A chronological look at films by, for, or about (or 'by, for, and about') homosexuals in the United States, from 1947 to 2005, from Kenneth Anger's 'Fireworks' to Ang Lee's 'Brokeback ...
See full summary »
After the death of her daughter, Julia Lofting, a wealthy housewife, moves to London to re-start her life. All seems well until she is haunted by the sadness of losing her own child and the ghosts of other children.
Fifteen-year-old Beni falls in love with Fögi, a singer in a Rock band. As Fögi seduces him, Beni is willing to follow him where ever he takes him. But Fögi is a drug addict and pulls Beni ... See full summary »
Urs Peter Halter
In a village in the Southwest of France, 1962. Maite and Francois are 18 years old. They are friends, not lovers. In Francois's classroom, there are Serge, whose brother has just married to... See full summary »
A chronological look at films by, for, or about (or 'by, for, and about') homosexuals in the United States, from 1947 to 2005, from Kenneth Anger's 'Fireworks' to Ang Lee's 'Brokeback Mountain'. Talking heads, anchored by critic and scholar B. Ruby Rich, are interspersed with an advancing chronology and with clips from two dozen films. The narrative groups the pictures around various firsts, movements, and triumphs: experimental films, independent films, sex on screen, outlaw culture and bad guys, female romances, films about A.I.D.S. and dying, emergence of romantic comedy, transsexual films, films about diversity and various cultures, and then main-stream Hollywood drama. What might come next? Written by
<email@example.com> and Brian McInnis
If this film were called "The Story of American Queer Cinema" I would give it a higher rating, although --as it has been written in other reviews-- it only covers a small sample of its subject in American cinema, mostly independent films from recent years. It is neither a work on self-representation by American gay independent filmmakers, since it also covers a few motion pictures made by heterosexual directors, who --with varying degrees of respect-- have worked with homosexual or lesbian stories and characters. The lack of references to significant mainstream titles as "Mikaël" (1924), "Mädchen in Uniform" (1931) and the very bad "The Third Sex" (1957), the three being from Germany, the interesting British drama "Victim' (1961), Fassbinder's "Fox and His Friends" (1975), "The Best Way to Walk" (1976) and "The Wounded Man" (1983) from France, the Mexican black comedy "Doña Herlinda and Her Son" (1985), or Wong Kar-Wai's dramatic "Happy Together" (1997), omits the different and many aspects of what it means to be homosexual or lesbian in other cultures, so we are left with what it means to be "gay" or "queer", one-dimensional terms that many persons from all over the world (including myself) seem reluctant to apply to themselves or anyone. In the end this omission affects the work, making it appear too light and shallow in terms of world contribution to cinematic representation of same-sex eroticism, even when a few of the testimonies and analysis of a couple of motion pictures make the documentary moderately interesting.
6 of 6 people found this review helpful.
Was this review helpful to you?