2 items from 2015
Home of the Brave: Duran’s Debut a Neutered Examination of Grief During Wartime
There’s a war going on, though not one specifically referenced, mentioned or discussed. But then Daniel Duran’s directorial debut, Bravetown, seems happy examining exactly that, the ways in which people are unable to communicate clearly their emotions relating to the traumas that war has inflicted on them. Perhaps in an effort to elevate the material to a timeless realm, screenwriter Oscar Orlando Torres (Instructions Not Included) remains curiously vague on details, the only definitive reference pertaining to the Gulf War.
Josh Harvest (Josh Till) is a moderately troubled teen living with his single mother (Maria Bello) in New York. A rising DJ, a mistaken overdose lands him in court with a mandated sentence of twelve months rehabilitation. His overworked mother is done worrying about him and sends him off to live with his »
- Nicholas Bell
Paul Rieckhoff is CEO and founder of Iraq and Afghanistan Veterans of America (Iava), an Iraq veteran, and the author of “Chasing Ghosts: Failures and Facades in Iraq: A Soldier’s Perspective.” He offers his thoughts on Clint Eastwood’s “American Sniper” in a guest column.
I’ve seen just about every film about the Iraq War ever made. I’ve produced and associate produced a few. I even appeared in one (for about a millisecond). And without a doubt, “American Sniper” is the single best work of film about the Iraq War ever made.
Now, it’s not the most complex film. Not the deepest film. Not even the most provocative. But in terms of storytelling, action, emotion, production and performance, attention to detail and especially the frighteningly accurate soundscape, there’s been nothing else close that’s been made since my platoon entered the war in Iraq »
- Paul Rieckhoff
2 items from 2015
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