A drama exploring the romantic past and emotional present of Ann Grant and her daughters, Constance and Nina. As Ann lays dying, she remembers, and is moved to convey to her daughters, the defining moments in her life 50 years prior, when she was a young woman. Harris is the man Ann loves in the 1950s and never forgets.
Keep track of everything you watch; tell your friends.
If your account is linked with Facebook and you have turned on sharing, this will show up in your activity feed. If not, you can turn on sharing
here
.
Post-WWII Germany: Nearly a decade after his affair with an older woman came to a mysterious end, law student Michael Berg re-encounters his former lover as she defends herself in a war-crime trial.
A naive young woman comes to New York and scores a job as the assistant to one of the city's biggest magazine editors, the ruthless and cynical Miranda Priestly.
The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations.
Director:
Todd Field
Stars:
Kate Winslet,
Jennifer Connelly,
Patrick Wilson
A poor and passionate young man falls in love with a rich young woman and gives her a sense of freedom. They soon are separated by their social differences.
A man coping with the institutionalization of his wife because of Alzheimer's disease faces an epiphany when she transfers her affections to another man, Aubrey, a wheelchair-bound mute who also is a patient at the nursing home.
Director:
Sarah Polley
Stars:
Gordon Pinsent,
Stacey LaBerge,
Julie Christie
A young couple living in a Connecticut suburb during the mid-1950s struggle to come to terms with their personal problems while trying to raise their two children. Based on a novel by Richard Yates.
Director:
Sam Mendes
Stars:
Kate Winslet,
Leonardo DiCaprio,
Christopher Fitzgerald
Sparks fly when spirited Elizabeth Bennet meets single, rich, and proud Mr. Darcy. But Mr. Darcy reluctantly finds himself falling in love with a woman beneath his class. Can each overcome their own pride and prejudice?
Director:
Joe Wright
Stars:
Keira Knightley,
Donald Sutherland,
Brenda Blethyn
Six Californians start a club to discuss the works of Jane Austen, only to find their relationships -- both old and new -- begin to resemble 21st century versions of her novels.
A British medical doctor fights a cholera outbreak in a small Chinese village, while also being trapped at home in a loveless marriage to an unfaithful wife.
Director:
John Curran
Stars:
Catherine An,
Edward Norton,
Liev Schreiber
The love which binds mother and daughter -- seen through the prism of one mother's life as it crests with optimism, navigates a turning point, and ebbs to its close. Overcome by the power of memory, Ann Lord reveals a long-held secret to her concerned daughters; Constance, a content wife and mother, and Nina, a restless single woman. Both are bedside when Ann calls out for the man she loved more than any other. But who is this "Harris," wonder her daughters, and what is he to our mother? While Constance and Nina try to take stock of Ann's life and their own lives, their mother is tended to by a night nurse as she journeys in her mind back to a summer weekend some fifty years before, when she was Ann Grant, a young woman who has come from New York City to be maid of honor at the high-society Newport wedding of her dearest friend from college, Lila Wittenborn. The bride-to-be is jittery, and turns to her maid of honor rather than her own mother for support. Ann stays close to her friend... Written by
Focus Features
In every scene where Ann is on her death bed, IV poles can be seen in the background. The liquid in the IV bags, however, are never dripping. IV solution has to drip from the bottom of the bag into the IV tube in order to enter the patient. These bags are just hanging there doing nothing. See more »
Evening is the beautiful story of the flawed love of a mother. The
movie split in time, is magically shot, amazingly acted and has a
touching script.
Vanessa Redgrave plays Anne Grant Lord, a woman sun-setting out of
life. Lying in her bed, her mind remembering and misfiring, she recalls
her first mistake. Claire Danes plays the young Anne, giving a youthful
vitality to dying bed ridden woman. Daughters Nina (Toni Collette) and
Constance (Natasha Richardson) try to decipher the real story from the
disheartening dementia. Her first mistake revolves around Harris Arden
(Patrick Wilson); the man her best friend Lila (Mamie Gummer) deeply
loved. The daughters must come to terms with their mother's past, and
their futures.
The cast is glowing in Evening. The collective acting energy of this
movie could have powered the equipment for the production of this
entire film. I am so glad to see Claire Danes working again, especially
in this role. She is so young, and alive, fully living the joys,
mistakes and heartbreak of young Anne's first mistake. This is a true
feat when you realize she is playing a woman, dying in bed. When her
life overwhelms her, you can feel her desire to crack and her hopeless
hope that she won't. Some of her facial expressions grinded on me a
little, but over all her performance was so radiant, I was left with
that only as a side note.
Toni Collette continues to prove that you can be a powerful actress
without being a super model. She plays the black sheep of the family; a
little lost. Nina finds a great deal of strength in her mother's
mistake. Collette delicately avoids creating a cruel character who
revels in the mistakes of her mother, instead choosing the wiser path
of learning from her mother's mistakes. There is a great deal of
infighting between Nina and her sister Constance. Their fights remind
me of ones I have with my sister all the time.
Mamie Gummer, who plays Anne's youthful best friend, is wonderful. Her
character is stuck between her heart and her status in society. Even
when she is crying and her heart is breaking, she is incredibly regal
and charming. I can't wait to see her act in something else in the
future.
Vanessa Redgrave's performance is very hard for me to describe. Her
talent at making her mental status ambiguous without being wacko or
even especially tragic is why it is so powerful. The audience does not
know if she is making up the story because she is slipping away or if
these events truly happened. Physically and emotionally speaking,
Redgrave is acting in a box. Not much physical space and limited
emotional range might have been a stunner to a lesser actress but she
makes the limitations work for her. I was constantly amazed.
The movie is definitely woman-focused but the men in the movie are not
just accessories. Patrick Wilson is mesmerizing as Harris. It is no
wonder that everyone in the movie is in love with him, I sure was.
Buddy Wittenborn is Lila's brother, spiraling out of control. Hugh
Dancy spirals Buddy out of control without sending his acting down the
drain.
Glen Close has my favorite scene in the movie. It reminded me of the
famous scene from Monster's Ball. It is terrible and jaw dropping
grief. I was utterly stunned.
The one acting disappointment was Natasha Richardson. While her fight
scenes were memorable, most of her acting reeks of melodrama. It would
have suited her to take an acting bath before we had to breathe her
stink. It's a good thing she wasn't in charge of the visuals. The
visuals of the movie are sparkling. Cinematographer Gyula Pados
couldn't make a film richer in color, light so perfectly matched to
mood and emotion. The visual concepts of the flash back sequences are
powerful and resonating. There were many scenes that could have been
stopped, printed, mounted and sold as art.
I admit it, I cried. Evening is a powerful movie. Evening is defiantly
a chick flick but a really great chick flick. If you want to impress a
woman with a movie choice, pick Evening.
50 of 87 people found this review helpful.
Was this review helpful to you?
Evening is the beautiful story of the flawed love of a mother. The movie split in time, is magically shot, amazingly acted and has a touching script. Vanessa Redgrave plays Anne Grant Lord, a woman sun-setting out of life. Lying in her bed, her mind remembering and misfiring, she recalls her first mistake. Claire Danes plays the young Anne, giving a youthful vitality to dying bed ridden woman. Daughters Nina (Toni Collette) and Constance (Natasha Richardson) try to decipher the real story from the disheartening dementia. Her first mistake revolves around Harris Arden (Patrick Wilson); the man her best friend Lila (Mamie Gummer) deeply loved. The daughters must come to terms with their mother's past, and their futures. The cast is glowing in Evening. The collective acting energy of this movie could have powered the equipment for the production of this entire film. I am so glad to see Claire Danes working again, especially in this role. She is so young, and alive, fully living the joys, mistakes and heartbreak of young Anne's first mistake. This is a true feat when you realize she is playing a woman, dying in bed. When her life overwhelms her, you can feel her desire to crack and her hopeless hope that she won't. Some of her facial expressions grinded on me a little, but over all her performance was so radiant, I was left with that only as a side note. Toni Collette continues to prove that you can be a powerful actress without being a super model. She plays the black sheep of the family; a little lost. Nina finds a great deal of strength in her mother's mistake. Collette delicately avoids creating a cruel character who revels in the mistakes of her mother, instead choosing the wiser path of learning from her mother's mistakes. There is a great deal of infighting between Nina and her sister Constance. Their fights remind me of ones I have with my sister all the time. Mamie Gummer, who plays Anne's youthful best friend, is wonderful. Her character is stuck between her heart and her status in society. Even when she is crying and her heart is breaking, she is incredibly regal and charming. I can't wait to see her act in something else in the future. Vanessa Redgrave's performance is very hard for me to describe. Her talent at making her mental status ambiguous without being wacko or even especially tragic is why it is so powerful. The audience does not know if she is making up the story because she is slipping away or if these events truly happened. Physically and emotionally speaking, Redgrave is acting in a box. Not much physical space and limited emotional range might have been a stunner to a lesser actress but she makes the limitations work for her. I was constantly amazed. The movie is definitely woman-focused but the men in the movie are not just accessories. Patrick Wilson is mesmerizing as Harris. It is no wonder that everyone in the movie is in love with him, I sure was. Buddy Wittenborn is Lila's brother, spiraling out of control. Hugh Dancy spirals Buddy out of control without sending his acting down the drain. Glen Close has my favorite scene in the movie. It reminded me of the famous scene from Monster's Ball. It is terrible and jaw dropping grief. I was utterly stunned. The one acting disappointment was Natasha Richardson. While her fight scenes were memorable, most of her acting reeks of melodrama. It would have suited her to take an acting bath before we had to breathe her stink. It's a good thing she wasn't in charge of the visuals. The visuals of the movie are sparkling. Cinematographer Gyula Pados couldn't make a film richer in color, light so perfectly matched to mood and emotion. The visual concepts of the flash back sequences are powerful and resonating. There were many scenes that could have been stopped, printed, mounted and sold as art. I admit it, I cried. Evening is a powerful movie. Evening is defiantly a chick flick but a really great chick flick. If you want to impress a woman with a movie choice, pick Evening.