Howard Greims has hit the wall in a willingly dead-end marriage. His brother Donnie has spent the last several years with his shades drawn, living as a hermit. After receiving a mysterious ... See full summary »
Brother Edgar is a generous entrepreneur of low quality socks who hides behind a self-bestowed cassock to avoid the low level corruption of local sheriffs. He has adopted Morales Pittman, ... See full summary »
Successful writer and scholar Jonathan Merrick falls under the spell of the irresistible, bewitchingly beautiful Ligeia. She's fighting a fatal illness and she will stop at nothing to ... See full summary »
Film Director Allan Moyle, who brought you the hits "Empire Records" (1995) and "Pump Up The Volume" (1990), joins up with four other diabetic candidates in exploring the phenomenon of "... See full summary »
Royce and Dexter are two slackers who live in the strange little town of Weedsville. When Royce's girlfriend Matilda overdose's on their stash and dies, they decide to bury her in an abandoned Drive-In theater. Things get out of control when they discover Satanists performing a ritual sacrifice right where they were going to bury the body... Written by
The character of Omar was originally written to be a Cockney Gangster named "Nigel", but when the Director, Writer, and Producer saw Raoul Bhaneja's audition, the role was re-written to fit his hilarious (and oddly hard-to-place) fake accent. Thus, Omar was born. See more »
From Jaws as a lady, to a Canadian romp of Satanists, gangsters and fighting midgets, Weirdsville certainly lives up to its title. Allan Moyle, the director of 1990's Pump Up the Volume, directs another tale of disaffected youth featuring a pair of junkies as an entertaining double act, Royce and Dexter (Wes Bentley and Scott Speedman). Trying to steal money to pay back their thumb threatening local gangster, the plot includes over doses and slap dash midnight burials in reference to 90s film-cool, Shallow Grave and Pulp Fiction. But Moyle adds enough of his own visual exuberance to defy unflattering comparisons and his hallucinogenic effects lend extra scope to the irreverent caper humour. Music video quality moments are depicted in beautiful shots of drug fuelled euphoria including Dexter skating bare foot through the snow sprinkled streets of an Ontarian cityscape.
Occasionally the visual tricks jar in a Family Guy style but the interjections are smoothed over by our fortunately endearing duo and their dumb but smart dialog. Most enjoyably Weirdsville doesn't take itself too seriously and the ludicrous storyline is filled with bizarre non sequiturs; stopping to note a single green leaf that remains on an ice covered tree, for instance, is quite touching especially as they're on route to rob a millionaire's mansion. The nonstop pace and assortment of comic characters ensures that no minute drags on longer than it should, and the climax is appropriately gung ho. By turns genuinely engaging and laugh out loud funny, Weirdsville is daft but brilliant.
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