A drama exploring the romantic past and emotional present of Ann Grant and her daughters, Constance and Nina. As Ann lays dying, she remembers, and is moved to convey to her daughters, the defining moments in her life 50 years prior, when she was a young woman. Harris is the man Ann loves in the 1950s and never forgets.
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The love which binds mother and daughter -- seen through the prism of one mother's life as it crests with optimism, navigates a turning point, and ebbs to its close. Overcome by the power of memory, Ann Lord reveals a long-held secret to her concerned daughters; Constance, a content wife and mother, and Nina, a restless single woman. Both are bedside when Ann calls out for the man she loved more than any other. But who is this "Harris," wonder her daughters, and what is he to our mother? While Constance and Nina try to take stock of Ann's life and their own lives, their mother is tended to by a night nurse as she journeys in her mind back to a summer weekend some fifty years before, when she was Ann Grant, a young woman who has come from New York City to be maid of honor at the high-society Newport wedding of her dearest friend from college, Lila Wittenborn. The bride-to-be is jittery, and turns to her maid of honor rather than her own mother for support. Ann stays close to her friend... Written by
In every scene where Ann is on her death bed, IV poles can be seen in the background. The liquid in the IV bags, however, are never dripping. IV solution has to drip from the bottom of the bag into the IV tube in order to enter the patient. These bags are just hanging there doing nothing. See more »
Evening is the beautiful story of the flawed love of a mother. The
movie split in time, is magically shot, amazingly acted and has a
Vanessa Redgrave plays Anne Grant Lord, a woman sun-setting out of
life. Lying in her bed, her mind remembering and misfiring, she recalls
her first mistake. Claire Danes plays the young Anne, giving a youthful
vitality to dying bed ridden woman. Daughters Nina (Toni Collette) and
Constance (Natasha Richardson) try to decipher the real story from the
disheartening dementia. Her first mistake revolves around Harris Arden
(Patrick Wilson); the man her best friend Lila (Mamie Gummer) deeply
loved. The daughters must come to terms with their mother's past, and
The cast is glowing in Evening. The collective acting energy of this
movie could have powered the equipment for the production of this
entire film. I am so glad to see Claire Danes working again, especially
in this role. She is so young, and alive, fully living the joys,
mistakes and heartbreak of young Anne's first mistake. This is a true
feat when you realize she is playing a woman, dying in bed. When her
life overwhelms her, you can feel her desire to crack and her hopeless
hope that she won't. Some of her facial expressions grinded on me a
little, but over all her performance was so radiant, I was left with
that only as a side note.
Toni Collette continues to prove that you can be a powerful actress
without being a super model. She plays the black sheep of the family; a
little lost. Nina finds a great deal of strength in her mother's
mistake. Collette delicately avoids creating a cruel character who
revels in the mistakes of her mother, instead choosing the wiser path
of learning from her mother's mistakes. There is a great deal of
infighting between Nina and her sister Constance. Their fights remind
me of ones I have with my sister all the time.
Mamie Gummer, who plays Anne's youthful best friend, is wonderful. Her
character is stuck between her heart and her status in society. Even
when she is crying and her heart is breaking, she is incredibly regal
and charming. I can't wait to see her act in something else in the
Vanessa Redgrave's performance is very hard for me to describe. Her
talent at making her mental status ambiguous without being wacko or
even especially tragic is why it is so powerful. The audience does not
know if she is making up the story because she is slipping away or if
these events truly happened. Physically and emotionally speaking,
Redgrave is acting in a box. Not much physical space and limited
emotional range might have been a stunner to a lesser actress but she
makes the limitations work for her. I was constantly amazed.
The movie is definitely woman-focused but the men in the movie are not
just accessories. Patrick Wilson is mesmerizing as Harris. It is no
wonder that everyone in the movie is in love with him, I sure was.
Buddy Wittenborn is Lila's brother, spiraling out of control. Hugh
Dancy spirals Buddy out of control without sending his acting down the
Glen Close has my favorite scene in the movie. It reminded me of the
famous scene from Monster's Ball. It is terrible and jaw dropping
grief. I was utterly stunned.
The one acting disappointment was Natasha Richardson. While her fight
scenes were memorable, most of her acting reeks of melodrama. It would
have suited her to take an acting bath before we had to breathe her
stink. It's a good thing she wasn't in charge of the visuals. The
visuals of the movie are sparkling. Cinematographer Gyula Pados
couldn't make a film richer in color, light so perfectly matched to
mood and emotion. The visual concepts of the flash back sequences are
powerful and resonating. There were many scenes that could have been
stopped, printed, mounted and sold as art.
I admit it, I cried. Evening is a powerful movie. Evening is defiantly
a chick flick but a really great chick flick. If you want to impress a
woman with a movie choice, pick Evening.
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