Howard Greims has hit the wall in a willingly dead-end marriage. His brother Donnie has spent the last several years with his shades drawn, living as a hermit. After receiving a mysterious ... See full summary »
Brother Edgar is a generous entrepreneur of low quality socks who hides behind a self-bestowed cassock to avoid the low level corruption of local sheriffs. He has adopted Morales Pittman, ... See full summary »
Successful writer and scholar Jonathan Merrick falls under the spell of the irresistible, bewitchingly beautiful Ligeia. She's fighting a fatal illness and she will stop at nothing to ... See full summary »
Film Director Allan Moyle, who brought you the hits "Empire Records" (1995) and "Pump Up The Volume" (1990), joins up with four other diabetic candidates in exploring the phenomenon of "... See full summary »
Royce and Dexter are two slackers who live in the strange little town of Weedsville. When Royce's girlfriend Matilda overdose's on their stash and dies, they decide to bury her in an abandoned Drive-In theater. Things get out of control when they discover Satanists performing a ritual sacrifice right where they were going to bury the body... Written by
The character of Omar was originally written to be a Cockney Gangster named "Nigel", but when the Director, Writer, and Producer saw Raoul Bhaneja's audition, the role was re-written to fit his hilarious (and oddly hard-to-place) fake accent. Thus, Omar was born. See more »
As for a stoner black comedy, the Canadian made "Weirdsville" is as customary as you can get in how it goes about trying to weird you out. Of course what happens is random, wacky and just bizarre (encounters with Satanists and dwarfs), but not too surprising when compared to films of the same ilk. Even so, I found it hard not to enjoy. Mainly for the combination between Scott Speedman and Wes Bentley, who work off each well enough of as the two junkies involved in a crazy night of unimaginable incidents. Speedman plays it mainly straight, where Bentley is rowdy. But the two have some amusing banter and interchanges thanks to a ridiculous, but restlessly smart script. Taryn Manning as the third wheel adds the bite.
Stoner Dexter and Royce accidentally assume their friend Matilda has died from an overdose on the stash they are meant to sell to payback their drug dealers. In the panic of the situation they decide to bury the body. While in the process of burying her in the basement of a drive-in movie theatre, they disrupt a satanic ritual sacrifice and Matilda awakens making the Satanists believe it's the work of Satan. Now the boys are trying to get to her before the Satanists do, while also trying to pull off a heist to pay back their intimidating dealer.
As expected, everything goes wrong for these two slackers. Just like the scene where Speedman's character heads to a grungy toilet to vomit to see a mouse swimming helplessly around bowl and Bentley's character enter to only flush it. The two are stuck in a predicament, which has no easy way out but to simply go all-out and what occurs is haphazard. Director Allan Moyle's style is reminiscent of his previous efforts in "Pump up the Volume" and "Empire Records", but on a cheaper feel. At times it feels like a home video. Still Moyle shows great pacing and flashy touches, as the visuals show some creativity, especially the drug- fuelled hallucinations and this suit's the fragmented style of the unusual narrative with numerous droll characters (Matt Frewer is very amusing in his small part). Still it could have been much weirder than what it was.
"Hey man. You have an icicle sticking out of your head."
1 of 1 people found this review helpful.
Was this review helpful to you?