After a seemingly undead man is bound and buried alive, he digs himself back to the surface and seeks bloody vengeance on those who caused him his suffering.

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Cast

Cast overview, first billed only:
...
Detective Matt Bishop
...
...
Warden Arnold Calgrove
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Emily (as Jodelle Micah Ferland)
...
Sandra Bishop
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Dr. Parker Wickson
Brad Turner ...
Thompson
...
Simpson
...
Flynn
...
Ward
...
Jeffery
...
Executioner
John Hainsworth ...
Witness
Vincent Walker ...
Inmate #1 (as Vince Walker)
William 'Big Sleeps' Stewart ...
Inmate #2 (as William 'BIGSLEEPS' Stewart)
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Storyline

Max Seed, a mass murderer, is scheduled for execution at the hands of Warden Wright. Before the executioner throws the switch, Wright steps in front of Seed, "Do you have any last words?" Seed, " I'll see you again." After three attempts to electrocute, complete with boiling blood that steeps from his eyes, he's still alive. The executioner, Wright & the doctor collectively agree, that the breathing Seed be pronounced dead. He is bound and buried alive. After biting & clawing his way to the surface, Seed, the blood soaked, enraged madman, is now bent on vengeance. The reign of violence that follows will redefine the boundaries of extreme gore, physical & mental torture explored through cinema. Written by Anonymous

Plot Summary | Plot Synopsis

Genres:

Horror

Certificate:

Not Rated | See all certifications »

Parents Guide:

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Details

Official Sites:

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Language:

Release Date:

3 November 2006 (Canada)  »

Also Known As:

Max Seed - Asesino serial  »

Box Office

Budget:

$10,000,000 (estimated)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

| (some scenes)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Uwe Boll: One of the prison guards. See more »

Goofs

All convicts given the electric chair must have their hair shaved to prevent them from catching on fire. See more »

Quotes

[from Trailer]
Davis: I want you to find him, I want you to KILL him, and I want you to put him in the ground so he can never come back again.
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Connections

Referenced in Nostalgia Critic: Alone in the Dark (2009) See more »

Soundtracks

Pour Me Out
Music by Robert Bartha, Lyrics by Mark R. Polak
Performed by Mark Polak
Published by Robert Bartha Music Publishing and Edition X-tended c/o Arabella Musikverlag GmbH
Produced by Robert Bartha
Courtesy of Music2Gold Records Ltd
See more »

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User Reviews

 
Shockingly Pointless
11 January 2009 | by (Hellfudge, Pennsylvania) – See all my reviews

Over the past year, Uwe Boll has shown marginal improvement as a filmmaker, cranking out the competent "In the Name of the King" (a "Lord of the Rings" clone) and the proudly vulgar, post-9/11 satire "Postal." But then came "Seed," and the counter was reset to Zero, keeping his bid for legitimacy and respect that much further out of reach. And I'm a fan of the guy–his films exhibit a uniquely screwball vision, and are never dull.

Spawned from his frustration over the savage notices his early films received, "Seed" is a colossally misguided attempt at social commentary, and an even worse jab at creating an iconic slasher mythology (Boll often seems to be taking a page from Rob Zombie's successful reboot of "Halloween"). The antagonist is Maxwell Seed (Will Sanderson), a mute, hulking brute who's slain 666 people and sits on death row, awaiting execution; after unsuccessfully frying the beast, he rises from the grave to seek revenge on those who put him there...and so begins a string of wholly gratuitous mayhem.

Trying to create a new-millennium slasher in the vein of Michael Myers or Jason Voorhees, Max Seed is too nondescript and boring to leave an impression, ultimately resembling a washed-up pro wrestler doing "The Toolbox Murders" on a succession of equally boring victims. Furthermore, Seed's character and Boll's "message" run contrary to one another: the death penalty is wrong, sure, but are we really expected to sympathize with a soulless killer who's left a couple hundred corpses in his wake? I think not.

Meanwhile, Michael Pare acts like a listless, long-lost brother to James Remar's character on "Dexter": a cop who sits at his desk a lot, thumbing through newspaper clippings, and watching pointless stop-motion scenes of decomposing animals and people trapped in Seed's lair. By the time he and a bunch of cardboard cops storm Seed's hideout, the sequence is so drawn-out, ill-conceived (the lighting is almost non-existent), and unexciting (despite a healthy dose of gore) that it almost put me to sleep.

The shoddy film-making isn't limited to just that sequence: "Seed" appears to have been shot by a drunken cinematographer, since the camera bobs and weaves endlessly, a technique that's more stomach-turning than the gore itself; these protracted takes of very little happening only draw attention to the meandering, almost non-existent narrative. At 90 minutes, the film is distended enough to be considered a form of torture, which might have been Boll's intent all along.

Pure genius...I guess the joke's on me.


22 of 34 people found this review helpful.  Was this review helpful to you?

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