This movie portrays the drug scene in Berlin in the 1970s, following tape recordings of Christiane F. 14-year-old Christiane lives with her mother and little sister in a typical multi-story... See full summary »
For two weeks, 20 male participants are hired to play prisoners and guards in a prison. The "prisoners" have to follow seemingly mild rules, and the "guards" are told to retain order without using physical violence.
This tragicomedy is a self-ironic portrait of a young man who drops out of university and ends up wandering the streets of the city he lives: Berlin. The film deals with the desire to ... See full summary »
Jan Ole Gerster
Justus von Dohnányi
Germany in the 1970s: Murderous bomb attacks, the threat of terrorism and the fear of the enemy inside are rocking the very foundations of the yet fragile German democracy. The radicalised children of the Nazi generation lead by Andreas Baader, Ulrike Meinhof and Gudrun Ensslin are fighting a violent war against what they perceive as the new face of fascism: American imperialism supported by the German establishment, many of whom have a Nazi past. Their aim is to create a more human society but by employing inhuman means they not only spread terror and bloodshed, they also lose their own humanity. The man who understands them is also their hunter: the head of the German police force Horst Herold. And while he succeeds in his relentless pursuit of the young terrorists, he knows he's only dealing with the tip of the iceberg. Written by
Germany's official submission to the Best Foreign Language Film Category of the 81st Annual Academy Awards (2009). See more »
During the scene at the Palestinian training camp when the Germans were reprimanded for sunbathing on the rooftop, there is a discontinuity regarding the sunglasses worn by actress Nadja Uhl. During the close-ups, the actress who can be seen standing at the right foreground appears to wearing the sunglasses. When the camera zooms out, she is not wearing the sunglasses but holding them at her hips instead. Yet when the camera switches back to the close-up a few seconds later, she is again wearing the sunglasses. See more »
Clear, honest, simple, radiant; one of the best political films I've seen
Brilliant film about the Baader-Meinhof group, i.e. one of the most active modern terrorist groups. The film starts with showing people peacefully demonstrating against the Shah of Iran and his wife who were visiting Western Germany in the late 60s; on signal, supporters of the Shah and the police rush and senselessly beat demonstrators into pulp. The imagery is one that will not soon leave my mind, being extremely reminiscent of what happened in the G8 protests at Genoa and Gothenburg about 30 years later. Back to the film: the leftist movement is at this time very much against the police state that Western Germany has become. As the hippie 60s obviously didn't help much with turning things around, the early 70s - brought on by with the assassinations of Martin Luther King and Bobby Kennedy, the US carrying on their war in Vietnam with Nixon coming into power and the West German government was being accused for merely being a puppet in the hands of imperialist America, some people wanted to turn things around without using flowers and kind words. These people were seriously convinced that the word was revolution, and used kidnapping, bombs and bullets for change. This film is the story of the core of the Baader-Meinhof group, and it's close to the best political cinema I've ever seen; the direction, the acting, the script, the editing and the music...it's as if the make-up is washed away from how political films usually are, leaving the viewer to decide what's right and wrong. It's interesting to see how the Baader-Meinhof group works as the members are increasingly isolated and brain-wash each other by simply interacting with their hardcore ideals as the base. Brilliant and highly recommendable, of course no matter what your personal political ideas are.
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