6.5/10
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When Nietzsche Wept (2007)

PG-13 | | Drama | 2 August 2007 (Israel)
Viennese doctor Josef Breuer meets with philosopher Friedrich Nietzsche to help him deal with his despair.

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Writers:

, (novel) (as Irvin Yalom)
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Cast

Credited cast:
...
...
...
Mathilda
...
Bertha (as Michal Yanai)
...
...
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Lou Salome
...
Frau Becker
Yzhar Charuzi ...
Hush Man
Ilan Charusi ...
Carmen Barman
Tal Fructer ...
Girl by Pianist
Silvia Terzieva ...
Mrs. Fiefer
Ivaylo Brusowski ...
Mendel Fiefer
Rest of cast listed alphabetically:
Axl Brusberg
Ventsislav Slavov ...
The Father of Josef
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Storyline

Viennese doctor Josef Breuer meets with philosopher Friedrich Nietzsche to help him deal with his despair.

Plot Summary | Plot Synopsis

Taglines:

We Are More In Love With Desire Than The Desired

Genres:

Drama

Motion Picture Rating (MPAA)

Rated PG-13 for sexual content and some thematic material | See all certifications »

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Details

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Release Date:

2 August 2007 (Israel)  »

Also Known As:

El día que Nietzsche lloró  »

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Aspect Ratio:

1.85 : 1
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Did You Know?

Quotes

[first lines]
Lou Salome: [writing a letter] Dr. Breuer, I must see you on a matter of life or death. Meet at nine tomorrow morning, at the Cafe Rousse.
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Soundtracks

Swan Lake Suite Opus 71A
Composed by Pyotr Ilyich Tchaikovsky (as Peter I. Tchaikovsky)
Courtesy of 5 Alarm Music
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User Reviews

 
Disappointingly melodramatic interpretation
6 August 2007 | by (Israel) – See all my reviews

I read the book several years ago, and didn't remember much of it, beyond being fascinated by the psychological-philosophical explorations of the legendary characters and intrigued by the migraine issues that Nietszche and Breuer attempt to solve. But the book is deeply intellectual, and it was difficult to imagine it translated to the screen. Unfortunately, the director's interpretation falls very limp indeed, despite valiant attempts by a cast of worthy actors.

Melodrama substitutes in most scenes for subtlety and quiet depth. Two-dimensional beauty in the female characters substitutes for the much harder to convey inner beauty.

I found the heavy-handed artificial accents maintained by all to be especially distracting, if not constantly irritating -- the thick German/Austrian/Russian accents were like bad scenery pulling the focus from any authentic expression of the characters. The wisdom of Nietszche is disappointingly obscured in this mediocre effort.

"And if you gaze for long into an abyss, the abyss gazes also into you."


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