After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims who use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
In London, the Russian pregnant teenager Tatiana arrives bleeding in a hospital, and the doctors save her baby only. The Russian descendant midwife Anna Khitrova finds Tatiana's diary written in Russian language in her belongings and decided to find her family to deliver the baby, she brings the diary home and ask her uncle Stepan to translate the document. Stepan refuses, but Anna finds a card of a restaurant owned by the Russian Semyon inside the diary and she visits the old man trying to find a lead to contact Tatiana's family. When she mentions the existence of the diary, Semyon immediately offers to translate the document. However, Stepan translates part of the diary and Anna discovers that Semyon and his sick son Kirill had raped Tatiana when she was fourteen years old and forced her to work as prostitute in a brothel of their own. Further, Semyon is the dangerous boss of the Russian mafia "Vory v Zakone", jeopardizing the safety of Anna and her family. Meanwhile, Semyon's ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The scenes involving the football crowds make no logical sense for a real match at Stamford Bridge. In the first shot, the crowd is exiting the ground via the Britannia Gate on Fulham Road after a game. In the second shot, the crowd is moving from Fulham Broadway along Fulham Road towards the Britannia Gate (as it would before a game); in the third shot, a crowd of people is crossing Lillee Road and entering Brompton Cemetary via the north gate (as it would before a game) but in the next shot (in the cemetery itself), the crowd is moving in the opposite direction, towards the north gate and away from the ground as it would after a game.
The Chelsea fans also are only wearing blue shirts, not actual Chelsea shirts as they would be wearing. See more »
He says "Christmas." So I say to him,
"Should we go shopping?"
The kid's 16. He says, "But uncle, it's Christmas."
See more »
Slavery and Suffering
Traditional Revolutionary Song
Arranged by Dimitri Oleg Yachinov
Performed by The Red Army Choir under the direction of B. Alexandrov
Courtesy of Silva Screen Records Ltd.
Under license from FGL Productions See more »
Viggo Mortenssen and David Cronenberg together again
Russian mobsters, a rainy, murky London, a midwife and Viggo Mortensen makes this David Cronemberg film a perfect companion piece to his "A History Of Violence". My two favourite films of this idiosyncratic and fascinating director. Naomi Watts and motherhood go beautifully together and it's her gutsy maternal instinct that throws her in a world populated by truly horrible people. The trick is, we go with her and within that brutal world we meet some memorable characters. Viggo Mortensen, what an actor! His fearlessness is riveting, he's also beautiful beyond words. We think we can read him but we doubt our own thoughts, he's in total control of his character and of his audience. He has the face of an icon and he underplays it, over playing it. If you see History Of Violence and Eastern Promises you'll understand what I mean. This is not a film to like but to love and I loved it.
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