Bi-polar mall security guard Ronnie Barnhardt is called into action to stop a flasher from turning shopper's paradise into his personal peep show. But when Barnhardt can't bring the culprit to justice, a surly police detective, is recruited to close the case.
A miserable conman and his partner pose as Santa and his Little Helper to rob department stores on Christmas Eve. But they run into problems when the conman befriends a troubled kid, and the security boss discovers the plot.
Billy Bob Thornton,
Royce and Dexter are two slackers who live in the strange little town of Weedsville. When Royce's girlfriend Matilda overdose's on their stash and dies, they decide to bury her in an abandoned Drive-In theater. Things get out of control when they discover Satanists performing a ritual sacrifice right where they were going to bury the body... Written by
During two Q&A sessions at the Vancouver International Film Festival (2007), director Allan Moyle stated that he intended to use completely different and better known songs for several of the sequences on the film. Because of how expensive the rights of those songs were, he decided to use local bands (Ontario, Canada) to supply the needed music for the scenes. See more »
From Jaws as a lady, to a Canadian romp of Satanists, gangsters and fighting midgets, Weirdsville certainly lives up to its title. Allan Moyle, the director of 1990's Pump Up the Volume, directs another tale of disaffected youth featuring a pair of junkies as an entertaining double act, Royce and Dexter (Wes Bentley and Scott Speedman). Trying to steal money to pay back their thumb threatening local gangster, the plot includes over doses and slap dash midnight burials in reference to 90s film-cool, Shallow Grave and Pulp Fiction. But Moyle adds enough of his own visual exuberance to defy unflattering comparisons and his hallucinogenic effects lend extra scope to the irreverent caper humour. Music video quality moments are depicted in beautiful shots of drug fuelled euphoria including Dexter skating bare foot through the snow sprinkled streets of an Ontarian cityscape.
Occasionally the visual tricks jar in a Family Guy style but the interjections are smoothed over by our fortunately endearing duo and their dumb but smart dialog. Most enjoyably Weirdsville doesn't take itself too seriously and the ludicrous storyline is filled with bizarre non sequiturs; stopping to note a single green leaf that remains on an ice covered tree, for instance, is quite touching especially as they're on route to rob a millionaire's mansion. The nonstop pace and assortment of comic characters ensures that no minute drags on longer than it should, and the climax is appropriately gung ho. By turns genuinely engaging and laugh out loud funny, Weirdsville is daft but brilliant.
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