| Photos (see all 1 | slideshow) |
| Mathieu Amalric | ... | Simon | |
| Michael Lonsdale | ... | Mathias Jüst | |
| Edith Scob | ... | Lucy Jüst | |
| Lou Castel | ... | Arie Neumann | |
| Jean-Pierre Kalfon | ... | Karl Rose | |
| Valérie Dréville | ... | Lynn Sanderson | |
| Laetitia Spigarelli | ... | Louisa | |
| Delphine Chuillot | ... | Isabelle | |
| Nicolas Maury | ... | Tavera | |
| Rémy Carpentier | ... | Jacques Paolini | |
| rest of cast listed alphabetically: | |||
| Louis Aguettant | ... | Le chanteur de fado | |
| Mathieu Césarsky | ... | Hurleur 2 | |
| Jessica Cohen | ... | La jeune fille qui chante | |
| Cyrille Kervestin | ... | Walter | |
| Mamadou Steve Koundio | ... | Le travesti africain | |
| Julien Lacroix | ... | Philippe | |
| Philippe Montaye | ... | Hurleur 1 | |
| Miguel Poveda | ... | Flamenco singer | |
| Olivier Renouf | ... | Le danseur after rave | |
| Erwan Ribard | ... | Miguel | |
| Jean-Pierre Vigneau | ... | Angelino | |
| Patrick Zocco | ... | Le flic | |
Directed by | |||
| Nicolas Klotz | |||
Writing credits(in alphabetical order) | ||
| François Emmanuel | story | |
| Elisabeth Perceval | writer | |
Produced by | |||
| Sophie Dulac | .... | producer | |
| Jean-Christophe Gigot | .... | executive producer | |
| Michel Zana | .... | producer | |
Original Music by | |||
| Syd Matters | |||
Cinematography by | |||
| Josée Deshaies | |||
Film Editing by | |||
| Rose-Marie Lausson | |||
Casting by | |||
| Stéphane Batut | |||
| Isabelle Ungaro | |||
Production Design by | |||
| Antoine Platteau | |||
Set Decoration by | |||
| Romain Scavazza | |||
Costume Design by | |||
| Dorothée Guiraud | |||
Production Management | |||
| Sébastien Brun | .... | assistant unit manager | |
| Pierre Dufour | .... | production manager | |
| Adrien Ledoux | .... | assistant production manager | |
| Amélie Melkonian | .... | assistant production manager | |
| Mélanie Pienne | .... | assistant unit manager | |
| Pascal Pons | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Emile Louis | .... | first assistant director | |
| Fany Pouget | .... | second assistant director | |
Art Department | |||
| Laurent Baude | .... | assistant art director | |
| William Mordos | .... | set dresser | |
| Romain Scavazza | .... | assistant art director | |
Sound Department | |||
| Julie Brenta | .... | sound editor | |
| Stéphane De Rocquigny | .... | sound re-recording mixer | |
| Dominique Eyraud | .... | boom operator | |
| Cyril Holtz | .... | sound re-recording mixer | |
| Johann Nallet | .... | sound recordist | |
| Gadou Naudin | .... | foley artist | |
| Brigitte Taillandier | .... | sound | |
| Philippe Vandendriessche | .... | additional sounds | |
| Jean-Alexandre Villemer | .... | sound recordist | |
Stunts | |||
| Gérard Kuhnl | .... | stunts | |
| Alain Vanneville | .... | stunts | |
| Daniel Vérité | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Jean-Marc Dupuy | .... | grip | |
| Catherine Georges | .... | first assistant camera | |
| Mohamed Khaznadji | .... | key grip | |
| Marianne Lamour | .... | gaffer | |
| Christophe Larue | .... | electrician | |
Editorial Department | |||
| Nadine Mahé | .... | assistant editor | |
Music Department | |||
| Loris Bernot | .... | music recordist | |
Thanks | |||
| Patrick Zocco | .... | special thanks | |
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| L'accompagnatrice | La sentinelle | Le scaphandre et le papillon | Marie Galante | Bitter Moon |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb France section | Add this title to MyMovies |
A highly intelligent, interesting film that does a great job of showing the impact that the ripples of Nazi Germany still have on the modern world. It's half a study of that, half a character study of Mathieu Amalric's character, a psychologist for a large, anonymous company. This character is completely breaking down throughout the film as a result of living in such a shady, paranoia filled society. I have to admit that there is some stuff that went over my head. There's a subplot involving an almost underground society of these business types who take these boats to a place where they pop drugs and rave. I'm sure that the whole thing has a symbolic meaning but for me it just provided a stunning catharsis and more depth into Amarlic's character. His performance in the film is absolutely stunning. It's a very quiet, subtle portrayal that is one of the most...calculated performances I've seen in quite a while. You can tell that he put so much thought into every move that the character makes. Every turn of the body, slight movement of the eyes, it's all important for the performance. But the genius of him as an actor is that you realize he is putting importance into all of those moments, but he is so great at putting himself into the character that you just think it's important for the character and don't think about the man acting as the character until after the film is over. A very intelligent, complex performance in an intelligent, complex film.