A chronological look at films by, for, or about (or 'by, for, and about') homosexuals in the United States, from 1947 to 2005, from Kenneth Anger's 'Fireworks' to Ang Lee's 'Brokeback ...
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After a series of Broadway flops, songwriter Bert Hanley (Dixon) goes to work at a musical camp for young performers. Inspired by the kids, he finds an opportunity to regain success by staging an altogether new production.
Two lovers talking on a beach in France. One hides the fact that he is in need of a heart transplant. He knows that someone has to die so that he may live. But to find out who it was that died so that he may live.
In 1931 budding author Christopher Isherwood goes to Berlin at the invitation of his friend W. H. Auden for the gay sex that abounds in the city. Whilst working as an English teacher his ... See full summary »
The Long Day Closes is the story of eleven-year-old "Bud." A sad and lonely boy, Bud struggles through his days. With cinema as his main source of solace, he haunts the local movie-house. ... See full summary »
Two sixteen year old boys, Marcos and Johannes, spend their days racing, wrestling, hanging out, watching videos and playing hide-and-seek at nights. A closeness develops between the two of... See full summary »
A chronological look at films by, for, or about (or 'by, for, and about') homosexuals in the United States, from 1947 to 2005, from Kenneth Anger's 'Fireworks' to Ang Lee's 'Brokeback Mountain'. Talking heads, anchored by critic and scholar B. Ruby Rich, are interspersed with an advancing chronology and with clips from two dozen films. The narrative groups the pictures around various firsts, movements, and triumphs: experimental films, independent films, sex on screen, outlaw culture and bad guys, female romances, films about A.I.D.S. and dying, emergence of romantic comedy, transsexual films, films about diversity and various cultures, and then main-stream Hollywood drama. What might come next? Written by
<firstname.lastname@example.org> and Brian McInnis
I can't say that I agree with the earlier poster who claims the film doesn't represent gay men's films. Hello, John Waters, Don Roos and any number of other participants. There are far more glaring omissions than a few enjoyable mainstream 1990s indies and "The Boys in the Band." How about the entire history of avant-garde gay cinema, pre-1960s?
Regardless, any survey this broad is obviously going to be shallow. You'd need a miniseries to cover the entire history of queer cinema across all eras, countries of origin and genres.
This being an IFC documentary, it focuses on independent cinema. That makes sense.
For a broader historical perspective, albeit a very Hollywood-focused, U.S.-centric one, check out The Celluloid Closet.
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