| Photos (See all 18 | slideshow) | Videos (see all 4) |
| Balinese Tari Legong Dancers | ... | Dancers: Indonesia | |
| Ni Made Megahadi Pratiwi | ... | Dancer: Valinese Tari Legong Dancers, Indonesia | |
| Puti Sri Candra Dewi | ... | Dancer: Valinese Tari Legong Dancers, Indonesia | |
| Putu Dinda Pratika | ... | Dancer: Valinese Tari Legong Dancers, Indonesia | |
| Marcos Luna | ... | Tattoo Daddy: USA | |
| Hiroshi Ishiguro | ... | Professor and Robot Clone: Japan (as Prof. Hiroshi Ishiguro) | |
| Olivier De Sagazan | ... | Mat At Desk: France | |
| Ladyboys of Cascade Bar | ... | Dancers: Thailand | |
| Kikumaru | ... | Geisha: Japan | |
| Crisanto Neire | ... | Lead Singer: Cebu Provincial Detenton Center, Philippines | |
| Robert Henline | ... | U>S> Army Veteran: USA (as Staff Sergeant Robert Henline) | |
| rest of cast listed alphabetically: | |||
| Tai Lihua | ... | Lead Dancer: 1000 Habds Goddess Dance, China (as Iai Lihua) | |
Directed by | |||
| Ron Fricke | |||
Writing credits(in alphabetical order) | ||
| Ron Fricke | concept and treatment written by | |
| Mark Magidson | concept and treatment written by | |
Produced by | |||
| Salim Amin | .... | location producer: Ethiopia, CamreaPix | |
| Suha Arraf | .... | location producer: Israel | |
| Keiko Hagihara Bang | .... | location producer: South Korea, Bang Singapore Pte (as Keiko Bang) | |
| Leigh Clarke | .... | location producer: United Arab Emirates, Filmworks Dubai | |
| Myles Connolly | .... | line producer | |
| Bianca Costa | .... | location producer: Brazil, Copacabala Films & Production | |
| Touré Ousmane Diadié | .... | location producer: Mali | |
| J.C. Earle | .... | associate producer (as John Chandler Earle) | |
| Deborah Gabinetti | .... | location producer: Indonesia | |
| Hala Galal | .... | location producer: Egyt, Semat Production &Distribution | |
| Rasmini Gardiner | .... | location producer: Indonesia | |
| Dan Halsted | .... | consulting producer | |
| Kim Hansen | .... | location producer: Denmark, Ceenema | |
| Winifred Hmensa | .... | location producer: Ghana, PaperKut Limited | |
| Genevieve Hofmeyr | .... | location producer: Nambia, Moonlighting Film | |
| Miles Johnson | .... | location producer: Thailand, Bullet Productions | |
| Ann L. Kalber | .... | location producer: Hawaii | |
| Mick Kalber | .... | location producer: Hawaii | |
| Richard Kipnis | .... | location producer: Japan, Virgin Earth | |
| Ute Leonhardt | .... | location producer: Italy, Panorama Films | |
| Samanna Lui | .... | location producer: Hong Kong | |
| Mark Magidson | .... | producer | |
| Michael Neale | .... | associate producer: Los Angeles | |
| Maria Polotan | .... | location producer: Phillipines | |
| Marco Valerio Pugnini | .... | location producer: Italy, Panorama Films | |
| Christopher Reyna | .... | imaging producer | |
| Ghassan Salti | .... | producer: Jordan. Film Crew TV Productions | |
| Zulfikar Shahnawaz | .... | location producer: Saudi Arabia, Madarat Productions | |
| Dileep Singh Rathore | .... | line producer: India, On The Road Productions | |
| Tim Smythe | .... | location producer: United Arab Emirates, Filmworks Dubai | |
| Thananath Songchaikul | .... | location producer: Thailand, Bullet Productions | |
| Sonny Nyunt Thein | .... | location producer: Mayanmar | |
| Amadou Thiam | .... | location producer: Mali | |
| Sushil Tyagi | .... | location producer: India, On The Road Productions | |
| Jean Manuel Vignau | .... | location producer: France (as Jean-Manuel Vignau) | |
| Dylan Voogt | .... | location producer: Nambia, Moonlighting Film | |
| Noah Weinzweig | .... | producer: China, Teneighty Productions | |
| Aydan Özbalkan | .... | location producer: Turkey | |
Original Music by | |||
| Marcello De Francisci | |||
| Lisa Gerrard | |||
| Michael Stearns | |||
Cinematography by | |||
| Ron Fricke | |||
Film Editing by | |||
| Ron Fricke | |||
| Mark Magidson | |||
Production Management | |||
| Christopher Reyna | .... | post-production supervisor | |
Sound Department | |||
| James Bailey | .... | foley artist (as James Baily) | |
| J.C. Earle | .... | location sound recordist (as John Chandler Earle) | |
| Kaspar Hugentobler | .... | sound recordist | |
| Matthew Iadarola | .... | sound re-recording mixer | |
| Albert Michael Idioma | .... | location sound recordist (as Michael Idioma) | |
| Jon Johnson | .... | sound effects editor | |
| Michael Magidson | .... | additional foley | |
| Michael Magidson | .... | location sound recordist | |
| Greg Mauer | .... | foley mixer | |
| Rick Owens | .... | foley artist | |
| Angelo Palazzo | .... | sound effects editor | |
| Miguel Rivera | .... | sound designer | |
| Miguel Rivera | .... | sound effects editor | |
| Miguel Rivera | .... | supervising sound editor | |
| Will Staszak | .... | location sound recordist | |
| Michael Stearns | .... | sound designer | |
| Trevor Ward | .... | dolby sound consultant | |
Visual Effects by | |||
| Susan Alexander | .... | visual effects producer: 4k scanning & 4k image processing, FotoKem Digital Film Services (as Sue Alexander) | |
| Jenny Head Appleton | .... | visual effects producer: 4k image processing, Spy Post | |
| Jonathan Block | .... | 3d animator: main and end titles, Picture Mill | |
| Jay Cox | .... | 65mm line-up: 4k scanning & 4k image processing, FotoKem Digital Film Services | |
| Sean Cox | .... | digital artist: 4k image processing, Griffiti Studios | |
| Frank Fieser | .... | digital artist: 4k image processing, Griffiti Studios | |
| Greg Gilmore | .... | flame compositor: 4k image processing, Spy Post | |
| Michael L. Griffin | .... | 65mm line-up: 4k scanning & 4k image processing, FotoKem Digital Film Services (as Mike Griffin) | |
| Amy Hollywood Wixson | .... | senior visual effects producer: 4k image processing, Spy Post | |
| Rick Lopez | .... | scanning: 4k scanning & 4k image processing, FotoKem Digital Film Services | |
| Paul McGhee | .... | scanning: 4k scanning & 4k image processing, FotoKem Digital Film Services | |
| Les Meek | .... | scanning: 4k scanning & 4k image processing, FotoKem Digital Film Services | |
| Jesse Morrow | .... | digital artist: 4k digital intermediate services, Colorworks | |
| Rob Nederhorst | .... | visual effects supervisor: 4k image processing, Griffiti Studios | |
| John Nicolard | .... | head of digital production: 4k scanning & 4k image processing, FotoKem Digital Film Services | |
| Darren Orr | .... | visual effects supervisor: 4k image processing, Spy Post | |
| Daniel Rapo | .... | visual effects producer: 4k scanning & 4k image processing, FotoKem Digital Film Services | |
| Bill Schultz | .... | general manager: 4k scanning & 4k image processing, FotoKem Digital Film Services | |
| Rene Simen | .... | digital artist: 4k scanning & 4k image processing, FotoKem Digital Film Services | |
| Micole Toyloy | .... | digital paint artist: 4k image processing, Spy Post | |
| Paul Winze | .... | visual effects producer: 4k image processing, Griffiti Studios | |
| Nelson Yu | .... | animator: main and end titles, Picture Mill | |
| Donald Strubler Jr. | .... | digital compositor (uncredited) | |
Camera and Electrical Department | |||
| Siddhartha Abbazi | .... | additional camera assistant (as Siddhartha Abbazzi) | |
| Kenneth C. Barrows | .... | 65mm senior camera engineer (as Ken Barrows) | |
| Shane Combs | .... | lead machinist: 65mm motion control time lapse camera system | |
| Michael DelTorre | .... | camera prep technician (as Michael Delatorre) | |
| J.C. Earle | .... | first assistant camera (as John Chandler Earle) | |
| J.C. Earle | .... | gaffer (as John Chandler Earle) | |
| Alexander Falk | .... | second assistant camera | |
| Stephen Franklin | .... | additional camera assistant | |
| Ron Fricke | .... | designer: 65mm motion control time lapse camera system | |
| Dylan Goss | .... | aerial photography: Dubaï | |
| Rob Greiner | .... | motion control software programming: Smart Engineering | |
| Hillary Hanak | .... | electrician: California | |
| Brian L. Hauge | .... | electrician: California | |
| Travis Huston | .... | grip: California (as ravis 'Trigger; Huston) | |
| Igori Kamoevi | .... | grip: California | |
| Justin Thomas Ostensen | .... | additional camera assistant | |
| Greg Reilman | .... | 65mm camera service manager | |
| Dan Sasaki | .... | 65mm camera lens designer and engineer | |
Editorial Department | |||
| Andy Chua | .... | data management: 4k digital intermediate services, Colorworks | |
| Chris Clark | .... | color science: 4k digital intermediate services, Colorworks | |
| J.C. Earle | .... | additional editor (as John Chandler Earle) | |
| Jeff Heacock | .... | lab manager: 65mm film services, Fotokem | |
| Tim Heugele | .... | digital intermediate data management: 4k digital intermediate services, Colorworks | |
| Jim Houston | .... | digital intermediate engineer: 4k digital intermediate services, Colorworks | |
| Grant Janssen | .... | digital intermediate engineer: 4k digital intermediate services, Colorworks (as Grant Jansen) | |
| Kevin Lomet | .... | digital intermediate assistant: 4k digital intermediate services, Colorworks | |
| Greg Mucino | .... | digital intermediate data management: 4k digital intermediate services, Colorworks | |
| Maureen O'Connor | .... | digital intermediate producer: 4k digital intermediate services, Colorworks | |
| Andrew Oran | .... | operations: 65mm film services, Fotokem | |
| Sara Pasanen | .... | ocn lineup: 65mm film services, Fotokem | |
| John Persichetti | .... | digital intermediate colorist: 4k digital intermediate services, Colorworks | |
| Vince Roth | .... | technical director: 65mm film services, Fotokem | |
| Cat Rowe | .... | digital intermediate assistant: 4k digital intermediate services, Colorworks (as Kat Rowe) | |
| Jason Saulog | .... | digital intermediate conformist: 4k digital intermediate services, Colorworks | |
| Benjamin Sutor | .... | digital intermediate conformist: 4k digital intermediate services, Colorworks | |
| Robert Tomaszewski | .... | telecine operator: 65mm film services, Fotokem | |
| Erin White | .... | data transfer editor: 65mm film services, Fotokem | |
| Gwili Wilson | .... | digital intermediate assistant: 4k digital intermediate services, Colorworks | |
| Bill Young | .... | conform qc editor (as William Young) | |
| Kristen Zimmerman | .... | color timer: 65mm film services, Fotokem | |
Music Department | |||
| Paul Abell | .... | bell collection | |
| Zuleikha Bethami | .... | consultant: source music | |
| David Brownlow | .... | music recordist: dharamsala monk recordings | |
| Marcello De Francisci | .... | music mixer: Ross 424 | |
| Marcello De Francisci | .... | musician: charango, viola, percussion | |
| Lisa Gerrard | .... | musician: vocals | |
| Kaspar Hugentobler | .... | music editor: Ross 424 | |
| Mark Magidson | .... | musical director | |
| Don Markese | .... | musician: flutes on 'Food Chain' | |
| James Orr | .... | additional music engineer: Ross 424 | |
| Amir Pakrooh | .... | musician: Persian ney flute on ;Dubai; | |
| Michael Stearns | .... | music editor: Ross 424 | |
| Michael Stearns | .... | music mixer: Ross 424 | |
| Michael Stearns | .... | musical director | |
| Nancie Stern | .... | music clearances: Music Resources | |
| Vidia Wesenlund | .... | musician: vocals on 'Pagan, ' 'Katrina, ' 'Organics' and 'St Peters' | |
Other crew | |||
| Iris Azadi | .... | junior title designer: P{icture Mill | |
| Shel Bachrach | .... | insurance: Bachrach & Associates | |
| Ayesha Chagla | .... | production coordinator - UAE | |
| David Clayton | .... | title designer: Picture Mill | |
| Nina Huang Fan | .... | fixer | |
| Bryan Gardiner | .... | location scout: New Orleans | |
| Linda Giella | .... | lead researcher | |
| Michelle Grenier | .... | internet presence assistant | |
| Paul Harper | .... | production assistant | |
| Ron Hess | .... | insurance: Bachrach & Associates | |
| James Hornstein | .... | legal: Lapidus, Root, Franklin & Sacharow | |
| Elly Jonez | .... | interet presence consultant | |
| Ryan Key | .... | production assistant | |
| Paul Kimball | .... | production assistant | |
| Aaron Krinsky | .... | production assistant | |
| Manjari Makijany | .... | production coordinator: india | |
| Clark McClutcheon | .... | legal: Lapidus, Root, Franklin & Sacharow | |
| David Midgen | .... | titles producer: Picture Mill | |
| William Osborne | .... | production accountant: Gorelick & Uslaner | |
| Derek Ostensen | .... | production assistant | |
| Michelle Peele | .... | production coordinator | |
| Peggy Robinson | .... | additional research | |
| Henry Root | .... | legal: Lapidus, Root, Franklin & Sacharow (as Henry W. Root) | |
| Ghassan Salti | .... | production consultant: Turkey | |
| Rachel Siegal | .... | visa services: Intercontinental Visa Service | |
| Barkin Smith | .... | legal: Lapidus, Root, Franklin & Sacharow | |
| Jill L. Smith | .... | legal: Lapidus, Root, Franklin & Sacharow (as Jill Smith) | |
| Jonathan Sokol | .... | legal: Greenberg Glusker | |
| Beverly Soo Hoo | .... | production accountant: Gorelick & Uslaner | |
| Will Staszak | .... | production assistant | |
| Carey Ann Strelecki | .... | research consultant | |
| Christine Wright | .... | insurance: Bachrach & Associates | |
| Marianna Yarovskaya | .... | researcher | |
| Khaled Zaazouh | .... | production assistant: Dubai | |
Thanks | |||
| Deanna Born | .... | thanks | |
| Manuel Cadaval | .... | thanks | |
| Camille Cellucci | .... | thanks | |
| Joe Hall | .... | thanks | |
| Cynthia Hardy | .... | thanks | |
| John Hardy | .... | thanks | |
| Ami Haruna | .... | special thanks | |
| Iris Ichishita | .... | thanks | |
| David Magidson | .... | thanks | |
| Michael Magisdon | .... | thanks | |
| Vivian Vivona | .... | thanks | |
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| Baraka | Koyaanisqatsi | Chronos | At Sea | 6 A.M. |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
for the first 10 minutes i thought it was mistake to buy the ticket.
it was first time for me seeing documentary without commentary.
the images are so beautiful and interesting, but i expect that i will got bored in a few minutes.
And in fact i did.
but after a while, somehow i gradually got absorbed in the movie again.
keeping watching gorgeous images leads me to a kind of meditation.
and in the end i ended up getting impressed.
you can experience something different from ordinary documentary.
it is definitely a movie for theater, not home-screen.
i recommend that you go to theater when you watch Samsara.