| Photos (See all 14 | slideshow) | Videos (see all 13) |
| Kang-ho Song | ... | Priest Sang-hyeon | |
| Ok-bin Kim | ... | Tae-ju | |
| Hae-suk Kim | ... | Lady Ra | |
| Ha-kyun Shin | ... | Kang-woo | |
| In-hwan Park | ... | Priest Noh | |
| Dal-su Oh | ... | Yeong-doo | |
| Young-chang Song | ... | Seung-dae | |
| Mercedes Cabral | ... | Evelyn | |
| Eriq Ebouaney | ... | Immanuel | |
| rest of cast listed alphabetically: | |||
| Hee-jin Choi | ... | Nurse | |
| Woo-seul-hye Hwang | ... | Girl with a whistle | |
| Hwa-ryong Lee | ... | Professor Ku | |
| Mi-ran Ra | ... | Nurse Yu | |
Directed by | |||
| Chan-wook Park | |||
Writing credits(in alphabetical order) | ||
| Seo-Gyeong Jeong | screenplay | |
| Chan-wook Park | screenplay | |
| Émile Zola | inspired by the book "Thérèse Raquin" | |
Produced by | |||
| Soo-hyun Ahn | .... | producer | |
| Joon H. Choi | .... | associate producer | |
| Hak-beom Kim | .... | co-associate producer | |
| Katharine Kim | .... | co-executive producer | |
| Miky Lee | .... | executive producer | |
| Ki-moon Nam | .... | co-associate producer | |
| Chan-wook Park | .... | producer | |
| Bob Seh | .... | co-associate producer | |
Original Music by | |||
| Yeong-wook Jo | |||
Cinematography by | |||
| Chung-hoon Chung | |||
Film Editing by | |||
| Jae-beom Kim | |||
| Sang-beom Kim | |||
Production Design by | |||
| Seong-hie Ryu | |||
Set Decoration by | |||
| Jiyeon Song | |||
Costume Design by | |||
| Sang-gyeong Jo | |||
Makeup Department | |||
| Hee Eun Lee | .... | special makeup effects artist | |
| Jong-hee Song | .... | hair designer | |
| Jong-hee Song | .... | make-up designer | |
Second Unit Director or Assistant Director | |||
| Seung Koo Kwon | .... | second unit director: action | |
Sound Department | |||
| Jeng Gun | .... | sound recordist | |
| Chang-seop Kim | .... | sound designer | |
| Suk-won Kim | .... | sound designer | |
Visual Effects by | |||
| Sunghun Cha | .... | visual effects artist | |
| Kang Chang-bae | .... | visual effects artist | |
| Kang Changbae | .... | visual effects | |
| Hyun-Cheol Chung | .... | visual effects | |
| Yuseop Ham | .... | visual effects | |
| Changbae Kang | .... | visual effects | |
| Jeon-hyeong Lee | .... | visual effects supervisor | |
| Jihyun Nam | .... | head of effects | |
| Kwang-Ha Ryu | .... | visual effects | |
| Jeong Hun Seong | .... | digital effects artist | |
Camera and Electrical Department | |||
| Hyun-won Park | .... | lighting technician | |
Music Department | |||
| Stefan Karrer | .... | soundtrack album producer | |
Other crew | |||
| Jeongeun Choi | .... | script supervisor | |
| Sean Lee | .... | investment executive | |
Thanks | |||
| June Lee | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb South Korea section |
From the director of Oldboy comes this slick vampire flick. Kang-ho Song stars as a priest who is accidentally changed into a vampire while being cured of a deadly, mysterious virus. His vampirism and priesthood are quite at conflict, but he is able to survive by robbing the hospital's blood bank and unconscious patients who might not mind some siphoned blood. Because of his supposedly miraculous survival, he comes into the lives of Ha-kyun Shin's family. Shin has cancer, and his mother believes that Song can cure it. Unfortunately, Song's vampirism raises his levels of lust to a height where he can't help but fall for Shin's young wife, OK-vin Kim. Kim is intensely interested in the world of vampirism, and the two become lovers. The film from there goes in weird directions that I think one should experience for themselves. What really should be mentioned is Chan-wook Park's mastery of the medium of cinema. My God, I've rarely seen such a masterful visual artist at the peak of his powers. The major flaw of the film is that it's a little incoherent, especially near the beginning. Park is interested in telling his stories mostly in the visuals, which can be difficult to follow at times. But when it works, man, does it fly. The film is also perversely hilarious. The final sequence, easily one of the best of the decade, is simultaneously heartbreaking and delightfully ridiculous. OK-vin Kim should become a worldwide star after this film. She gives one of the best performances of the year.