Paul Scheer sheds some light on The Room, lets us in on a secret in The Disaster Artist, and answers your questions. Plus, we explore the origins of midnight movies and take a look at IMDb's Top 10 Stars of 2017.
A psychological study of operations desert shield and desert storm during the gulf war; through the eyes of a U.S marine sniper who struggles to cope with the possibility his girlfriend may be cheating on him back home.
Before leaving on his second tour in Afghanistan, Marine Captain Sam Cahill, a leader, an athlete, a good husband and father, welcomes his screw-up brother Tommy home from prison. He'd robbed a bank. In country, Sam's helicopter is shot down and all are presumed dead. Back home, while Sam wastes away as a prisoner in a remote encampment, Tommy tries to take care of the widow and her two children. While imprisoned, Sam experiences horrors unbearable, so when he's rescued and returns home, he's silent, detached, without affect, and he's convinced his wife and brother have slept together. Demons of war possess him; what will silence them? Written by
An American reboot of the Danish film Brødre (2004). See more »
In the beginning, dated in the movie as 10/7/2007, Sam says he's leaving "in 4 days" (10/11/07). Later, at the dinner table, he tells his brother he's leaving "Tuesday". 10/11/2007 was a Thursday. See more »
Powerful movie, great individual performances, a few flaws
The trio of Jake Gyllenhaal, Tobey Macguire and Natalie Portman got me
very excited for this film, and from an acting standpoint, they did not
disappoint. The script gives Macguire the most to work with as the
family man/Marine, Sam Cahill, whose latest trip to Afghanistan sees
him imprisoned by the Taliban and ultimately returned to America with
some serious psychological issues. While he is MIA, his wife, Grace,
(Portman) and ex-con brother, Tommy, (Gyllenhaal) are told he is dead,
and the two grow closer, eventually verging on emotional and physical
Ultimately, the movie is an emotional ringer. Sam returns to a family
that wants to love him, but his walls are up, he's been through a lot
and its his brother the fun loving Uncle Tommy who Sam's children want
to play with. A quick note, Sheridan the director makes great use of
the two daughters as comic breaks in otherwise terribly tense
situations. Our theater was laughing at the kids and it felt to me, as
though we needed that laughter to balance out the gloom. There are a
few climaxes, some extremely tense family dinners and finally a final
gripping scene where Sam is pushed to the brink, he distrusts his wife,
assumes his brother is sleeping with her, and no longer can see the
humor in his elementary aged children, can he hold on?
Its a touching film and a sad film, but it probably could have been a
bit better. The script and title of the film suggest a big tension or
interplay between the brothers. I found the brother relationship
lacking in substance, and I thought the ingredients for some serious
tension and emotional pain were in place but were never put to use. Sam
Shepard does well as the Vietnam Vet father, but all he really does is
establish his love for his son, the Marine, and his disdain for his
son, the ex-con. There was so much more that he could have done, his
role seems intentionally diminished. Portman is great as usual, but
arguably miscast, as she doesn't belong cast into a film where she is
not supposed to think. She's a thinking woman's actress and here she is
left observing, we know she knows, but her character must play it
I cried, and wanted the story to continue, as there seems to be a bit
left to this story when the film fades away. Both signs that the movie
was enjoyable and touching. The growth of Gyllenhaal as the ex-con who
is on the rise, adjusting to life on the outside and acting as a
surrogate father in the absence of Macguire is nicely juxtaposed with
Macguire's devolution into post-traumatic stress ridden torment. Watch
the Oscar nods roll in, but I think, if anything, the movie may win
individual awards, as the product as a whole falls quite a bit short of
award winning status.
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