After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims who use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
In London, the Russian pregnant teenager Tatiana arrives bleeding in a hospital, and the doctors save her baby only. The Russian descendant midwife Anna Khitrova finds Tatiana's diary written in Russian language in her belongings and decided to find her family to deliver the baby, she brings the diary home and ask her uncle Stepan to translate the document. Stepan refuses, but Anna finds a card of a restaurant owned by the Russian Semyon inside the diary and she visits the old man trying to find a lead to contact Tatiana's family. When she mentions the existence of the diary, Semyon immediately offers to translate the document. However, Stepan translates part of the diary and Anna discovers that Semyon and his sick son Kirill had raped Tatiana when she was fourteen years old and forced her to work as prostitute in a brothel of their own. Further, Semyon is the dangerous boss of the Russian mafia "Vory v Zakone", jeopardizing the safety of Anna and her family. Meanwhile, Semyon's ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Eastern Promises is a further proof David Cronenberg is one of the last classic film-makers left. At the same time, he is a modernist. The combination, in the dark London he created, is a moral tale which makes you think of Dostoievsky. It's a story of crime and redemption with an unusual (hidden) tenderness. At the same time, it is a very serious trip into the rites of a secret society as we can see more and more in our big cities. A criminal secret society.
Cronenberg (and his friend Peter Suschistky) have created another universe that seems another version of ours. As usual it is a mental one, but so close to what we call "reality" that it makes you uncomfortable and eventually horrified. The cast is fantastic and the script is brilliant.
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