IMDb > Chelovek bezvozvratnyy (2006)

Chelovek bezvozvratnyy (2006) More at IMDbPro »


Overview

User Rating:
5.6/10   49 votes
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Up 45% in popularity this week. See why on IMDbPro.
Director:
Writer:
Peter Stepin (writer)
Contact:
View company contact information for The Man of No Return on IMDbPro.
Genre:
Tagline:
Usual disparities.
Plot:
Lives of several families dramatically cross in a small suburban town. | full synopsis
Awards:
1 nomination more
User Reviews:
deserves a stand out for the quality of its script and its ensemble playing... more (1 total)

Cast

  (Cast overview, first billed only)

Galina Jovovich ... Alevtina Terpisheva (as Galina Jovovich-Loginova)

Ekaterina Rednikova ... Vera Knyazeva
Anna Churina ... Nadezhda Knyazeva
Sergei Krapiva ... Andrei Knyazev
Yelena Valyushkina ... Tatyana Knyazeva
Mikhail Remizov ... Boris Knyazev
Olga Zaytseva ... Katya Perova
Vitaly Gogunsky ... Roman Volkov
Anna Khilkevich ... Olesya
Alyona Yakovleva ... Nina
Sergei Chonishvili ... Arkadi
Andrei Yegorov ... Vadim
Aleksei Korolyov ... Aleksandr
Eduard Flerov ... Dmitriy Kodintsev
Nina Menshikova ... Yelizaveta Petrovna (as Nina Menshchikova)
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Additional Details

Also Known As:
The Man of No Return (International: English title)
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Runtime:
104 min
Country:
Language:
Color:
Sound Mix:
Filming Locations:

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1 out of 2 people found the following review useful.
deserves a stand out for the quality of its script and its ensemble playing..., 3 November 2007
10/10
Author: felix _ru from Moscow

Very well made character driven movie. Through its shifting kaleidoscopic treatment of character and situations, the film addresses the viewer by introducing another dimension of history and memory that presses against habituation. As for being a conventional psychological drama that highlights the sources of hidden family disfunctions, the film works against assigning the sources of conflict to individuals in the family. The plot turns don't seem to be typical because of the multiple, interwoven layers and images which are not always apparent on first viewing. In its focus on temporality, on the body, and on vision, the film strives to attain what Gilles Deleuze has described as a cinema of brain and thought. This type of cinema functions as the time-image, whereby it works with and against clichés.

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