| Tom Arnold | ... | Frank (archive footage) | |
| Randy Barbato | ... | Himself | |
| Dan Bucatinsky | ... | Himself | |
| Steve Buscemi | ... | Nick (archive footage) | |
| Jonathan Caouette | ... | Himself | |
| Patricia Charbonneau | ... | Cay Rivvers (archive footage) | |
| Ash Christian | ... | Himself | |
| John Cooper | ... | Himself | |
| Wilson Cruz | ... | Himself | |
| Alan Cumming | ... | Himself | |
| Donna Deitch | ... | Herself | |
| Divine | ... | (archive footage) | |
| Arthur Dong | ... | Himself | |
| Alonso Duralde | ... | Himself | |
| Adam Goldberg | ... | Brett Miles Sanford (archive footage) | |
| Stephen Gutwillig | ... | Himself | |
| Jake Gyllenhaal | ... | Himself / Jack Twist (archive footage) | |
| Maggie Gyllenhaal | ... | Jude (archive footage) | |
| Marga Gómez | ... | Herself | |
| Harry Hamlin | ... | Bart McGuire (archive footage) | |
| Sean Hayes | ... | Himself / Billy Collier (archive footage) | |
| Todd Haynes | ... | Himself | |
| Marcus Hu | ... | Himself | |
| Randy Jones | ... | Cowboy | |
| Nina Landey | ... | Herself | |
| Heath Ledger | ... | Himself / Ennis Del Mar (archive footage) | |
| Ang Lee | ... | Himself | |
| Jennie Livingston | ... | Herself | |
| Jane Lynch | ... | Herself | |
| Andrea Martin | ... | Dr. Ellen Wyckoff (archive footage) | |
| Heather Matarazzo | ... | Herself | |
| Ian McKellen | ... | Himself (archive footage) | |
| John Cameron Mitchell | ... | Himself | |
| Julianne Moore | ... | Herself (archive footage) | |
| Michael Musto | ... | Himself | |
| Tommy O'Haver | ... | Himself | |
| Jenni Olson | ... | Herself | |
| Peter Paige | ... | Himself | |
| Patrik-Ian Polk | ... | Himself | |
| Billy Porter | ... | Himself | |
| Dennis Quaid | ... | Himself (archive footage) | |
| B. Ruby Rich | ... | Herself | |
| Jason Ritter | ... | Otis (archive footage) | |
| Angela Robinson | ... | Herself | |
| Don Roos | ... | Himself | |
| James Schamus | ... | Himself | |
| Chloë Sevigny | ... | Lana Tisdel (archive footage) | |
| Helen Shaver | ... | Vivian Bell (archive footage) | |
| Michelangelo Signorile | ... | Himself | |
| Mink Stole | ... | Connie Marble (archive footage) | |
| Hilary Swank | ... | Herself / Brandon Teena (archive footage) | |
| Charlize Theron | ... | Herself (archive footage) | |
| Rose Troche | ... | Herself | |
| Guinevere Turner | ... | Herself | |
| Christine Vachon | ... | Herself | |
| Gus Van Sant | ... | Himself | |
| Andy Warhol | ... | Himself (archive footage) | |
| John Waters | ... | Himself | |
| Stephen Winter | ... | Himself | |
| Alice Wu | ... | Herself | |
| John Kirk | ... | Interviewee (uncredited) |
Directed by | |||
| Lisa Ades | |||
| Lesli Klainberg | |||
Original Music by | |||
| Ari Gold | |||
| Billy Porter | |||
Cinematography by | |||
| Ruben O'Malley | |||
| John Pirozzi | |||
Film Editing by | |||
| Rachel Reichman | |||
Art Department | |||
| Elizabeth Dagger | .... | graphic designer: Electrofork | |
Sound Department | |||
| Stephen Bores | .... | sound (as Steve Bores) | |
| Andre French | .... | sound | |
| Will Hansen | .... | sound (as William Hansen) | |
| Claudia Katayanagi | .... | sound (as Claudia Kataynagi) | |
| Caleb Mose | .... | sound (as Caleb A. Mose) | |
| Tim Stubelik | .... | sound (as Tim Stubelek) | |
| Colin Weeks | .... | sound editor | |
| Colin Weeks | .... | sound mixer | |
Visual Effects by | |||
| Terence Taylor | .... | After Effects | |
Camera and Electrical Department | |||
| Henry Adebonojo | .... | additional cinematographer | |
| Shaka Brookes | .... | grip (as Tshaka Brookes) | |
| Sophia E. Constantinou | .... | additional cinematographer (as Sophie Constantinou) | |
| Lesli Klainberg | .... | additional cinematographer | |
| Tammie Rhee | .... | additional cinematographer | |
| Jennifer Scarlata | .... | grip (as Jenny Scarlata) | |
Editorial Department | |||
| Judd Blaise | .... | associate editor | |
| Julie Farol | .... | additional video post-production: Arc Pictures | |
| Bill Stokes | .... | colorist: DuArt (as William Stokes) | |
Music Department | |||
| Ari Gold | .... | music supervisor | |
Other crew | |||
| Margot Ahlquist | .... | production assistant | |
| Lisa Andracke | .... | production assistant | |
| Dave Donars | .... | production coordinator | |
| Barbara Gregson | .... | clearance services: Miller.Gregson98 | |
| Katrina Kelly | .... | intern | |
| Lisa Marie Mancusco | .... | intern | |
| Christin Leigh Moné | .... | intern | |
| Jenni Olson | .... | project consultant | |
| David Orellana | .... | intern | |
| B. Ruby Rich | .... | project consultant | |
| Elizabeth Supp | .... | intern | |
| Zaindria Yarborough | .... | intern | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb USA section |
Sure, for a newcomer, 'Fabulous! The Story of Queer Cinema' was educational. For people that have been around the queer-independent block a few times, it was ho-hum for the most part. Some interviews were insightful, mostly by John Waters, but others told us what's already been said before. And the time line they showed throughout was a bit off-subject, if this was, in fact, a documentary on "queer cinema" and not on miscellaneous gay events. However, they did hit the nail on the head with the overabundance of "coming out" and "AIDS" stories. I seriously thought I would pull my hair out if another one of either genre came out in the 1990s. I understand this movie came out in 2006, so thankfully they got to 'Brokeback Mountain' but missed the new trend in more recent cinema: the return of homophobic male-bonding/bromance features. I even liked 2009's 'The Hangover' but once again, it seems the new trend is the recent craze to justify homophobic behavior. People do see it as funny, but unfortunately it allows the young males seeing this justify their hatred or simply scared actions. Unfortunately, this documentary didn't touch on that, but still it was an insightful look at pre-coming out cinema (including 'Beefcake' features) and it was nice to see a documentary that's raw and uncensored (full frontal nudity and language abound.) It's worth a viewing.