Memories of Matsuko
(2006)
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Memories of Matsuko
(2006)
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| Cast overview, first billed only: | |||
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Miki Nakatani | ... |
Matsuko Kawajiri
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| Eita | ... |
Shô Kawajiri
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Yûsuke Iseya | ... |
Yôichi Ryû
(as Yusuke Iseya)
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Mikako Ichikawa | ... |
Kumi Kawajiri
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Asuka Kurosawa | ... |
Megumi Sawamura
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Gori | ... |
Shûji Ôkura
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Shinji Takeda | ... |
Onodera
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YosiYosi Arakawa | ... |
Kenji Shimazu
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Gekidan Hitori | ... |
Takeo Okano
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Magy | ... |
Detective
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Shôsuke Tanihara | ... |
Shunji Saeki
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Takanori Takeyama | ... |
Vice-Principal
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Masahiro Kômoto | ... |
Man with Stand on School Trip
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Nagisa Katahira | ... |
Herself
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Takuzô Kadono | ... |
Principal
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Shou's father Norio finds his son in a rather meaningless existence in Tokyo dominated by alcohol and porn videos. Having left home two years earlier to pursue life as a musician, Shou has left his band and his girlfriend has left him. His father asks a favor, that Shou clean out the apartment of his aunt Matsuko, who he says led a meaningless life until her murder at the age of 53. The apartment is filled with garbage bags and is even more unkempt than his apartment has become, and he becomes intrigued with his aunt as details of her life are supplied by a tattooed neighbor and others. Her feelings of neglect by her father Tsunehiro, who favored her chronically ill younger sister, Kumi, translated into becoming a dutiful junior high school teacher devoted to her students until being forced to resign after being blamed for the theft of some money by one of them. Leaving her family due to the disgrace, she had a series of affairs with lovers who physically abused her and did a stint as... Written by Brian Greenhalgh
When a twenty-something NEET is sent by his father to clean out the apartment of his estranged aunt, 53-year-old Matsuko, he becomes intrigued by the life story of this reclusive, shabby, old-before-her-time woman. As he pieces together her life, he unlocks various family secrets, and learns a thing or two about his own life.
Tetsuya Nakashima's film is energetic and thoughtful, in turns hilarious and deeply moving. It's hyper-stylised, with Technicolor vividly utilized, song-and-dance numbers, and some schlock violence straight from the Nikkatsu back catalogue. But it all gels into a magical whole. Interestingly, there is a sly poke at the Showa-nostalgia genre enjoying a contemporary flurry in Japan, the pastiche of the visuals undercut by the brutalities the economic and social mores of the time inflict on Matsuko. The fact that she meets her fate at the hands of the feral children of Heisei is no random element.
Miki Nakatani has matured into Japan's most fascinating and watchable actress, the combination of beauty and vulnerability never more alluring than in her portrayal here. But it is Nakashima's slick script, elliptical structuring, and especially his brisk editing that make this film so special. I was singing 'makete, nobashite' for days afterward. One of the best Japanese films of the 21st century.