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Heartbeat Detector (2007)
"La question humaine" (original title)

6.2
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Ratings: 6.2/10 from 993 users   Metascore: 68/100
Reviews: 20 user | 45 critic | 9 from Metacritic.com

A psychologist discovers troubling links between Nazism and modern-day big business.

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Title: Heartbeat Detector (2007)

Heartbeat Detector (2007) on IMDb 6.2/10

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Cast

Credited cast:
...
Simon
...
Mathias Jüst
...
Lucy Jüst
...
Arie Neumann
Jean-Pierre Kalfon ...
Karl Rose
Valérie Dréville ...
Lynn Sanderson
Laetitia Spigarelli ...
Louisa
Delphine Chuillot ...
Isabelle
...
Tavera
Rémy Carpentier ...
Jacques Paolini
Rest of cast listed alphabetically:
David Abtmalt
Solène Agobert
Louis Aguettant ...
Le chanteur de fado
Nassim Amaouche
Marie-Reine Beaumesnil
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Storyline

Paris today. Simon works as psychologist in human resources department of petrochemical corporation. When Management gets him to investigate one of the factory's executives, Simon'perception goes disturbingly chaotic and cloudy. The experience affects his body, his mind, his personal life and his sensibility. The calm assurance that made him such a rigorous technician starts to falter. Written by SDP

Plot Summary | Add Synopsis

Genres:

Drama | History | Music | War

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Details

Country:

Language:

Release Date:

12 September 2007 (France)  »

Also Known As:

The Human Question  »

Filming Locations:

 »

Box Office

Budget:

€600,000 (estimated)

Opening Weekend:

$5,309 (USA) (14 March 2008)

Gross:

$5,309 (USA) (14 March 2008)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.66 : 1
See  »
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Connections

Referenced in Les amants cinéma (2008) See more »

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User Reviews

 
Themes Belonging in Literature, Not A Film
28 March 2013 | by (United States) – See all my reviews

I really did want to appreciate this movie for tackling a series of monumental subjects - corporate dehumanization, guilt by association (especially concerning the Holocaust), Orwellian destruction of meaningful language, and the fallibility of psychoanalysis. However, watching this made me realize why the similarly dense subject material from novelists like Don DeLillo and Thomas Pynchon rarely make it to the big screen is that they are much too diffuse, internal, and cerebral to even attempt in the plot-action-event world of film. I love film, and I love ideas, but all good film (even the most arty and pretentious) is about action first and ideas second. This film starts with the ideas and never lets the characters out from under them. A movie should never be about words, just as a novel should never have directions for camera angles.

I can't make a conclusive evaluation of whether I loved it or hated it, so I give it a 5 out of 10. It fails in doing the impossible, so I have to give it some credit. This movie is a prime example of why some novels should never be made into films.


3 of 3 people found this review helpful.  Was this review helpful to you?

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