Police officer Dirk Hendricks (Bartlett) files an amnesty application for Alex Mpondo (Ejiofor), a member of the South African Parliament who can't remember the torture he once endured as a captive political activist. South African-born attorney Sarah Barcant (Swank), meanwhile, returns to her homeland to represent Mpondo, as well as Steve Sizela, Mpondo's friend who arrested along with him and ... See full summary »
The true story of gay lovers, Richard Loeb and Nathan Leopold Jr. who kidnapped and murdered a child in the early 1920s for kicks. The plot covers the months before the crime, the ... See full summary »
A man is abducted from the streets of London and transported via secret flights to an unknown country. Held in solitary confinement and cut off from the outside world, he is plunged into a ... See full summary »
Henry Kesdi is a silenced classical composer and a survivor of the Holocaust. He is coaxed out from retirement by an inspired musicologist, Stefan, who convinces him to compose a complex ... See full summary »
Max von Sydow,
Inspired by the true story of Danish painter Einar Wegener and his California-born wife, this tender portrait of a marriage asks: What do you do when someone you love wants to change? It ... See full summary »
Biopic of Lord Longford, known for many years for his work with prisoners and prisoners rights in general. The film focuses on Longford's work on behalf of Myra Hindley convicted, along with her boyfriend Ian Brady, of several child murders. Hindley is nothing short of notorious and even Longord's wife is shocked when he announces that he will visit her in prison. When Prime Minister Harold Wilson removes him as the Government Leader in the House of Lords soon after his visits to Hindley are made public, Longford continues to work for her release. A devout convert to Roman Catholicism, Longford sees hope for Hindley when he learns that she too once converted to Catholicism. In the end, his campaign to get her released on parole is for naught when she reveals that other murders took place. Longford stood by his convictions however and never regretted the good work he had done over a great many years. Written by
To look as much as possible like the real Lord Longford, Jim Broadbent wore a prosthetic nose and chin that took two hours to apply each day. A prison guard who had known the real Lord Longford was once very startled when Broadbent entered the prison door in costume. To make himself walk very slowly and lamely when Longford sees Myra Hindley for the last time in the movie (when the character is 92 years old), Broadbent put small, painful stones inside his shoes. See more »
Opening scene: clock in radio studio reads 2:17; radio host announces time check as 2:15. Same scene at end of movie: clock is the same, radio host's time check is 2:20. See more »
[on a radio talk show to promote his new book about saints, is challenged by a caller to say whether he now regrets ever having aided Myra Hindley, or not]
Not at all. As a matter of fact, I consider my visiting Myra Hindley, and indeed, all the other prisoners I've visited for over fifty years, to be one of the great blessings of my life. Now, perhaps, we could get back to the subject of saints.
Talk Show Host:
But hasn't she destroyed you? She's... she's ruined your good name; she's taken all the hard work ...
[...] See more »
A generally very well-made and engaging drama even if it is a bit uneasy
STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning
A TV drama exploring the relationship between notorious 'Moors Murderer' Myra Hindley (Samantha Morton) and Lord Longford (Jim Broadbent) who campaigned for her early release, only to put her on the backburner for a few years in which he went on a crusade against pornography and for her to cruelly throw his efforts back in his face after admitting to two other murders in 1987.
Being the 40th anniversary of Myra Hindley and Ian Brady's conviction for the 'Moors Murders', fresh interest has arisen in the case and TV producers want to re-create the events to fit in with the anniversary. We've already had ITV's See No Evil, which explored Myra Hindley's relationship with Ian Brady and how they ended up being brought to trial, and this is actually something of a follow-up to that film because it sort of continues the story where Hindley's been in jail for a few years and she begins using Longford to help win her early parole, right up to her and Brady's confession to the two other murders in the late 80s.
It's never easy viewing, but it's always interesting and compelling and keeps you riveted right up to the end. And the impressive performances do it no harm. Samantha Morton creates a cold but strangely vulnerable and mildly sympathetic Hindley. She might come out as a bit outspoken in real life but she's played her role well here. Broadbent is well into his role too, as the gullible but well intentioned man with the courage of his convictions. I know a lot of people will disagree with me but I actually thought Andy Serkis as Ian Brady was the one off note with the film. He makes him come off like a corny Hollywood kind of villain and compared with Johnathan Harris's quietly haunting portrayal of him in See No Evil, he just seems rather hammy. The film isn't about him anyway, and luckily he's only really a supporting role.
Not an easy view then, but a well made one, with strong performances and compelling characters. ****
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