Yiu-Fai and Po-Wing arrive in Argentina from Hong Kong and take to the road for a holiday. Something is wrong and their relationship goes adrift. A disillusioned Yiu-Fai starts working at a... See full summary »
Tony Chiu Wai Leung,
Set in 1960, the film centres on the young, boyishly handsome Yuddy, who learns from the drunken ex-prostitute who raised him that she is not his real mother. Hoping to hold onto him, she ... See full summary »
A disillusioned killer embarks on his last hit but first he has to overcome his affections for his cool, detached partner. Thinking it's dangerous and improper to become involved with a ... See full summary »
Elizabeth's heart is broken. For solace, she drops in late at night a few times at Jeremy's diner for blueberry pie a la mode; they talk. Once, he watchers her sleep, her head on the counter. Abruptly, she leaves New York City to get away from her pain. She works a couple of jobs in Memphis. There, a heart-broken cop is drinking himself into oblivion, his ex occasionally showing up where he drinks and Lizzy works. Then, she's in Nevada, working at a casino where she uses her savings (she wants a car) to stake Leslie, a busted gambler, in a high rollers' game. After, Beth drives Leslie to Vegas where Leslie's estranged father lives. Broken relationships. What about Jeremy? Written by
We Got Love
Performed by Ryan Shaw
Written by Ryan Shaw, Jimmy Bralower and Johnny Gale
Courtesy of Columbia Records by arrangement with Sony BMG Entertainment
Published by R Shaw Publishing (ASCAP) / Fancy Footwork Music (ASCAP) and Stonegranate Music (BMI) See more »
This is a typical Kar Wai Wong film.Even some of the music is borrowed from In the mood for love.I have long been a Kar Wai Wong film fan.This is his first English language film.But the Kar Wai Wong style is still there. This movie seems to have met before.The Rachel Weisz part make me think of Texas,Paris the moment I heard the monologue.The idea crossing the America is not fresh either.As to Norah Jones,her role is just like Amélie.But there's something sweet in all these.Unlike Amélie who tries to help others,Elizabeth is merely a witness to all those things,aiming at finding a way to say goodbye to her failure in love.When she finally think herself prepared to say goodbye,the person who broke her heart is not there any more,and it's time to start a new relationship with Jude Law If you want to see something serious,I'm sorry,you may be disappointed.But if you just enjoy the atmosphere in a romantic movie,you will be satisfied.But it doesn't mean that it's a popcorn movie.Apart from the typical Kar Wai Wong style scenes,music,there's something to think over.You will think of something,think of your own love story in this story. The performances are wonderful.Rachel Weisz makes you into the mood the moment she walks into the bar.David Strathairn is wonderful.Natalie Portman makes you know that she is a real actress with great talent(maybe someone will be uncomfortable to her changes).Jude Law and Norah Jones together gives you a sense of warm,and they are really suitable in the roles of bar assistant or boss.Kar Wai Wong makes Faye Wong transform from an excellent singer to an excellent performer.Norah Jones's music is wonderful, and her performance is surprising to me,succeed in a good listener and witness The music,cinematography,etc are typical Kar Wai Wong style.Kar Wai Wong loves to put jazz in his movie,and Jones's vocal makes you exciting at the beginning of the movie.everything is magnified,in order to show the beauty hiding in the fine points.The light is a story teller in this movie,maybe weired but fascinating.Kar Wai Wong borrowed a piece of music from The Motorcycle Diaries,indicating that Elizabeth has managed to get rid of the failure in love. It may not be the best Kar Wai Wong movie,but it's enjoyable,and it's as sweet as blueberry pies,you will find it hard to resist
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