In the midst of his crumbling relationship, a radio show host begins speaking to his biggest fan, a young boy, via the telephone. But when questions about the boy's identity come up, the host's life is thrown into chaos.
Anna Foster has never had an ordinary life. At eighteen years old, she is the most protected girl in America; she is the First Daughter. Frustrated with her overprotective father, the ... See full summary »
When his son's body is found in a humiliating accident, a lonely high school teacher inadvertently attracts an overwhelming amount of community and media attention after covering up the truth with a phony suicide note.
By working through problems stemming from his past, Tom Warshaw, an American artist living in Paris, begins to discover who he really is, and returns to his home to reconcile with his family and friends.
Sadie and Ben are in love, and although Ben suggests getting married in the Caribbean, Sadie has her heart set on a wedding at the family church, St. Augustine's. Ben says sure, and they meet with the pastor, Rev. Frank. The only date open for two years is three weeks away, and Frank insists the kids go through his marriage prep course. They're to write their own vows; he also demands chastity, bugs their apartment, initiates arguments, has them care for robot twins, creates friction between Ben and her family, and raises doubts in Sadie. Desperate, Ben looks for dirt on Frank. Can he undermine Frank's authority and keep Sadie's heart? Written by
Oh Happy Day
Written by Philip Doddridge and Edward F. Rimbault
Arranged by Edwin Hawkins
Produced by Rohan Dwyer, Paul Lewis, Carol Dexter, and Christopher Smith
Performed by Carol Dexter, Latoya Hall, Claudine Hyatt, Dwight Richards, and Christopher Smith See more »
Robin Williams is certainly a very gifted comedian. It would be a sin to classify him as untalented. But somebody needs to send this guy some decent scripts. I think the problem is people feel that all you need to do is cast Robin as the lead, and viola! You've got yourself a hilarious comic romp! Weak writing is weak writing. End of story. The film is not without laughs. I certainly did laugh several times, but as you would expect, most of the good jokes are given away in the trailer. Altogether, "License to Wed" is a predictable romantic comedy filled with lots of sitcom-level humor. It's worth checking out on cable. Like I said, there are some laughs, and watching the gorgeous Mandy Moore certainly doesn't hurt either. But this is one of those comedies you'll probably forget soon after you've seen it.
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