Police officer Dirk Hendricks (Bartlett) files an amnesty application for Alex Mpondo (Ejiofor), a member of the South African Parliament who can't remember the torture he once endured as a captive political activist. South African-born attorney Sarah Barcant (Swank), meanwhile, returns to her homeland to represent Mpondo, as well as Steve Sizela, Mpondo's friend who arrested along with him and ... See full summary »
Detective Superintendent Jane Tennison's investigation of the murder of a Bosnian refugee leads her to one, or possibly two, Serbian war criminals determined to silence the last witness to a massacre a decade before.
Anna Maria Ashe
In 1998 former Chilean dictator Augusto Pinochet visits Britain for medical treatment. On being tipped off, Amnesty International seize the chance to bring to justice a man they insist is ... See full summary »
Biopic of Lord Longford, known for many years for his work with prisoners and prisoners rights in general. The film focuses on Longford's work on behalf of Myra Hindley convicted, along with her boyfriend Ian Brady, of several child murders. Hindley is nothing short of notorious and even Longord's wife is shocked when he announces that he will visit her in prison. When Prime Minister Harold Wilson removes him as the Government Leader in the House of Lords soon after his visits to Hindley are made public, Longford continues to work for her release. A devout convert to Roman Catholicism, Longford sees hope for Hindley when he learns that she too once converted to Catholicism. In the end, his campaign to get her released on parole is for naught when she reveals that other murders took place. Longford stood by his convictions however and never regretted the good work he had done over a great many years. Written by
To look as much as possible like the real Lord Longford, Jim Broadbent wore a prosthetic nose and chin that took two hours to apply each day. A prison guard who had known the real Lord Longford was once very startled when Broadbent entered the prison door in costume. To make himself walk very slowly and lamely when Longford sees Myra Hindley for the last time in the movie (when the character is 92 years old), Broadbent put small, painful stones inside his shoes. See more »
Opening scene: clock in radio studio reads 2:17; radio host announces time check as 2:15. Same scene at end of movie: clock is the same, radio host's time check is 2:20. See more »
[Ian Brady walks into visiting room]
Well, look who it is! Lord Porn! I told ye to leave her alone, Frank. And ye didn't. And now look: half the country has ye earmarked as her lackey, the other half as a gullible fool. So I'm gonna tell ye again. Nice and slowly, so ye don't forget it. Leave... Myra... Hindley... alone! Or she will do to you what she did to me. She will destroy you.
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This surely is one of the best made for TV dramas you are likely to see, superbly written and featuring a stunning performance from Jim Broadbent as Lord Longford. I had only ever regarded Longford as an eccentric old fool until watching this film which reveals what great humanity and compassion the man had. He finds Myra Hindley does not appear to be the monster the media built her up to be and Longford believes there may be some good in her but she is eventually shown to be as devious and manipulative as Ian Brady said she was. Brady is portrayed by Andy Serkis in a performance of incredibly raw and shocking power and you are left in no doubt that the only place for this dangerous man is behind bars, away from the public at large. It is only when Longford finds out he has been deceived that he finally listens to a copy of the infamous tape of the murders that has been sent to him anonymously through the post and thereafter he begins to question his own faith. Towards the end of both their lives Longford meets Hindley once more and in a truly shocking scene Hindley reveals her own spirituality and repentance, although not in the manner that he or anyone else could have expected. The film mixes documentary film with staged scenes to great effect and feels thoroughly authentic, capturing the era to perfection. I came away from this film feeling great admiration for this man, who may have been misled, but who only had good in his heart and did not know the meaning of hate.
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