill L. Smith | .... | legal: Lapidus, Root, Franklin & Sacharow (as Jill Smith) | |
| Jonathan Sokol | .... | legal: Greenberg Glusker | |
| Beverly Soo Hoo | .... | production accountant: Gorelick & Uslaner | |
| Will Staszak | .... | production assistant | |
| Carey Ann Strelecki | .... | research consultant | |
| Christine Wright | .... | insurance: Bachrach & Associates | |
| Marianna Yarovskaya | .... | researcher | |
| Khaled Zaazouh | .... | production assistant: Dubai | |
Thanks | |||
| Deanna Born | .... | thanks | |
| Manuel Cadaval | .... | thanks | |
| Camille Cellucci | .... | thanks | |
| Joe Hall | .... | thanks | |
| Cynthia Hardy | .... | thanks | |
| John Hardy | .... | thanks | |
| Ami Haruna | .... | special thanks | |
| Iris Ichishita | .... | thanks | |
| David Magidson | .... | thanks | |
| Michael Magisdon | .... | thanks | |
| Vivian Vivona | .... | thanks | |
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| Baraka | Koyaanisqatsi | Chronos | At Sea | 6 A.M. |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
I have found reviewing this film in detail to be futile. Instead, I will offer my own thoughts.
Whereas 1992's "Baraka" contemplates on humanity in a dream/god-like manner, Ron Fricke's "Samsara" is more intense and solemn in its tone. From the birth of civilization, mankind has used its gift for intelligence for nothing but progress, and now, today, we have either reached or gone over the tipping point. There is no where but down this time. Humans work mechanically in a clockwork fashion, consume everything in their path, and leave the excesses behind for others to scavenge. Eventually, all will collapse, leaving nothing behind and returning the state of civilization back to ground zero. And the wheel turns on. Is this what "Samsara", Frick and co-editor Mark Magidson is trying to say? Or did you experience a completely different interpretation? It is up to you to decide.
I will not ponder upon the technical details. The cinematography and editing is flawless; the music and music arrangement - simply mesmerizing. A work of art, like life itself, on this planet, in our cities and homes, in the desolate plains and mountains; they are shown in all its beauty, splendour and spectacle. Our planet is truly beautiful.
I will end my review with this note - you owe no one but yourself to see this film. Every man, woman and child should see this - regardless of their personal preference of culture and entertainment. This film is a message to all of us. A warning.
Overall rating: 100%