Anna has just left Paul who, annihilated by the separation, moves back with his father in Paris. His younger brother Jonathan, a casual student, still lives in his father's apartment and ... See full summary »
Sixteen-year old Junie changes high school mid-year, following the death of her mother. She finds herself in the same class as her cousin Mathias, who introduces her to his friends. All the... See full summary »
1968 and 1969 in Paris: during and after the student and trade union revolt. François is 20, a poet, dodging military service. He takes to the barricades, but won't throw a Molotov cocktail... See full summary »
Ever since she broke up with Nigel, Lena soldiers on through life as best she can with her two kids. She valiantly overcomes the obstacles put in her way. But she has yet to confront the ... See full summary »
In London, a mother and daughter navigate their respective romances: Madeline rekindles an affair from thirty years earlier, while her daughter Vera is caught between a musician who cannot commit and her ex, who still pines for her.
Giano and Luc are traveling through the woods when a storm breaks, forcing them to take shelter in Luc's villa. Gradually and insidiously, a competition emerges between them, with terrible consequences.
Ferdinando Cito Filomarino
As a man leaves his wife and daughter, a series of brief conversations, observed gestures, chance encounters and impulsive acts, tell the story of the relationships that flounder and thrive in the wake of this decision.
Pierre, a professional dancer, suffers from a serious heart disease. While he is waiting for a transplant which may (or may not) save his life, he has nothing better to do than look at the ... See full summary »
Anna has just left Paul who, annihilated by the separation, moves back with his father in Paris. His younger brother Jonathan, a casual student, still lives in his father's apartment and spends most of his time womanizing and fooling around. But what this apparent lightness conceals is a deep wound. Jonathan, in fact, has never been able to overcome the death of his beloved sister. Meanwhile Paul sinks into depression... Written by
In one scene of the film, where Jonathan walks in front of the cinema, two movie posters are shown. One is for A History of Violence (2005), a film which was also released in cinemas in France via the same distributor as this film. The other is for Last Days (2005) starring Michael Pitt, who co-starred with Louis Garrel in The Dreamers (2003). See more »
I don't know what's happening. I don't trust myself when I'm in love. I get nervous and say the wrong things or I start examining, evaluating, calculating what I say. I say "Think it will rain?" She responds, "I don't know." Then I wonder if she's even interested. It all scares me to death. Yes, scared to death. A friend once told me having a fuck buddy is better than falling in love. I think he's right. Rain makes flowers grow and snails happy. That's a fact. But if a girl loves me she starts ...
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Apparently this rather languid French flick is something of an homage to the New Wave. There's quite a bit of all manner of homage running throughout in fact, with symbols namechecking JD Salinger and even - with a bedtime story concerning a cartoon wolf called Lulu - the resonance of another unrepentantly Parisian film, la Séparation. If Christian Vincent's film is about the rupture of a family unit then Honoré's concerns is re-composition, two brothers and estranged parents grope to rediscover their mutual centre of gravitation.
Inevitably it's all about style though, which often means simply filming on location, Dans Paris indeed. There are a number of quirks to make us mindful of the disjunct connections the family have to one another - an early break in the fourth wall as Louis Garrel addresses the camera, sped-up and fast-cut sequences, a touching final phone call where Romain Duris and his estranged girlfriend begin to sing their conversation along with the (non-diegetic) soundtrack. I found the capricious narrative trying and the tale wilfully inconclusive, despite a suggestion of schematic form. The acting's average too. 4/10
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