A weekly talent competition where an array of performers -- from singers and dancers, to comedians and novelty acts -- vie for a $1 million cash prize.
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Contestants must compete against each other for a chance to win $500,000 in a house wired with cameras and microphones, capturing their every move for a TV and Internet audience.
In each pulse-racing "Fear Factor" episode, contestants (sometimes solo, often paired with spouses, siblings or best friends) recruited from across the nation must decide if they have the ... See full summary »
Four famous musicians search for the best voices in America and will mentor these singers to become artists. America will decide which singer will be worthy of the grand prize.
A game show in which globe-trotting contestants solve puzzles and complete tasks in order to win a cash prize -- all while trying to figure out who among them is a player planted to sabotage the game.
Stars:
Anderson Cooper,
Heather Campbell,
Dorothy Hui
Six contestants spend a day with each other competing in various physical and mental challenges. During this evaluation day players decide who's good/lacking in various elements of trivia ... See full summary »
A weekly talent competition where an array of performers -- from singers and dancers, to comedians and novelty acts -- vie for a $1 million cash prize.
For the seventh season, production of the live show moved from Los Angeles to Newark, New Jersey in order to accommodate new judge Howard Stern whose radio show is based in nearby New York City. For the eighth season, production for the live show was moved to Radio City Music Hall in New York City. See more »
Simon Cowell manages to try another spin-off of "American Idol", despite of the failure with his previous attempt "American Inventor".
It follows the same guidelines than "American Idol", you know, a host the three stereotypical judges, an obedient crowd for audience, and some entertaining contestants plus many more that are shown only for their humiliation on national TV, that is actually what most of the public seems to dig anyway. Even more, giving it is an open talent contest, half of them are singers what gives Cowell a chance for a shot closer to the "Idol" success.
Regis Philbin does his job, he always manages to look as a nice guy, I don't think he contributes rising the show interest but is not responsible for the poor overcome either.
Moving on. I may concede that the Idol's judge model settled what seems to be the Holly Grail of reality-show contests, but that's not magic. The chosen court must have some charisma. In the Idol, it was this Cowell's quality that brought attention to the show. But did he manage to put together an attractive set of judges prescinding of himself? Let's see.
Let me start by David Hasselhoff just because he is the only I know. At least when watching Hasselhoff a couple of generations will feel some kind of comfort reminding "Knight rider" and "Baywatch". And it guarantees the show will be sold in Germany too.
Piers Morgan, who I don't have any clue who he is, takes the role of the wise and balanced judge completing his stereotype with a British accent that in America seems -wrongfully- to be synonymous of a higher intellect.
Finally Brandy. No, they are not drinking any alcoholic liquor, but may be you'll need it to digest why this completely unknown -or at least very well forgotten- singer (that is how they introduced her) is the judge that completes the trilogy. When Hasselhoff and Morgan are somehow appealing, Brandy is some kind of hyper-kinetic and overexcited Tasmanian Devil sat in the middle. At some point I felt bad for Morgan whose face seems Brandy preferred target for the uncontrollable spin of her arms and her annoying affection demonstrations.
In his modesty Cowell doesn't realize that the success of his shows is linked to him being in front the cameras rather than behind them. If Simon were in this show not even the contestants would be necessary to nail its success. But this is not the case. Clearly.
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Simon Cowell manages to try another spin-off of "American Idol", despite of the failure with his previous attempt "American Inventor".
It follows the same guidelines than "American Idol", you know, a host the three stereotypical judges, an obedient crowd for audience, and some entertaining contestants plus many more that are shown only for their humiliation on national TV, that is actually what most of the public seems to dig anyway. Even more, giving it is an open talent contest, half of them are singers what gives Cowell a chance for a shot closer to the "Idol" success.
Regis Philbin does his job, he always manages to look as a nice guy, I don't think he contributes rising the show interest but is not responsible for the poor overcome either.
Moving on. I may concede that the Idol's judge model settled what seems to be the Holly Grail of reality-show contests, but that's not magic. The chosen court must have some charisma. In the Idol, it was this Cowell's quality that brought attention to the show. But did he manage to put together an attractive set of judges prescinding of himself? Let's see.
Let me start by David Hasselhoff just because he is the only I know. At least when watching Hasselhoff a couple of generations will feel some kind of comfort reminding "Knight rider" and "Baywatch". And it guarantees the show will be sold in Germany too.
Piers Morgan, who I don't have any clue who he is, takes the role of the wise and balanced judge completing his stereotype with a British accent that in America seems -wrongfully- to be synonymous of a higher intellect.
Finally Brandy. No, they are not drinking any alcoholic liquor, but may be you'll need it to digest why this completely unknown -or at least very well forgotten- singer (that is how they introduced her) is the judge that completes the trilogy. When Hasselhoff and Morgan are somehow appealing, Brandy is some kind of hyper-kinetic and overexcited Tasmanian Devil sat in the middle. At some point I felt bad for Morgan whose face seems Brandy preferred target for the uncontrollable spin of her arms and her annoying affection demonstrations.
In his modesty Cowell doesn't realize that the success of his shows is linked to him being in front the cameras rather than behind them. If Simon were in this show not even the contestants would be necessary to nail its success. But this is not the case. Clearly.