6.6/10
12,152
101 user 117 critic

Evening (2007)

PG-13 | | Drama, Romance | 29 June 2007 (USA)
A drama exploring the romantic past and emotional present of Ann Grant and her daughters, Constance and Nina. As Ann lays dying, she remembers, and is moved to convey to her daughters, the defining moments in her life 50 years prior, when she was a young woman. Harris is the man Ann loves in the 1950s and never forgets.

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(screenplay), (screenplay) | 1 more credit »

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2 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Lizzie Tull (as Sarah Viccellio)
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Peach Howze
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Storyline

The love which binds mother and daughter -- seen through the prism of one mother's life as it crests with optimism, navigates a turning point, and ebbs to its close. Overcome by the power of memory, Ann Lord reveals a long-held secret to her concerned daughters; Constance, a content wife and mother, and Nina, a restless single woman. Both are bedside when Ann calls out for the man she loved more than any other. But who is this "Harris," wonder her daughters, and what is he to our mother? While Constance and Nina try to take stock of Ann's life and their own lives, their mother is tended to by a night nurse as she journeys in her mind back to a summer weekend some fifty years before, when she was Ann Grant, a young woman who has come from New York City to be maid of honor at the high-society Newport wedding of her dearest friend from college, Lila Wittenborn. The bride-to-be is jittery, and turns to her maid of honor rather than her own mother for support. Ann stays close to her friend... Written by Focus Features

Plot Summary | Plot Synopsis

Plot Keywords:

gay kiss | friend | love | woman | wedding | See All (100) »

Taglines:

The greatest actresses of our time in one extraordinary movie See more »

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for some thematic elements, sexual material, a brief accident scene and language | See all certifications »

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Details

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Release Date:

29 June 2007 (USA)  »

Also Known As:

Pasión al atardecer  »

Box Office

Opening Weekend:

$3,501,971 (USA) (1 July 2007)

Gross:

$12,406,646 (USA) (29 July 2007)
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2.35 : 1
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Did You Know?

Trivia

This movie marks the second collaboration between Meryl Streep and Patrick Wilson. They previously appeared together in Angels in America (2003). See more »

Goofs

In every scene where Ann is on her death bed, IV poles can be seen in the background. The liquid in the IV bags, however, are never dripping. IV solution has to drip from the bottom of the bag into the IV tube in order to enter the patient. These bags are just hanging there doing nothing. See more »

Quotes

[from trailer]
Buddy Wittenborn: What if we just sang and laughed together... for the rest of our lives.
Young Ann: It wouldn't work.
Buddy Wittenborn: Not for you...
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Connections

Referenced in Jeopardy!: Episode #26.31 (2009) See more »

Soundtracks

Perdido
Written by Juan Tizol
Performed by The West Coast All Stars
Courtesy of Music Sales Corporation
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User Reviews

 
Texture
19 June 2007 | by (New York, NY) – See all my reviews

Saw this Saturday night at the Provincetown Film Festival, and it's a stick-to-your-bones movie -- it's really stayed with me. Adapted very smartly from what is probably an excellent novel, it's a back-and-forth-in-time drama with fully rounded characters, thoughtful rumination on life choices, and, I'm not exaggerating. one of the greatest casts ever assembled in 100+ years of movie-making. Wonderful work from everyone, led by a luminous Vanessa Redgrave as a dying, deluded Newport matron, and Claire Danes as her much younger self. Meryl Streep's daughter Mamie Gummer is, like Mama, the real deal; Patrick Wilson looks like Paul Newman circa 1958 and doesn't overplay the charm; and what a pleasure to see such excellent stage actors as Barry Bostwick and Eileen Atkins contributing sharp, detailed cameos. Hugh Dancy, also from the stage, doesn't bring much edge to the somewhat clichéd role of an unhappy rich wastrel, and the family issues are resolved perhaps more neatly than real life would allow. But it's a deliberately paced, visually gorgeous meditation on real life issues, and you can cry at it and not feel like you're being recklessly manipulated. Also, what a sumptuous parade of 1940s/50s automobiles.


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