They are married men that are on the DL and pass HIV to their male/ female partners basically. Many of the men hide behind the vow of marriage but still desire men. The women know but have grown accustom to the extravagant lifestyle.
A black uniformed policeman is recruited by a devious drug enforcement agent to infiltrate a smuggling organization seeking to expand into designer drugs. This 'ugly side of the war on ... See full summary »
In 1788 the slave ship Africa, set sail from West Africa and headed for America with its berth laden with a profitable but highly perishable cargo-hundreds of men, women and children bound ... See full summary »
What happens when friends cross the line and become lovers? Lies fly, emotions erupt, and the stage is set for a totally uncensored, hilarious, and outrageously entertaining adventure in ... See full summary »
Frank Gates is an LAPD cop with a rocky past and a dark secret. He restarted his life thinking he was finally safe, but the past is never far behind. Now with danger coming fast he is forced to protect his family at any cost.
Peter Steve Harris
When someone is murdered on New Year's Eve, the prime suspect is Valerie Maas, a church-going home-maker whose life unravels when she discovers that her husband of many years has been leading a double life. Her strength of character and faith keep her going as the revelation of her husband's betrayal threatens to destroy all that they have known. Written by
When Ryan sits down to the table in the restaurant after his scuffle with Dutch, he is only wearing one necklace, but he had a second necklace with the cross during the scuffle. When he is seated and drinking from the wine glass, he again has both necklaces on. See more »
well meaning but too contrived to be truly convincing
Bill Duke's "Cover" is like an urbanized, African-American version of "Brokeback Mountain" - only this time told from the viewpoint of the initially clueless spouse rather than the two male lovers. Aunjanue Ellis plays a deeply religious woman whose life and marriage fall apart when she discovers that her husband (Razaaq Adoti) is actually a closeted homosexual. This leads to a great deal of emotional trauma for both the wife and the husband - as well as to a patently absurd and wholly unnecessary murder subplot that's used to frame the story.
There's no question that this is a well-meaning and well-intentioned film, but its attempt to deal honestly with a serious social issue all too often falls victim to slickery and overwrought melodramatics. Many a scene will have you rolling your eyes in incredulity and disbelief, even while conceding that some of the points the movie is making are indeed insightful and valid. And, commendably, the movie does give a fair hearing to each of its genuinely torn and conflicted characters. But an overall air of amateurishness - both in the performances (even from such acting stalwarts as Louis Gossett Jr. and "Amen"'s Clifton Davis) and in the direction - keeps it from having the impact it clearly wishes to have.
All in all, a missed opportunity.
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