Seeking revenge against the guard who tormented him, a young man returns to the island where he was imprisoned in reform school. But his plans for vengeance are disturbed when he encounters... See full summary »
Where are we welcome? On a quiet street in Helsinki, Sachie has opened a diner featuring rice balls. For a month she has no customers. Then, in short order, she has her first customer, ... See full summary »
Ginko seems to be living the good life: She's the respectable owner of a neighborhood drug store in Tokyo, and her daughter Koharu is about to get married to a doctor. However, Koharu's ... See full summary »
After the collapse of their relationship, Kiwako abducts the 6-month old child of a man she was having an affair with. Raising the child as her own, it is four years before the authorities catch up with her and the young child.
In 1965 the planned closing of a coal mine in Iwaki (northeastern Japan) will put 2,000 people out of work with devastating effects on the community. The mining company plans to build the Hawaiian Center to promote tourism, but the idea meets with resistance by the community's union families who boycott the effort. However, a few of the young women in Joban see the call for dancers to possibly provide a more promising future. Norio Yoshimoto is put in charge of organizing the center, with Madoka Hirayama, a professional dancer fleeing creditors in Tokyo hired to train the dancers. Kimiko, her friend Sanae, and Sayuri are amongst the handful first showing up for lessons but soon others join them. When Kimiko's mother, Chiyo, discovers that she has skipped school classes to learn dancing the two argue and Kimiko leaves home. Her brother Yojiro, one of the newly out of work miners, comes to be supportive of her dancing as he becomes protective of Madoka. The girls start to tour ... Written by
Comparing to other Japanese dramas that I've ever watched, this film was quite unique. Unlike most other Japanese dramas whose atmospheres are quite refined and reserved, where the characters display their emotions and feelings in moderate and poetic manners that we often regard as a typical Japanese culture, the characters in "Hula girls" are pretty much straight forward in expressing their emotions and rather rough in manners. It reminded me of the atmosphere of old Sicilian village where Toto of "Cinema Paradiso" had spent his boyhood, where people are rough and tough in manners and sometimes even vulgar but still warm-hearted and have good humanity.
"Hula girls" is a heart-warming human drama. It will warm your heart in a little different manners from other typical Japanese human dramas. It makes audiences sometimes laugh and sometimes shed tears. It will make a wonderful family movie. Especially, I loved the last hula dancing scene where all the emotions, the joy, the sadness, the struggle and the overcoming are melted down and sublimated into a beautiful performance. It was really beautiful and touching.
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