A chronological look at films by, for, or about (or "by, for, and about") gays and lesbians in the United States, from 1947 to 2005, Kenneth Anger's "Fireworks" to "Brokeback Mountain." ... See full summary »
Underage sex is one of the most taboo topics on screen. Indie Sex: Teens presents the history and role of teenage sex and sexuality on screen from Splendor in the Grass to Kids to Thirteen.... See full synopsis »
Thirteen-year-old Ernest Chin lives and works at a sleazy hourly-rate motel on a strip of desolate suburban bi-way. Misunderstood by his family and blindly careening into puberty, Ernest ... See full summary »
Max is a trendy, pretty, young lesbian, who is having trouble finding love. A friend sets her up with Ely, whom Max likes, but Ely is frumpy, homely, and older. Nor do they have much in ... See full summary »
T. Wendy McMillan
The life and times of Baltimore film maker and midnight movie pioneer, John Waters. Intercut with a 1972 interview of Waters are clips from his first films and recent interviews with his ... See full summary »
One record producer, the creators of "Hedwig and the Angry Inch" and top indie rock artists come together to create a tribute album benefiting the Hetrick-Martin Institute, home of the ... See full summary »
A chronological look at films by, for, or about (or "by, for, and about") gays and lesbians in the United States, from 1947 to 2005, Kenneth Anger's "Fireworks" to "Brokeback Mountain." Talking heads, anchored by critic and scholar B. Ruby Rich, are interspersed with an advancing timeline and with clips from two dozen films. The narrative groups the pictures around various firsts, movements, and triumphs: experimental films, indie films, sex on screen, outlaw culture and bad guys, lesbian lovers, films about AIDS and dying, emergence of romantic comedy, transgender films, films about diversity and various cultures, and then mainstream Hollywood drama. What might come next? Written by
I can't say that I agree with the earlier poster who claims the film doesn't represent gay men's films. Hello, John Waters, Don Roos and any number of other participants. There are far more glaring omissions than a few enjoyable mainstream 1990s indies and "The Boys in the Band." How about the entire history of avant-garde gay cinema, pre-1960s?
Regardless, any survey this broad is obviously going to be shallow. You'd need a miniseries to cover the entire history of queer cinema across all eras, countries of origin and genres.
This being an IFC documentary, it focuses on independent cinema. That makes sense.
For a broader historical perspective, albeit a very Hollywood-focused, U.S.-centric one, check out The Celluloid Closet.
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