IFC First Take
NEW YORK -- Christophe Honore's comedy drama Dans Paris plays disconcertingly like a greatest-hits collection of French cinema, particularly the new wave. Jump cuts and direct addresses to the camera ala Godard? Check. Sudden bursts into song ala Demy? Check. Endless talkathons ala Rivette? Check. Romantic complications played as life and death ala Truffaut? Check. By the time it's over, you feel... Read the full review and more at hollywoodreporter.com.
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