A group of teenagers come together to indulge in that great Canadian pastime, the house-party, and find themselves literally confined to the kitchen trapped by an extraordinary well ... See full summary »
WWII vet Eddie Boyd is torn between providing for his young family and an unfulfilled dream of becoming a Hollywood star. He discovers a way to do both, but his dream leads him down a path of danger and tragedy.
Royce and Dexter are two slackers who live in the strange little town of Weedsville. When Royce's girlfriend Matilda overdose's on their stash and dies, they decide to bury her in an abandoned Drive-In theater. Things get out of control when they discover Satanists performing a ritual sacrifice right where they were going to bury the body... Written by
The character of Omar was originally written to be a Cockney Gangster named "Nigel", but when the Director, Writer, and Producer saw Raoul Bhaneja's audition, the role was re-written to fit his hilarious (and oddly hard-to-place) fake accent. Thus, Omar was born. See more »
WARNING: This movie is unapologetically Canadian... which, in this case, is a good thing. Especially when this film could have been set in any city, town or village in the world.
I expected a low-budget, independent attempt at art. And what starts as out tragic and dark, grows into a fun, "what can happen now" sort of adventure that is surprisingly amusing. Yes, it's goofy at times. Yes, it borders on ridiculous, too. But dammit, it's fun. It carefully dances on the fine line of gross tragedy and outright slapstick, but doesn't quite cross the line either way.
The production value is fairly high, even if the budget wasn't. (The gritty darkness really suits the adventures of two junkies, anyway.) Scott Speedman and Wes Bentley build a real chemistry that grows on you and it's really good to see Bentley in a role that is FINALLY likable. Taryn Manning also does a good job, although I fear she's going to get pigeon-holed into similar roles. She deserves better. The rest of the cast does a solid job with no obvious weak link.
Finally, people are going to draw a lot of similarities to other movies. I would like to think of this as a strange cross between "Fear And Loathing In Las Vegas" and "Dude, Where's My Car?", with it leaning favourably toward the Dude side. It has a couple of introspective, deep moments, but balances it out with lighter, playful moments the rest of the time.
Really, if you ever "got the joke" of "Dude, Where's My Car?" or even found some sick humour out of the head trip of "Fear And Loathing..." check out "Weirdsville". You may be pleasantly surprised. 8 out of 10.
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