For two weeks, 20 male participants are hired to play prisoners and guards in a prison. The "prisoners" have to follow seemingly mild rules, and the "guards" are told to retain order without using physical violence.
This tragicomedy is a self-ironic portrait of a young man who drops out of university and ends up wandering the streets of the city he lives: Berlin. The film deals with the desire to ... See full summary »
Jan Ole Gerster
Justus von Dohnányi
This movie portrays the drug scene in Berlin in the 1970s, following tape recordings of Christiane F. 14-year-old Christiane lives with her mother and little sister in a typical multi-story... See full summary »
In 1942, Friedrich Weimer's boxing skills get him an appointment to a National Political Academy (NaPolA) - high schools that produce Nazi elite. Over his father's objections, Friedrich ... See full summary »
Germany in the 1970s: Murderous bomb attacks, the threat of terrorism and the fear of the enemy inside are rocking the very foundations of the yet fragile German democracy. The radicalised children of the Nazi generation lead by Andreas Baader, Ulrike Meinhof and Gudrun Ensslin are fighting a violent war against what they perceive as the new face of fascism: American imperialism supported by the German establishment, many of whom have a Nazi past. Their aim is to create a more human society but by employing inhuman means they not only spread terror and bloodshed, they also lose their own humanity. The man who understands them is also their hunter: the head of the German police force Horst Herold. And while he succeeds in his relentless pursuit of the young terrorists, he knows he's only dealing with the tip of the iceberg. Written by
Nadja Uhl, who plays the RAF terrorist Brigitte Mohnhaupt, also played the part of the stewardess Gabriele Dillmann in the 2008 production Mogadischu (2008). Dillmann was a crew member of the Lufthansa plane 'Landshut' which was hijacked to force the German government to release RAF terrorists from prison in 1977. See more »
Reuse of a prop: An 8mm movie camera in a scene from 1967 is identical to one used by different characters in a scene from 1977. See more »
If you throw a stone, it's a crime. If a thousand stones are thrown, that's political. If you set fire to a car it's a crime; if a hundred cars are set on fire that's political.
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Being aged, knowing most about the R.A.F story from the news when it happened (1970s) including the events in 1968 (Berlin, Prague , Mexico , U.S.A.) I am much more disappointed in this " big production' on a major theme in post war German (European) history, than most other critics up till now. If you know little or nothing about the subject, like many younger people, this may seem a " cool movie". Just as an action pic, you're right. However, what I miss, is the ideological context in which all this was happening. There is some mention of sectarian leftist groups, we see major mass protests of university students, etc. And the starting scenes in Berlin (visit of Sjah) are the main " background" to the " movement". (by the way, how many under 30 people knew about the Sjah of Persia, anyway? I even remember first spouse Soraya from the early 60's...). What I miss, is , an explanation of what and how on the mass student meetings, they are just shown. Also missing are the deeper context of postwar BRD (Germany) not having come to terms with the Nazi past, especially in the situation of many former NSDAP - symp's having high places in society, government, industry, etc. As I remember, that was one of the main frustrations in leftist circles ( and not only there...). Etcetera. In this respect, seeing the first gen. members of R.A.F. speeding to an unexplained action in BMW's on the " autobahn" as if they were fun-cruising L.A. in a Tarantino muscle-car flic while having My Generation by the Who on the stereo this all is quite unbelievable for people informed about that era. I don't believe these guys were jet-set-emulators. Jet-set was capitalist and thus their opposite social stratum. Which they fought , with all fatal results. And, why the story ending with the death of the first four, how shocking it may be? This whole episode is too much for one movie. As a Dutch proverb says: " they took too much hay on their fork". (meaning the makers of B.M. Komplex). genomen".
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