| Frank Langella | ... | Leonard Schiller | |
| Lauren Ambrose | ... | Heather Wolfe | |
| Patti Perkins | ... | Dolores | |
| Lili Taylor | ... | Ariel Schiller | |
| Adrian Lester | ... | Casey Davis | |
| Dennis Parlato | ... | Author | |
| Jeff McCarthy | ... | Charles | |
| Michael Cumpsty | ... | Victor | |
| Jessica Hecht | ... | Sandra Bennett | |
| Karl Bury | ... | Frederick | |
| Sean T. Krishnan | ... | Cab Driver | |
| Thomas Ryan | ... | Nick | |
| Anitha Gandhi | ... | Chelsea | |
| Joie Lee | ... | Second Author | |
| John C. Havens | ... | Jeff the Doorman | |
| Joel West | ... | Waiter | |
| Ali Reza | ... | Doctor | |
| Jerry Walsh | ... | Bartender | |
| rest of cast listed alphabetically: | |||
| John Auer | ... | Audiance Member (uncredited) | |
| Jackie Brown | ... | Diner Patron (uncredited) | |
Directed by | |||
| Andrew Wagner | |||
Writing credits(in alphabetical order) | ||
| Brian Morton | novel | |
| Fred Parnes | screenplay | |
| Andrew Wagner | screenplay | |
Produced by | |||
| Jake Abraham | .... | producer | |
| Douglas Harmon | .... | executive producer | |
| Nancy Israel | .... | producer | |
| Allen Meyerson | .... | executive producer | |
| Gregory Moyer | .... | executive producer (as Greg Moyer) | |
| Fred Parnes | .... | producer | |
| John Sloss | .... | executive producer | |
| Mandy Tagger | .... | co-producer | |
| Andrew Wagner | .... | producer | |
| Gary Winick | .... | producer | |
Original Music by | |||
| Adam Gorgoni | |||
Cinematography by | |||
| Harlan Bosmajian | (director of photography) | ||
Film Editing by | |||
| Gena Bleier | |||
Casting by | |||
| Cindy Tolan | |||
Production Design by | |||
| Carol Strober | |||
Art Direction by | |||
| Dara Wishingrad | |||
Costume Design by | |||
| Claudia Brown | |||
Makeup Department | |||
| Michelle Kearns | .... | additional hair stylist | |
| Michelle Kearns | .... | additional makeup artist | |
| Stayc St. Onge | .... | key makeup artist | |
| Joanna Stewart | .... | makeup department head | |
Production Management | |||
| Kathryn Dean | .... | unit production manager | |
| Sara Shaw | .... | post-production supervisor | |
| Luca Borghese | .... | post-production supervisor (uncredited) | |
Second Unit Director or Assistant Director | |||
| Sheri Davani | .... | first assistant director (as Shahrzad 'Sheri' Davani) | |
| Alex Foster | .... | second assistant director | |
| R. Zachary Shildwachter | .... | second second assistant director | |
| Curtis Smith | .... | additional first assistant director | |
Art Department | |||
| I. Javier Ameijeiras | .... | art assistant (as Javier Ameijeiras) | |
| Jeff Butcher | .... | property master | |
| Olenka Denysenko | .... | property master | |
| Daniel Ediger | .... | art intern | |
| Christopher Frierson | .... | art intern (as Chris Frierson) | |
| Laura Harper | .... | art assistant | |
| Eric Kagan | .... | art assistant | |
| Alex Lamas | .... | art assistant | |
| Betty Ann Murphy | .... | art assistant | |
| Maggie Ross | .... | art intern | |
| Ricardo Springer | .... | art intern | |
| Amy Dholakia-Jorand | .... | graphic artist (uncredited) | |
Sound Department | |||
| Willy Allen | .... | dialogue editor | |
| Antony Bayman | .... | adr recordist: UK | |
| Paul Berolzheimer | .... | foley supervisor | |
| Neil Danziger | .... | additional boom operator | |
| Michael Ferdie | .... | dialogue editor | |
| Robert Friedman | .... | foley artist | |
| Taiwo Heard | .... | sound intern | |
| Scott A. Jennings | .... | sound re-recording mixer | |
| Scott A. Jennings | .... | supervising sound editor | |
| Jan McLaughlin | .... | sound mixer | |
| Brett Pierce | .... | sound effects editor | |
| Brett Pierce | .... | sound re-recording mixer | |
| Joe Schiff | .... | sound effects editor | |
| B. Tennyson Sebastian III | .... | sound re-recording mixer (as Tennyson Sebastian) | |
| Michael Suarez | .... | adr recordist: NYC | |
| Andy Thompson | .... | adr mixer: UK | |
| Julie Wilde | .... | boom operator (as Julie Stalker Wilde) | |
| David Wright | .... | adr assistant: NYC | |
| Michael Ferdie | .... | adr editor (uncredited) | |
Casting Department | |||
| Adam Caldwell | .... | casting assistant | |
| Kari Gray | .... | extras casting | |
| Emily Reutlinger | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Gracie Cox | .... | assistant costume designer | |
Editorial Department | |||
| David Frisk | .... | editorial production assistant | |
| Jimmy Fusil | .... | digital intermediate producer: Technicolor | |
| John Hirota | .... | digital intermediate editor: Technicolor | |
| John Persichetti | .... | digital colorist: Technicolor | |
| Michael E. Phillips | .... | consultant: digital editing (as Michael Phillips) | |
| Patrick J. Smith | .... | assistant editor | |
| Everette Webber | .... | digital intermediate editor (uncredited) | |
Music Department | |||
| Ted Blaisdell | .... | score mixer | |
| Ted Blaisdell | .... | score recordist | |
| Brian Bulman | .... | music editor | |
| Linda Cohen | .... | music supervisor | |
| Adam Gorgoni | .... | score producer | |
Other crew | |||
| Patrick Bevilacqua | .... | set production assistant | |
| Tom Blake | .... | department intern | |
| Paul Brennan | .... | production legal: Sloss Law Office | |
| Mara Hade Connolly | .... | production accountant (as Mara Connolly) | |
| Rachel Connors | .... | script supervisor | |
| Kristen Dubberstein | .... | location manager | |
| Ayla Ercin | .... | production legal: Sloss Law Office | |
| Sara Ferrence | .... | production office intern | |
| Jess Fogel | .... | set production assistant | |
| Emily Gardiner | .... | production executive (as Emily Gardiner-Herzog) | |
| Kari Gray | .... | production office intern | |
| Evan Gregg | .... | assistant location manager | |
| Alison Hunter | .... | production legal: Sloss Law Office | |
| Jo Kelly | .... | coordinator: InDigEnt | |
| Ashish Kothari | .... | department intern | |
| Valeria Maaud | .... | set production assistant | |
| Karen McGovern | .... | department intern | |
| Adam S. Miller | .... | production secretary | |
| Tasha Morris | .... | production office intern | |
| Kory O'Donnell | .... | production coordinator | |
| Tony Osso | .... | additional script supervisor | |
| Matthew Reedy | .... | set production assistant (as Matt Reedy) | |
| Sam Rosenberg | .... | set production assistant | |
| Patrick T. Rousseau | .... | set production assistant | |
| Alexis Soto | .... | production office intern | |
| Daniel Steinman | .... | production legal: Sloss Law Office | |
| Robert White | .... | set production assistant | |
| Zoe White | .... | department intern | |
| Jerrell Williams | .... | department intern | |
| Noah Workman | .... | additional production assistant | |
| Nikoo Yahyazadeh | .... | production assistant | |
| Steven Yap | .... | set production assistant | |
| Chad Yavarow | .... | department intern | |
| Drew Evans | .... | additional production assistant (uncredited) | |
| Scott Ferlisi | .... | location consultant (uncredited) | |
| Tyler Jackson | .... | production assistant (uncredited) | |
| Jeff Niggemeyer | .... | cat handler (uncredited) | |
Thanks | |||
| Doug Bernheim | .... | special thanks | |
| Alicia Bleier | .... | thanks | |
| Frederick Elmes | .... | special thanks | |
| Kevin Kennedy | .... | special thanks | |
| Adam Lichtenstein | .... | thanks | |
| Bill Pullman | .... | thanks | |
| Rick Singer | .... | very special thanks | |
| Rick Sparr | .... | special thanks | |
|
|
|
|
|
| Kings & Queen | Elegy | The Savages | New York, I Love You | Personal Velocity: Three Portraits |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
I saw this film at the 2007 Toronto International Film Festival.
Starting Out in the Evening is based on the novel by Brian Morton, and stars Frank Langella in an understated role as Leonard Schiller, a once great novelist and now-retired literary professor. His previous books now long out-of-print, Leonard is struggling to finish his latest novel, a decade and counting in the making. Further distracting him from his novel is his genial but occasionally strained relationship with his daughter Ariel (Lily Taylor), who is nearing 40 and wanting a baby, but stuck back in a relationship with her ex-boyfriend Casey (Adrian Lester), who is most decidedly against the idea.
Another complication comes in the form of a young grad student, Heather (Lauren Ambrose), who has made Leonard the subject of her master's thesis. Heather is determined to discover the overriding theme in Schiller's work, the early part of which inspired her to pursue her dreams in college. The conversations that Leonard and Heather have cover the gamut of literary criticism and the creative process, touching on issues such as whether an author's personal life should inform their work, and whether an author can be pigeonholed into a single thematic thread.
As Leonard becomes more invested in Heather, these themes end up leading all the characters reaching pivotal decisions in their lives, paralleling the thrust of Leonard's early work around personal freedom.
Langella gives a fine performance as Leonard, who sees his time running out, and wonders if he has enough time, energy, and creativity left to finish one last book. Lauren Ambrose leaves Six Feet Under behind her as Heather, a driven but self-centered woman who wants to fit Leonard's books into her own preconceived notions and feelings, dismissing as less important those that don't fit the mold.
Lily Taylor was great as Ariel, a woman wanting the closeness and depth of relationship that she can't get from her father, so much so that she is willing to subordinate her own wants and needs. Adrian Lester plays Casey as the exact opposite of Ariel, a man who enjoys his relationship with Ariel, but not at the expense of his own dreams. Ariel doesn't come across as a victim; there's a hint of strength under the surface. And Casey doesn't come across as a complete jerk; there's a genuine love there that he doesn't fully appreciate.
All-in-all, Starting Out in the Evening ends up the night as an enjoyable movie, with good performances all around.