American journalists in Sudan are confronted with the dilemma of whether to return home to report on the atrocities they have seen, or to stay behind and help some of the victims they have encountered.
Matt is haunted by the death of a girl from a car accident he caused years ago. Matt was drunk and as he reached for the car radio, he struck the girl as she crossed the road. The guilt ... See full summary »
Keegan Connor Tracy
During the Vietnam War [1959-1975] a special US combat unit is sent out to hunt and kill the Viet Cong soldiers in a man-to-man combat in the endless tunnels underneath the jungle of Vietnam. Suicide squads of a special kind.
Excerpts of the life of a waiter who, living alone and isolated from the outside world developed an abysmal hatred of his fellow man. He finds himself quiz show after quiz show and then ... See full summary »
In the ironically named city of Paradise, a recently laid-off loser teams up with his cult-leading uncle to steal a peculiar bounty of riches from their local amusement park; somehow, the recently arrived Taliban have a similar focus, but a far more sinister intent.
Coming back from her bachelor party in Las Vegas, Christine and her friends are driving through the hot desert of Nevada. But they are not alone - serial killer Max Seed is back and he brought the whole family.
Controversial director Uwe Boll depicts the harsh reality of the process inside one of the most infamous Nazi death camps by using brutally realistic imagery. Book-ended by documentary ... See full summary »
Max Seed, a mass murderer, is scheduled for execution at the hands of Warden Wright. Before the executioner throws the switch, Wright steps in front of Seed, "Do you have any last words?" Seed, " I'll see you again." After three attempts to electrocute, complete with boiling blood that steeps from his eyes, he's still alive. The executioner, Wright & the doctor collectively agree, that the breathing Seed be pronounced dead. He is bound and buried alive. After biting & clawing his way to the surface, Seed, the blood soaked, enraged madman, is now bent on vengeance. The reign of violence that follows will redefine the boundaries of extreme gore, physical & mental torture explored through cinema. Written by
Pour Me Out
Music by Robert Bartha, Lyrics by Mark R. Polak
Performed by Mark Polak
Published by Robert Bartha Music Publishing and Edition X-tended c/o Arabella Musikverlag GmbH
Produced by Robert Bartha
Courtesy of Music2Gold Records Ltd See more »
I don't have anything against Boll, but...weak movie. Brutal, but tedious and "fake."
Short Version: Seed isn't worthless. It's just derivative and inferior. And soulless.
Long Version: If you have never seen any of the films comprising the vaguely-defined "psychological horror" genre, this movie will probably melt your face off. Maybe not, but it will give you a good burn. The opening montage of real animal abuse will be sufficient to open your eyes to possibilities of brutality-on-video, and the (only) memorable gore scene later in the film will perhaps be more than you can handle. The climax will play with your emotions in a way that perhaps no other film has.
But that's if you don't have much experience with the genre. If you've seen the real thing..."August Underground's Penance," for example, you will, as I did, find it terribly difficult to stay awake until the end of the film.
Other reviewers have compared this to the video nasties of old. I understand this comparison. Like the video nasties, "Seed" is more violent than a mainstream horror film and less subtle. But the reason the video nasties are still known to us is not only for the above reasons--those that are still popular had something special. Permit me to be ambiguous, I think you will understand: those that have stuck around had "soul".
Take this quote from Gabriele Crisanti, director of "Burial Ground," on an interview on the new-ish DVD: "...we will never have more films like these, because today, technology has surpassed imagination. And technology is cold. So many things will disappear because small films like these won't be produced anymore. Today we have great, exceptional tricks that are very expensive, but they are cold. Today a horror, a terror film of this kind costs more than a million dollars. These films were not so expensive...they are real effects, made with our hands".
Perhaps it is wrong to take the comparison to old school horror so seriously. But Crisanti has hit the nail on the head. Even at their most seemingly exploitational, the best of the video nasties were pursuing a primitive "truth." And this is where Boll falls short. It's like he's seen the movies and not understood them. Everything on the checklist is there...BS about "making a statement about humanity," an obscene torture scene, etc. But it is, as Crisanti puts it, "cold." The gore is all CGI. The whole thing feels like scenes pieced together from other movies of various genres. And the pacing is sooooo slow. Man, so slow.
Another interesting note: the one gore scene really reminded me of a video game.
Anyway, enough BS. Weak movie.
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