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Directed by | |||
| Uli Edel | |||
Writing credits | ||
| Bernd Eichinger | (screenplay) | |
| Uli Edel | (screenplay collaborator) | |
| Stefan Aust | (book) | |
Produced by | |||
| Bernd Eichinger | .... | producer | |
| Tomas Gabris | .... | co-producer | |
| Manuel Cuotemoc Malle | .... | co-producer | |
| Martin Moszkowicz | .... | executive producer | |
| Alessandro Passadore | .... | co-executive producer | |
| Christine Rothe | .... | line producer | |
Original Music by | |||
| Peter Hinderthür | |||
| Florian Tessloff | |||
Cinematography by | |||
| Rainer Klausmann | |||
Film Editing by | |||
| Alexander Berner | |||
Casting by | |||
| An Dorthe Braker | |||
Production Design by | |||
| Bernd Lepel | |||
Art Direction by | |||
| Hucky Hornberger | |||
Set Decoration by | |||
| Roland Schwarthoff | |||
| Johannes Wild | |||
Costume Design by | |||
| Birgit Missal | |||
Makeup Department | |||
| Mariam Lee Abounouom | .... | makeup artist | |
| Waldemar Pokromski | .... | makeup department head | |
| Sabine Rohrman | .... | makeup artist | |
| Sabine Schumann | .... | hair stylist | |
| Luca Vannella | .... | hair stylist: Italy | |
Production Management | |||
| Ahmed Abounouom | .... | production manager | |
| Miki Emmrich | .... | production manager: Italy | |
| Tatjana Jakovleski | .... | assistant production executive | |
| Mark Nolting | .... | unit manager | |
| Piernicola Pinnola | .... | unit manager: Italy | |
| Cornelia Popp | .... | unit manager: Munich | |
| Silvia Tollmann | .... | production manager | |
Art Department | |||
| Markus Bendler | .... | picture vehicle supervisor | |
| Tatjana Büchner | .... | property master | |
| Michael Fechner | .... | property master | |
| Dieter Klucke | .... | technical advisor: sets | |
| Aziz Rafiq | .... | assistant production designer | |
| Paola Riviello | .... | art director: Italy | |
| Jan Saße | .... | storyboard artist | |
| Daniel Stieglitz | .... | storyboard artist | |
| Natalie Strohmaier | .... | assistant set decorator | |
| Nebojsa Tabacki | .... | graphic designer | |
| Jacob von Dohnanyi | .... | propmaker | |
| Alexandra Zeilhofer | .... | assistant production designer | |
Sound Department | |||
| David Arnold | .... | adr recordist | |
| Jan Bloemeke | .... | sound effects editor | |
| Christian Bruckmair | .... | adr recordist | |
| Stefan Busch | .... | supervising sound editor | |
| Stephan Fandrych | .... | adr recordist | |
| Joo Fürst | .... | foley artist | |
| Lisa Geffcken-Reinhard | .... | sound effects editor | |
| Daniel Iribarren | .... | adr editor | |
| Michael Kranz | .... | sound re-recording mixer | |
| Nico Krebs | .... | sound editor | |
| Frank Kruse | .... | sound effects recordist | |
| Clemens Nürnberger | .... | adr recordist | |
| Jörn Poetzl | .... | foley artist | |
| Benjamin A. Rosenkind | .... | sound re-recording mixer (as Benjamin Rosenkind) | |
| Fabian Schmidt | .... | dialogue supervisor | |
| Andreas Schneider | .... | foley artist | |
| Philipp Sellier | .... | foley recordist | |
| Daniel Weis | .... | adr recordist | |
| Roland Winke | .... | sound mixer | |
| Nourdine Zaoui | .... | sound technician | |
Special Effects by | |||
| Nils Bleeck | .... | special effects technician | |
| Rolf Hanke | .... | special effects project manager | |
| Till Hertrich | .... | special effects senior technician | |
| Sylvio Lienert | .... | special effects assistant | |
| Michael Luppino | .... | special effects foreman | |
| Uli Nefzer | .... | special effects supervisor | |
| Claudius Rauch | .... | special effects crew | |
| Thomas Thiele | .... | senior special effects technician | |
| Roland Weder | .... | special effects technician | |
| Adolf Wojtinek | .... | special effects supervisor: Marokko | |
Visual Effects by | |||
| Andreas Alesik | .... | digital artist | |
| Matthias Brauner | .... | main title designer & animator | |
| Manfred Büttner | .... | visual effects | |
| Oliver Kirchhoff | .... | visual effects artist | |
| David Laubsch | .... | digital compositor | |
| Katja Müller | .... | vfx & digital intermediate producer | |
| Paul Poetsch | .... | senior compositor | |
| Marco Ringler | .... | digital compositor | |
| Norbert Ruf | .... | senior compositor | |
| Abraham Schneider | .... | digital compositor | |
| Stefan Tischner | .... | digital compositor | |
| Stefan Tischner | .... | visual effects supervisor | |
| Manuel Voss | .... | digital compositor | |
| Tobias Wiesner | .... | digital compositor: ARRI Digital Film | |
Stunts | |||
| Alessandro Borgese | .... | stunt coordinator: Italy | |
| Alessija Lause | .... | stunt performer | |
| Andreas Mintert | .... | stunts | |
| Mike Möller | .... | stunts | |
| Wojtek Prygel | .... | stunts | |
| Daniela Stein | .... | stunt double: Alexandra Maria Lara | |
| Eskindir Tesfay | .... | stunts | |
Camera and Electrical Department | |||
| Matthias Bode | .... | grip assistant | |
| Markus Eckert | .... | Steadicam operator | |
| Markus Eckert | .... | camera operator | |
| Miriam Fassbender | .... | second assistant camera | |
| Volker Gläser | .... | camera operator: "b" camera | |
| Andres Lizana Prado | .... | assistant camera: second unit | |
| Driss Marzak | .... | gaffer | |
| Carsten Scharrmann | .... | grip | |
| Oliver Schill | .... | video operator | |
| Thomas Schiller | .... | video playback operator | |
Casting Department | |||
| Karimah El-Giamal | .... | casting assistant | |
| Anne Fremiot | .... | casting: France | |
Costume and Wardrobe Department | |||
| Brigitte Friedländer-Rodriguez | .... | costume supervisor (as Brigitte Rodriguez) | |
| Genoveva Kylburg | .... | wardrobe | |
| Claudette Lilly | .... | wardrobe supervisor | |
| Abdelfattah Qzaibar | .... | wardrober | |
| Hassan Taghriti | .... | wardrob supervisor(morocco | |
Editorial Department | |||
| Ana de Mier y Ortuño | .... | first assistant editor | |
| Andreas Lautil | .... | colorist | |
| Traudl Nicholson | .... | lead colorist | |
| Daniel Nispel | .... | assistant editor | |
| Stefan Weiß | .... | second assistant editor | |
Music Department | |||
| Joris Bartsch Buhle | .... | conductor | |
| Joris Bartsch Buhle | .... | orchestra contractor | |
| Pia Hoffmann | .... | music supervisor | |
| Jan-Peter Klöpfel | .... | orchestrator | |
| Tobias Lehmann | .... | music engineer | |
| Phillip Schulz | .... | additional music recordist | |
| Roman Vinuesa | .... | orchestrator | |
Transportation Department | |||
| Najma El Mahjoub | .... | transportation coordinator | |
| Ed Lee | .... | facilities driver | |
| Filippo Zizola | .... | production driver: Italy | |
Other crew | |||
| Mohamed Atbir | .... | production assistant | |
| Stefan Aust | .... | consultant | |
| Kristov Brändli | .... | production accountant: Berlin | |
| Houssna Choukri | .... | production coordinator | |
| Jens Enderling | .... | location manager | |
| Sabina Friedland | .... | film research and clearances | |
| Ulrich Fuchs | .... | legal counsel (as Dr. Ulrich Fuchs) | |
| Stephan Graf | .... | production intern | |
| Nazha Kajja | .... | production secretary | |
| John Kaylin | .... | dubbing producer | |
| Johanna Kohtz | .... | production accountant | |
| Christoph Lakner | .... | media technician | |
| Yasmina Majid | .... | coordination | |
| Lucia Marasa | .... | set runner: Rome | |
| Annika Nierentz | .... | production assistant | |
| Eva Obieglo | .... | set runner: Munich | |
| Torsten Oppel | .... | location manager | |
| Cornelia Popp | .... | assistant to production executive | |
| Hicham Regragui | .... | location manager | |
| Markus R. Vogelbacher | .... | soundstage manager | |
| Lutz Zeidler | .... | armorer | |
| David Riedel | .... | extras set coordinator (uncredited) | |
Thanks | |||
| Josef Brandmaier | .... | thanks: financial support [bbf] | |
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| Full cast and crew | Company credits | External reviews |
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a few words in advance,
never could a movie dealing with the RAF reach a high average vote and lead to a general approval. It simply depends on the different emotions according to this topic. Don't forget that some 35 years ago there existed an unbelievable high support among young people for the terroristic organization whereas the majority looked with disgust at the murderers.
So watching this movie is simply not more than a check whether the director catches the already existing attitude towards this controversial topic. In my eyes, the optimal way to direct this movie would have to treat it like a partly documentary with many original television scenes connected with the presentation of the characters. What I was interested in was whether this movie is able to place the viewer inside the plot, whether one could feel the atmosphere of this extreme period of German history and whether the presented scenes are consistent with the documents one had seen in television reports before. The movie has definitely come up to my expectations. The characters are just brilliant. It is some of the best German work of acting I have ever seen, every single scenes is so consistent with the picture one has in mind. Almost nothing stays from the line of the real development. The only thing I criticize is the selection of scenes. Maybe, the killers are given to much space to call out their misplaced ideology but neither is their behavior justified nor is any sympathy given to them. There doesn't exist any scope for interpretation about who was right and who was wrong. Furthermore, a few more words could have been given to the victims of the RAF whose assassinations are presented very precisely.
All in all, it is a shocking but good movie.