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Vicco von Bülow,
Vicco von Bülow,
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Hage, the Holy Spirit, is writing a musical, when Jesus returns to earth at Christmas to prepare the apocalypse. To prevent this, Hage tries to convince him that mankind is worth saving with the help of a beautiful striptease dancer.
Achim Bornhak's movie focuses on the restless life of Uschi Obermaier, the icon of the 1968 movement in Germany and groupie. At the age of 16, Uschi is bored by her job in a photo lab, but soon becomes the "it girl" of Munich's club scene. When she gets to know Rainer Langhans, they move to Berlin and live in "Kommune 1", the first politically-motivated commune in Germany. While the other occupants claim she isn't political enough, Uschi just wants to have fun, works as fashion model and leads international music stars in temptation... Written by
In Paris that summer, the students wrote "Power to the imagination" on the walls. In San Francisco they danced in the streets, and fought for what had become their way of life. And I was at home in Sendling, a suburb of Munich. I felt I died a slow and never-ending death that day. The only thing that kept me alive was the music. Without that, I would have died. Or worse, I would have turned into my parents. But music alone wouldn't get me out of Senling. That much was clear to me. ...
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After recent films about Sixties-pop-icons like Jim Morrisson, Brian Jones and Edie Sedgwick, now Uschi Obermaier is on.
This time there's a big difference, though: Uschi survived her wild young days and is still doing well. If I may believe the 'making of'-chapter of my German DVD: the real Uschi has been involved in the process, improving authenticity. The DVD also includes a few nice shots of young Uschi in her Sixties & Seventies-days.
I've also read Uschi Obermaier's autobiography 'High Times', and conclude that actress Natalia Avelon plays her character well - all set up with true German thoroughness.
Both real Uschi and her film-copy are about a girl who imaged out the moods of her young days very well - just that. What remains untold in film and autobiography, is the history of the vibrating Sixties-youth culture.
Having lived through the thirties' economic depression and world war 2, Uschi's parents were strongly molded by these tragic times. Uschi and her generation, born shorty after the war, did not carry this emotional burden. They worried about a new danger their parents mostly ignored: environment pollution.
As a result, a wide generation-gap opened up. Youngsters like Uschi Obermaier felt a strong urge to liberate themselves from their parents' strong & strict moral rules. Add to that the new availability of anti-conceptive, greatly helping in experimenting with new lifestyles.
For Uschi's generation, the late Sixties and early Seventies were a time to develop a lifestyle they felt comfortable with. It is the German version of what happened in San Francisco's Haight-Ashbury neighborhood during the same period.
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