Studio 60 on the Sunset Strip: Season 1, Episode 1

Pilot (18 Sep. 2006)

TV Episode  -   -  Comedy | Drama
8.8
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When the Executive Producer of sketch show 'Studio 60' has an on-air meltdown, new network president Jordan McDeere hires Danny Tripp and Matt Albie to replace him and save the show.

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Title: Pilot (18 Sep 2006)

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Wilson White (as Ed Asner)
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Storyline

When the Executive Producer of sketch show 'Studio 60' has an on-air meltdown, new network president Jordan McDeere hires Danny Tripp and Matt Albie to replace him and save the show.

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Comedy | Drama

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18 September 2006 (USA)  »

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1.78 : 1
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Did You Know?

Trivia

The exterior of the Studio 60 building is actually the Palladium with a second story digitally inserted, which is where the Writers' Guild Awards scene was also filmed. See more »

Goofs

One of the reporters says that the on air meltdown was similar to Peter Finch's Oscar winning performance in the 1977 film Network. Network was released in 1976. See more »

Quotes

Danny Tripp: I have no reason to trust you and every reason not to.
Jordan McDeere: Why?
Danny Tripp: You work in television.
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Connections

References The Apprentice (2004) See more »

Soundtracks

California Love
Performed by Zapp and Roger Troutman (as Roger)
(club scene)
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User Reviews

 
What Writing Should Be
6 September 2006 | by (United States) – See all my reviews

In the first few minutes of the pilot, you can tell that this is the crew that brought you the west wing. The bustling crowds and flowing crane shots will be familiar and comforting for fans of the previous show. The mock studio that Studio 60 is shot on is both a visually interesting backdrop and a way of clueing you in that you are watching a show within a show, a drama about a sketch comedy show ala Saturday Night Live.

Then during a heated exchange between the show's current producer Wes Mendell (Judd Hirsch) and a Standards & Practices guy, you are reminded why the first few seasons of West Wing were so good: Rapid fire dialogue that is both witty but not so overly technical that the layman gets lost. Wes Mendell, having been humiliated by Standards and Practices, hijacks the "live" show to deliver a Chayefskyian screed that accuses the network of lobotomizing television because they are afraid of nutty religious cults. This speech is also an example of excellent television writing.

The cast is phenomenal. Totally an ensemble group, Schlamme and Sorkin are playing with a deep bench! Bradley Whitford, Matthew Perry, and Amanda Peat seem to be the triumvirate that will 'run' the sketch comedy show. These three 'leads' exhibit a wonderful chemistry. Perry manages to be snarky and sweet without rehashing a previous "well-established" character. Whitford is the quiet , strong guy whose rough past and self-destructive tendencies simmer beneath the surface. Peat plays a mogul who feels that commercial success and artistic integrity are not mutually exclusive and has the talent to walk the fine line between them.

Fans of the West Wing should really pay attention to this show. Writing like this should be rewarded, and I sincerely hope that Studio 60 has a long and healthy career.


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