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Fabulous! The Story of Queer Cinema (2006)

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A chronological look at films by, for, or about (or "by, for, and about") gays and lesbians in the United States, from 1947 to 2005, Kenneth Anger's "Fireworks" to "Brokeback Mountain." ... See full summary »

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Cast

Credited cast:
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Nick (archive footage)
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Cay Rivvers (archive footage)
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(archive footage)
Arthur Dong ...
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Brett Miles Sanford (archive footage)
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Storyline

A chronological look at films by, for, or about (or "by, for, and about") gays and lesbians in the United States, from 1947 to 2005, Kenneth Anger's "Fireworks" to "Brokeback Mountain." Talking heads, anchored by critic and scholar B. Ruby Rich, are interspersed with an advancing timeline and with clips from two dozen films. The narrative groups the pictures around various firsts, movements, and triumphs: experimental films, indie films, sex on screen, outlaw culture and bad guys, lesbian lovers, films about AIDS and dying, emergence of romantic comedy, transgender films, films about diversity and various cultures, and then mainstream Hollywood drama. What might come next? Written by <jhailey@hotmail.com>

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7 April 2006 (USA)  »

Also Known As:

A Fabulosa História do Cinema Gay  »

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Quotes

[first lines]
Jane Lynch: For the longest time I couldn't put a name to who I was. I didn't have an image of anybody else who was like me, and it was torture.
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Features Bound (1996) See more »

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User Reviews

 
a broad but shallow survey
31 July 2006 | by (United States) – See all my reviews

I can't say that I agree with the earlier poster who claims the film doesn't represent gay men's films. Hello, John Waters, Don Roos and any number of other participants. There are far more glaring omissions than a few enjoyable mainstream 1990s indies and "The Boys in the Band." How about the entire history of avant-garde gay cinema, pre-1960s?

Regardless, any survey this broad is obviously going to be shallow. You'd need a miniseries to cover the entire history of queer cinema across all eras, countries of origin and genres.

This being an IFC documentary, it focuses on independent cinema. That makes sense.

For a broader historical perspective, albeit a very Hollywood-focused, U.S.-centric one, check out The Celluloid Closet.


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