Howard Greims has hit the wall in a willingly dead-end marriage. His brother Donnie has spent the last several years with his shades drawn, living as a hermit. After receiving a mysterious ... See full summary »
A group of teenagers come together to indulge in that great Canadian pastime, the house-party, and find themselves literally confined to the kitchen trapped by an extraordinary well ... See full summary »
Film Director Allan Moyle, who brought you the hits "Empire Records" (1995) and "Pump Up The Volume" (1990), joins up with four other diabetic candidates in exploring the phenomenon of "... See full summary »
Royce and Dexter are two slackers who live in the strange little town of Weedsville. When Royce's girlfriend Matilda overdose's on their stash and dies, they decide to bury her in an abandoned Drive-In theater. Things get out of control when they discover Satanists performing a ritual sacrifice right where they were going to bury the body... Written by
According to an interview he gave to the New York Times in 2010, this movie was made during the middle of Wes Bentley's decade-long, extremely serious addiction to cocaine and heroin. He said in that interview that he only accepted any movie roles during that time so that he would have money to buy enough drugs. See more »
Written by James Lanbro, Mim Adams, Carl Welch and Joe Arnup
Performed by Canary Mine
Courtesy of Canary Mine
Published by James Lanbro (SOCAN), Mim Adams (SOCAN), Carl Welch (SOCAN) and Joe Arnup (SOCAN) See more »
From Jaws as a lady, to a Canadian romp of Satanists, gangsters and fighting midgets, Weirdsville certainly lives up to its title. Allan Moyle, the director of 1990's Pump Up the Volume, directs another tale of disaffected youth featuring a pair of junkies as an entertaining double act, Royce and Dexter (Wes Bentley and Scott Speedman). Trying to steal money to pay back their thumb threatening local gangster, the plot includes over doses and slap dash midnight burials in reference to 90s film-cool, Shallow Grave and Pulp Fiction. But Moyle adds enough of his own visual exuberance to defy unflattering comparisons and his hallucinogenic effects lend extra scope to the irreverent caper humour. Music video quality moments are depicted in beautiful shots of drug fuelled euphoria including Dexter skating bare foot through the snow sprinkled streets of an Ontarian cityscape.
Occasionally the visual tricks jar in a Family Guy style but the interjections are smoothed over by our fortunately endearing duo and their dumb but smart dialog. Most enjoyably Weirdsville doesn't take itself too seriously and the ludicrous storyline is filled with bizarre non sequiturs; stopping to note a single green leaf that remains on an ice covered tree, for instance, is quite touching especially as they're on route to rob a millionaire's mansion. The nonstop pace and assortment of comic characters ensures that no minute drags on longer than it should, and the climax is appropriately gung ho. By turns genuinely engaging and laugh out loud funny, Weirdsville is daft but brilliant.
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