They are married men that are on the DL and pass HIV to their male/ female partners basically. Many of the men hide behind the vow of marriage but still desire men. The women know but have grown accustom to the extravagant lifestyle.
This comedy filled with much Jewish humor is about the widows Doris, Ester and Lucille, whose husbands die one after another in just a few years. Even though the three friends, all in their... See full summary »
A beautiful black gangster's moll flees to Harlem with a trunkload of gold after a shootout, unaware that the rest of the gang, and a few other unsavoury characters, are on her trail. A ... See full summary »
A black uniformed policeman is recruited by a devious drug enforcement agent to infiltrate a smuggling organization seeking to expand into designer drugs. This 'ugly side of the war on ... See full summary »
When someone is murdered on New Year's Eve, the prime suspect is Valerie Maas, a church-going home-maker whose life unravels when she discovers that her husband of many years has been leading a double life. Her strength of character and faith keep her going as the revelation of her husband's betrayal threatens to destroy all that they have known. Written by
When Ryan sits down to the table in the restaurant after his scuffle with Dutch, he is only wearing one necklace, but he had a second necklace with the cross during the scuffle. When he is seated and drinking from the wine glass, he again has both necklaces on. See more »
Cover is a little known treat that is surprisingly suspenseful and enlightening. It tackles the highly pervasive yet equally controversial materials like homosexuality and "down-low" in the Black American community. Few movies have dared venture there and make a case for acceptance amongst Christians.
When her husband gets promoted, Valerie Mass's life begins to fall apart. Aunjanue Ellis plays Valerie Mass, an unassuming "God-fearing" church woman, who relocates to a new city with her husband. Razaaq Adoti is Dutch, Valerie's husband. Dutch's social life goes on the fast lane. He soon befriends Ryan Chambers (Leon from the movie Capers), a known womanizer, and starts acting more aloof. Neglected by her husband, Valerie turns to a church prayer group where she meets a sickly woman. The truth she will uncover is worse than anything she could have imagined. When Ryan turns up dead on New Year's Eve, she becomes the most likely suspect.
Aside for Vivica Fox and Leon, the cast is low on the mainstream acting radar. Nevertheless, it delivers decent performances. Black American movies are not without the religious idiosyncrasies but none of that detract from the serious subject matter or a solid plot.
Producers Bill Duke and Kenneth Dixon teamed up to create a complex tale of faith and redemption. The plot is quite simple but, somehow, they manage to keep a tight leash on it, keeping you guessing until the very end.
Leon delivers sex and edge without fail. Few actors in Hollywood command the screen the way this man can. Leon brings charisma and magneticism in every role he plays. Vivica Fox plays her "trademark hood" affectation, which I find annoying. Her role, essentially, brings nothing to this movie. This is a movie with a lot of twists. So, don't expect action.
This is a new recipe for Black films and I look forward to seeing more like it. I definitely recommending renting the DVD and watching it on a girls' night-in.
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