| Videos (see all 2) |
| Anthony 'Treach' Criss | ... | Connors (as Treach) | |
| Nia Peeples | ... | Amanda | |
| Blu Mankuma | ... | Brooks | |
| Tom Heaton | ... | Howard | |
| Garwin Sanford | ... | Darryl Greene | |
| Warren Derosa | ... | Barnes | |
| Bill Meilen | ... | Dr. Mackenzie | |
| P. Lynn Johnson | ... | First Lady | |
| Robin Mossley | ... | Hotel Manager | |
| Elias Toufexis | ... | Captain | |
| Santo Lombardo | ... | Waiter | |
| Claude Knowlton | ... | Latino Man | |
| David Coles | ... | Gunman #2 | |
| Bobby L. Stewart | ... | G Section Guard | |
| Jano Frandsen | ... | Three Star General | |
| Sage Brocklebank | ... | Major | |
| Michael St. John Smith | ... | Police Chief | |
| Ian Marsh | ... | Federal Agent #1 | |
| Glenn Ennis | ... | Gate Security | |
| Brenda Crichlow | ... | Reporter | |
| James Bamford | ... | Brooks Men A | |
| Rob Wilton | ... | Brooks Men B | |
| Ed Anders | ... | Cleaner 1 | |
| Darryl Scheelar | ... | Cleaner 2 | |
| Dan Shea | ... | Cleaner 3 | |
| Jeff Sanca | ... | Gunman 1 | |
| Dan Risutto | ... | Gunman A | |
| Mike Godenir | ... | Gunman B (as Mike Goodenir) | |
| rest of cast listed alphabetically: | |||
| Richard Zeman | ... | Extra (uncredited) | |
Directed by | |||
| Nick Castle | |||
Writing credits(in alphabetical order) | ||
| D. Kyle Johnson | ||
Produced by | |||
| Warren Derosa | .... | associate producer | |
| Phillip B. Goldfine | .... | producer | |
| Nia Peeples | .... | associate producer | |
| Alison Semenza | .... | producer | |
Original Music by | |||
| James Bairian | |||
| Louis Castle | |||
Cinematography by | |||
| Suki Medencevic | |||
Film Editing by | |||
| Vanick Moradian | |||
Casting by | |||
| Maureen Webb | |||
Production Design by | |||
| Eric Norlin | |||
Art Direction by | |||
| Keli Manson | |||
Set Decoration by | |||
| Victoria Söderholm | |||
Costume Design by | |||
| Karen Munnis | |||
Makeup Department | |||
| Mariah Crawley | .... | key hair stylist | |
| Debi Lelievre | .... | key makeup artist (as Debbie Lelievre) | |
| Tana Lynn Moldovanos | .... | makeup artist | |
Production Management | |||
| Michele Futerman | .... | production manager | |
| Bryan S. Sexton | .... | post-production supervisor | |
Art Department | |||
| Patrick Jennings | .... | on-set dresser | |
| Corey Leask | .... | on-set dresser | |
| Elizabeth Mackinnon | .... | lead dresser (as Liz Mackinnon) | |
| Nathalie Morin | .... | assistant set decorator | |
| Valentine Pavuls | .... | property master | |
| Mike Reddy | .... | set dresser (as Michael Reddy) | |
| Zbibgniew Scheller | .... | construction coordinator | |
| Laura Schneider | .... | props | |
| John Wilcox | .... | paint coordinator | |
| Renata Zaleska | .... | prop buyer | |
Sound Department | |||
| David S. DiPietro | .... | foley mixer | |
| Paul Drenning | .... | adr mixer | |
| Shelik Fernandez | .... | assistant sound editor | |
| Stephen Fitzmaurice | .... | sound re-recording mixer | |
| Chris Gordon | .... | adr recordist | |
| Mark Lanza | .... | supervising sound editor | |
| Michael Mullane | .... | sound effects editor | |
| Tad Nazar | .... | sound mixer (as Ted Nazar) | |
| Vic Radulich | .... | dialogue editor | |
| Larry Stensvold | .... | sound re-recording mixer | |
| John Milo Train | .... | assistant sound editor | |
| Noel Vought | .... | foley artist | |
| Michael Watkins | .... | boom operator | |
| Craig Weintraub | .... | assistant sound editor | |
| Christopher Sherwin | .... | adr recordist (uncredited) | |
Special Effects by | |||
| Allen Benjamin | .... | special effects coordinator (as Al Benjamin) | |
| Chris Labre | .... | special effects | |
| Brant McIlroy | .... | special effects best boy | |
| John McNulty | .... | special effects | |
Visual Effects by | |||
| Bennique Blasini | .... | visual effects supervisor | |
| Steven M. Blasini | .... | visual effects supervisor | |
Stunts | |||
| Bill Edwards | .... | stunts | |
| Glenn Ennis | .... | stunt coordinator | |
| Ryan Ennis | .... | stunt coordinator | |
| Jason Griffith | .... | stunts (as Jase-Anthony Griffith) | |
| Gaston Morrison | .... | stunt double: Connors (as Gaston Howard) | |
| Dan Rizzuto | .... | stunt performer | |
| Jeff Sanca | .... | stunts | |
| John Ulmer | .... | stunts | |
Camera and Electrical Department | |||
| Ed Araquel | .... | still photographer | |
| George Campbell | .... | camera operator | |
| Robert Dowding | .... | best boy electric (as Rob Dowding) | |
| Lance Fisher | .... | second camera operator | |
| Mike Green | .... | second assistant camera: 'b' camera | |
| Derek Harding | .... | lamp operator | |
| Todd Kristianson | .... | lamp operator | |
| Mark Lunn | .... | assistant camera | |
| Stephen J. McKnight | .... | first assistant camera: "b" camera | |
| Trin McQuair | .... | camera trainee | |
| Todd Mikolas | .... | lamp operator | |
| Brock Miller | .... | lead grip | |
| Ryan Nazar | .... | second assistant camera: 'a' camera | |
| Adrian Netto | .... | best boy grip | |
| Brandi Rose Pagani | .... | camera trainee (as Brandi Pagani) | |
| Mat Pasch | .... | gaffer (as Matt Pasch) | |
| Eric Payne | .... | lamp operator | |
| Joe Pittam | .... | generator operator | |
| Jim Power | .... | grip | |
| Charlie Schrodt | .... | grip | |
| Jeff Smith | .... | key grip | |
| Maximilian Spohr | .... | lamp operator (as Max Spohr) | |
Casting Department | |||
| Colleen Bolton | .... | casting associate (as Colleen Rogers) | |
| Sandra-Ken Freeman | .... | extras casting | |
| Jackie Micallef | .... | extras casting assistant | |
| Alicia Scott | .... | extras casting associate | |
Costume and Wardrobe Department | |||
| Michele Guimond | .... | assistant costume designer | |
| Jessica Judd | .... | costume set supervisor | |
Editorial Department | |||
| Chris Mistorni | .... | assistant editor | |
| Mike Schneider | .... | colorist: dailies (as Michael Schneider) | |
| Randy Starnes | .... | final color timer | |
| John D. Van Wye | .... | on-line editor (as Jon Van Wye) | |
Music Department | |||
| James Bairian | .... | music editor | |
| Louis Castle | .... | music editor | |
Transportation Department | |||
| Randy Caine | .... | transportation coordinator | |
| James Stewart | .... | transportation captain (as Jim Stewart) | |
Other crew | |||
| Michelle Boback | .... | production coordinator | |
| Dan Falkenberg | .... | assistant location manager | |
| Ashley Fester | .... | assistant production coordinator | |
| Phil Kieran | .... | location manager | |
| Cathy Landry | .... | assistant accountant | |
| Brianna O'Donohue | .... | assistant production coordinator | |
| Darin Oishi | .... | production accountant | |
| Ryan Steacy | .... | armorer | |
| Joseph Thomas | .... | assistant chef | |
| Susan Williams | .... | script supervisor | |
Thanks | |||
| Trin McQuair | .... | dedicatee | |
|
|
|
|
|
| The Defender | Running Red | Hunt to Kill | American Ninja 2: The Confrontation | Murphy's Law |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb USA section |
Treach gives a more reserved performance than you'd expect from a rapper as a former agent who lost his eyesight due to misguided SWAT involvement in his latest mission, and after three years is approached by his mentor who promises to help him regain his eyesight in exchange for one more risky job. But neither the eye operation nor the job go as planned. Nia Peeples gives an enjoyable performance as the optometrist who gets involved in the action and begins to like it....and you won't believe she was 45 when she made this, she puts many women 10 years younger than her to shame. Plus, the image of her with a gun is painting-on-the-wall worthy. The two most interesting things about "Connor's War" are the gimmicks the director uses to depict Connor's "night vision" as it goes in and out, and the morally vague world the screenwriter creates, where the characters played by Garwin Sanford and Blu Mankuma may be at war with each other, but they show a similar disrespect for human life. Yes, there isn't really much that's new in this film, but it's done well enough and I don't regret watching it. (**1/2)