The Wizard of Gore (2007)

R  |   |  Horror, Mystery  |  22 June 2007 (USA)
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Montag the Magnificent (Glover) is a master illusionist who performs at underground venues, selecting female volunteers from his rave-like audiences. To their hysteria, it appears he's ... See full summary »



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Cast overview:
Edmund Bigelow
The Geek
Jinky (as Joshua Miller)
Garz Chan ...
Chinese Mickey
Flux Suicide ...
Amina Munster ...
Cricket Suicide ...
Cayenne (as Cricket DeManuel)
Nixon Suicide ...
Detective Packard
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News Reporter (as Shannon Ggem)


Montag the Magnificent (Glover) is a master illusionist who performs at underground venues, selecting female volunteers from his rave-like audiences. To their hysteria, it appears he's dismembered their bodies, but his sleigh of hand has fooled them. However, female bodies show up dead from the same wounds performed on stage. Investigators are baffled, and the chase to find the killer begins. Written by Anonymous

Plot Summary | Plot Synopsis


What are you afraid of?


Horror | Mystery

Motion Picture Rating (MPAA)

Rated R for bloody violence, sexuality/nudity and language | See all certifications »




Release Date:

22 June 2007 (USA)  »

Also Known As:

Gore Massacre  »

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:


Aspect Ratio:

1.85 : 1
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Did You Know?


The bulk of this film was shot at the Park Plaza Hotel in Los Angeles. See more »


Montag the Magnificent: Eyes front. You cannot move. You cannot even know if you are really here. One of magic's many beauties is that the illusion can begin long before the audience even knows it is going to be tricked. Trick. A word with so many meanings. You fake your own reality. You, the things that you believe about yourself. Delusions. The things that you tell yourself. Lies. Are you ready for the truth?
See more »

Crazy Credits

The closing credits roll sideways; from the right of the screen to the left. See more »


Remake of The Wizard of Gore (1970) See more »


Better Off Dead
Written by Linnzi Zaorski
Performed by Linnzi Zaorski
Published by Linnzi Zaorski
Courtesy of Strange Bird Jazz Syndicate
See more »

Frequently Asked Questions

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User Reviews

The maddest show ever shown
16 October 2011 | by (Greece) – See all my reviews

I haven't seen the original HG Lewis film this is based on, but his reputation as a PT Barnum of basement-bargain schlock could not prepare me for this. It is actually a clever self-referential movie about horror, and I reckon we haven't had one that cuts as incisively in what it means to want to see beyond the pale since Peeping Tom.

It's a simple idea, very smart; a magician who every night stages a different horror movie, but always the one we paid to see. He purports to offer us a glimpse of our insides, quite literally so, but of course we can wave it away as a trick of smoke and mirrors. The gruesome event is framed, thus obscured, reversed, in a smoke mirror.

His victims, always females, he seems to select from a nearby stripping joint. The girls are again stripped naked for a paying audience. So the fantasy about the naked flesh is transferred from one place inside another, except now as meant to dispel the safety of illusions.

All of this is being investigated by a guy who dresses up like a reporter or private dick from the 40's, he's into it for the scoop. He assembles together the plot that we see, doing the detective work for us like in a Philip Marlow film.

It should have been really good by all accounts, the material is at least right. What appears the incomprehensible rumblings of a feverish mind - our reporter is under the grip of a powerful hallucinogen - makes sense if we understand what side of the mirror we're looking from.

So of course the magician is the trick, the stage of illusions supplied by the mind. It vindicates the destructive impulses that we come to know he harbors in reality, allowing the unspeakable to be articulated as a show. However madly. It's all an essay on the machinations that take place inside from our position as horror viewers.

What lets it down for me is first the haphazard technique, a lot of dutch angles for no reason - but which of course the filmmaker would justify as reflecting a skewed state of mind -, I can look past this, and second the desire to pursue clues right to the end in an effort to piece together for us 'what really happened'. Sooner or later this type of fictions must probe into the nature of abstractions, the film has its work already laid out with the stageshow, it's a perfect allusion to what we are watching from our end, the trick with smoke and mirrors, yet goes on to dangle a piece of string in our faces.

So, in 20 words or less: imagine Naked Lunch re-assembled as a lengthy Masters of Horror episode - the murky colors, the hard lights and DV look - by a filmmaker with aspirations to articulate in feverish weirdness a little of what he has seen from Lynch or Greenaway.

It may not look that way, but it's actually one of the more interesting straight-out horror films of the last 10 years.

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This movie sucks so bad. fearisreligion
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