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The Baader Meinhof Complex (2008)

Der Baader Meinhof Komplex (original title)
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A look at Germany's terrorist group, The Red Army Faction (RAF), which organized bombings, robberies, kidnappings and assassinations in the late 1960s and '70s.

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(screenplay), (screenplay) | 1 more credit »
Nominated for 1 Oscar. Another 4 wins & 20 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Jan Carl Raspe (as Niels Bruno Schmidt)
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Simon Licht ...
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Daniel Lommatzsch ...
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Storyline

Germany in the 1970s: Murderous bomb attacks, the threat of terrorism and the fear of the enemy inside are rocking the very foundations of the yet fragile German democracy. The radicalised children of the Nazi generation lead by Andreas Baader, Ulrike Meinhof and Gudrun Ensslin are fighting a violent war against what they perceive as the new face of fascism: American imperialism supported by the German establishment, many of whom have a Nazi past. Their aim is to create a more human society but by employing inhuman means they not only spread terror and bloodshed, they also lose their own humanity. The man who understands them is also their hunter: the head of the German police force Horst Herold. And while he succeeds in his relentless pursuit of the young terrorists, he knows he's only dealing with the tip of the iceberg. Written by Constantin Film

Plot Summary | Plot Synopsis

Taglines:

The children of the Nazi generation vowed fascism would never rule their world again.


Motion Picture Rating (MPAA)

Rated R for strong bloody violence, disturbing images, sexual content, graphic nudity and language | See all certifications »

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Details

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Release Date:

25 September 2008 (Germany)  »

Also Known As:

The Baader Meinhof Complex  »

Box Office

Budget:

€20,000,000 (estimated)

Opening Weekend:

£108,791 (UK) (14 November 2008)

Gross:

$476,270 (USA) (4 December 2009)
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Company Credits

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Technical Specs

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

French visa # 115014 delivered on 3-9-2008. See more »

Goofs

The helicopter that police flies near the courtyard of the prison interrupting the prisoners conversation is an Agusta A109 (Hirundo), this helicopter was still in development (early 70's) and first deliveries of it where in 1976 of which none, as far as known, to the German police. See more »

Quotes

Brigitte Mohnhaupt: Stop seeing them the way they weren't.
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Connections

Featured in Siskel & Ebert: Episode #24.2 (2009) See more »

Frequently Asked Questions

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User Reviews

 
Necessary
4 October 2008 | by (Germany) – See all my reviews

First of all this is a very important film. Just like the other "Big" film by Eichinger "Der Untergang" it confronts the German audience (and the world should it care) with some aspect of German history that people should know about. In this case the "myth" of the RAF. To everyone who lived through the seventies in Germany it is clear that the influence of the RAF on Germany can hardly be exaggerated. I was a kid but my impression at the time was that both sides were wrong. There was a constant fear of terror coming from the terrorists but also from the state. (People did not get jobs if it was suspected they were "left".) So to make a blockbuster film, even if it does not really explain the motives of the main characters involved, at least gives us some facts. Not everyone is prepared to watch documentaries or read the book by Aust, but everyone should have some thoughts or maybe discussions on the subject.

Okay, but does it succeed as a film? Not entirely. The actors as everyone agrees were excellent, the cinematography as well. You do think you are in the seventies. That in itself is amazing. The action scenes are done splendidly, especially at the beginning the riots during the visit of the Persian Shah which culminated in the shooting of a student which in turn was, at least to some extent, the origin of the rise of terror. Of course the film is episodic and there are too many characters in it, most of them are not introduced in any way and ten years of complex history cannot be told in an altogether satisfying way. But the film succeeds in giving us a sense of what was going on. The producer, Bernd Eichinger has been accused of vanity. Which is a funny thing. Of course, he is vain. He has the duty to be vain as long as he also feels a responsibility to make movies that try to tell something. And the challenge, he feels, is to say it to as many people as possible.


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