Two siblings begin to develop special talents after they find a mysterious box of toys. Soon the kids, their parents, and even their teacher are drawn into a strange new world and find a task ahead of them that is far more important than any of them could imagine!
For generations, the people of the City of Ember have flourished in an amazing world of glittering lights. But Ember's once powerful generator is failing ... and the great lamps that illuminate the city are starting to flicker.
Upon moving into the run-down Spiderwick Estate with their mother, twin brothers Jared and Simon Grace, along with their sister Mallory, find themselves pulled into an alternate world full of faeries and other creatures.
A young girl discovers her father has an amazing talent to bring characters out of their books and must try to stop a freed villain from destroying them all, with the help of her father, her aunt, and a storybook's hero.
Wilbur the pig is scared of the end of the season, because he knows that come that time, he will end up on the dinner table. He hatches a plan with Charlotte, a spider that lives in his pen, to ensure that this will never happen.
The siblings Noah and Emma travel with their mother Jo from Seattle to the family cottage in Whidbey Island to spend a couple of days while their workaholic father David Wilder is working. They find a box of toys from the future in the water and bring it home, and Emma finds a stuffed rabbit called Mimzy, and stones and a weird object, but they hide their findings from their parents. Mimzy talks telepathically to Emma and the siblings develop special abilities, increasing their intelligences to the level of genius. Their father becomes very proud when Noah presents a magnificent design in the fair of science and technology, and his teacher Larry White and his mystic wife Naomi Schwartz become interested in the boy when he draws a mandala. When Noah accidentally assembles the objects and activates a powerful generator creating a blackout in the state, the FBI arrests the family trying to disclose the mystery. But Emma unravels the importance to send Mimzy back to the future. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The theme song to the movie, "Hello (I Love You)" (not to be confused with the similarly-titled classic song by The Doors) is a rare one-off song by former Pink Floyd frontman Roger Waters, whose songs are usually part of concept albums. Waters worked with composer Howard Shore, so that the song's melody is a leitmotif in the film, as well as dovetailing well with the rest of the film's score. Waters commented, "I think together we've come up with a song that captures the themes of the movie - the clash between humanity's best and worst instincts, and how a child's innocence can win the day." Incidentally, the film touches on themes that Waters' album 'Amused to Death' was concerned with, while the song's lyrics reference Waters' Pink Floyd works 'Dark Side of the Moon' and 'The Wall', as well as Waters' solo album 'Radio KAOS'. See more »
(at around 57 mins) The film takes place entirely in Seattle, but in one of the early scenes, they show a closeup of Noah's cellphone with a Bell Canada logo clearly visible on it. See more »
I have never read the book, which this movie is based upon, so I have no point-of-reference for comparison.
All in all I thought this movie was perfectly appropriate for families, although from reading reviewers comments on another website, you'd think 'The Last Mimzy' had some kind of subversive plot. One parent said it was 'liberal doctrine' and another focused on the fact that it shows people who actually believe in Eastern philosophies and practices. Wow! You mean there are other religions besides Christianity out there?! Then they must be liberal in nature and are trying to wreak havoc on the traditional, family-values we all hold so dear.
I am a Christian and had absolutely no problems with the ideas proposed by other points-of-view. Maybe you might have to walk out of the theater with some explanations of how other cultures see the world and their place in it, but that's part of the magic of this movie. 'The Last Mimzy' was by no means 'liberal doctrine' unless you think showing a different perspective as a threat.
Personally, the weakest parts of the movie for me was the uneven direction and the point where I asked "Why is Michael Clark Duncan in this film?" He didn't really add much to it. The kids were believable and Timothy Hutton did a decent job. The effects were all-in-all low-key, but necessary. Before you judge this film for showing the mysteries of Eastern beliefs, try watching it with an open mind. It didn't give me the same vibe as 'E.T.' or 'Close Encounters', but it did a good job as being an entertaining family film.
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