The Tudors (2007–2010)

TV Series  -   -  Drama | History | Romance
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A dramatic series about the reign and marriages of King Henry VIII.

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Title: The Tudors (2007–2010)

The Tudors (2007–2010) on IMDb 8.2/10

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2010   2009   2008   2007  
Nominated for 3 Golden Globes. Another 48 wins & 66 nominations. See more awards »

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Cast

Series cast summary:
...
 King Henry VIII (38 episodes, 2007-2010)
...
 Charles Brandon (38 episodes, 2007-2010)
...
 Ambassador Bishop Chapuys / ... (25 episodes, 2007-2010)
...
 Thomas Cromwell (24 episodes, 2007-2009)
...
 Mary Tudor (23 episodes, 2008-2010)
Guy Carleton ...
 Chamberlain (23 episodes, 2007-2010)
...
 Anne Boleyn (21 episodes, 2007-2010)
...
 Edward Seymour (21 episodes, 2008-2010)
...
 Thomas Boleyn (20 episodes, 2007-2008)
...
 Richard Rich / ... (19 episodes, 2008-2010)
...
 Queen Catherine of Aragon (18 episodes, 2007-2010)
...
 Bishop Gardiner (17 episodes, 2009-2010)
...
 George Boleyn (16 episodes, 2007-2008)
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Storyline

This costume drama features England's splendid Renaissance dynasty under King Henry VIII. Beginning in Season 1 when Henry VIII was growing desperate for an heir and growing distant from his first wife, the series moves quickly to the period when Anne Boleyn became his obsession. During this time Cardinal Wolsey rose to become the power behind his throne, ruling ruthlessly and nearly absolutely while Henry (played by Johnathon Rhys Meyers) for the most part followed the Cardinal's advice, maneuvering through a series of betrayals and plots against him. When Anne Boleyn plays much harder to get than any woman ever has, Henry begins to search for a way out of his marriage to Catherine of Aragon, so that he can make Anne his wife. Needing a divorce, Henry turns to Wolsey, who promises to help him create waves of backlash from the church, as well as the Spanish Habsburg dynasty and its overseas empire. Against this background gyrate the private lives and political intrigues of several ... Written by KGF Vissers and Ayla Slessor

Plot Summary | Add Synopsis

Taglines:

Sex. Intrigue. Excess. Treachery. Power. Obsession. Murder. See more »

Genres:

Drama | History | Romance | War

Certificate:

TV-MA | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Language:

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Release Date:

2007 (USA)  »

Also Known As:

Die Tudors  »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

Color:

Aspect Ratio:

1.78 : 1
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Did You Know?

Trivia

Actress Anna Brewster who portrayed Anna Buckingham in the first two episodes of the first season has been included (through a scene clip) in the first three season's opening credits. Before Henry Cavill's credit rolls, a distinct scene that both actors shared in the first episode of season 1 appears. The scene was not included in the opening credits for season 4. See more »

Goofs

As the series is set between 1491 and 1547, the fiddler is a major anachronism for several reasons. His instrument appears to be a Stradivarius design, the basis for most modern violins. Antonio Stradivari was born in 1644. The violin was held against the chest or stomach, not under the chin, until the 18th century. Finally, violin bows looked like small archery bows until the 19th century, when Francois Tourte invented the reverse curve bow. See more »

Quotes

Queen Katherine: He will tire of you, like all the others.
Anne Boleyn: And what if he does not?
See more »

Connections

Version of The Tudors: Protestant Anne of Cleves (2009) See more »

Soundtracks

Lacrymosa
(Theme)
Performed by Evanescence
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
a stunner of a bodice ripper
20 July 2007 | by (United States) – See all my reviews

Having finished the first season and rewatched it a half dozen times as I wait impatiently for Showtime to unveil the second season of "The Tudors," I have to admit that this show has intrigued me in the history surrounding Henry VIII and his unfortunate wives better than any before it. The producers say it's "80% accurate," and that's an apt description, but what impressed me so much was that within that 80% are some little-known and often overlooked moments that make for great drama. Like the fact that the little wrestling match between Henry of England and Charles of France actually did take place, or that the only time Queen Katharine lost her cool in all that she was forced to endure was over the succession, and subsequent threat to her daughter's rights to the throne. Even certain of the dialogue is ripped right from the pages of history.

True, things are pushed out of order so as to move the story along at a more rapid pace, and the worst bastardization of history comes in the form of the preposterous mingling of Henry's sisters Margaret and Mary into one individual (oddly enough, they don't even bother to push through the fact that one marriage lasted eighteen years and produced several children, which would have given them a lead-in for producing a later series built on this one about the heirs to the throne), but the reality is that this is solid film-making. The production value is exquisite, the original score is absolutely gorgeous, and then there are the performances.

It is a downright shame that Maria Doyle Kennedy and Sam Neil were given no mentions in the Emmy nominations, because while the rest of the cast is outstanding, they really deserve critical acclaim. Kennedy's Katharine of Aragon is perhaps the most authentic and sympathetic depiction ever to reach the silver screen, large or small, and the audience has responded to her with overwhelmingly positive emotions. I know that she broke my heart more than once, as much as made me want to stand up and cheer, particularly in the eighth episode. Neil is not quite as unlikable as Wolsey could be, but in the second half of the first season hits his stride and is absolutely phenomenal in the finale.

The one thing that rather disenchanted me was the amount of pointless sex and skin revealed on the part of random ladies of the court. Henry certainly had his flings but they were not as often as depicted, and to be perfectly honest, one is left wondering what he sees in these naked trollops when he has a far more beautiful and enchanting wife lingering in the background. (It also doesn't give the audience much empathy for Henry, who seems incapable of "making love." Even his eventual tryst with Anne Boleyn has more primal boredom to it than wooing.) I know it was a low ploy by Showtime, cashing in on the "sex sells" shallowness of our culture, but the story is much more profoundly lingering without it.


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