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Body of Lies (2008)

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A CIA agent on the ground in Jordan hunts down a powerful terrorist leader while being caught between the unclear intentions of his American supervisors and Jordan Intelligence.

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(screenplay), (novel)
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1,677 ( 361)
2 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Bassam
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Jamil Khoury ...
Marwan (as Jameel Khoury)
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Ghali Benlafkih ...
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Storyline

Roger Ferris is a CIA operative in the Middle East; Ed Hoffman is his control at Langley. Cynicism is everywhere. In Amman, Roger works with Hani Salaam, Jordan's head of security, whose only dictum is "Don't lie to me." The Americans are in pursuit of a cleric who leads a group placing bombs all over Europe. When Hani rebukes Ed's demand that Jordan allow the Americans to use one of Jordan's double agents, Roger and Ed hatch a plan to bring the cleric to them. The plan is complicated by its being a secret from Hani and by Roger's attraction to a local nurse. Satellites and cell phones, bodies and lies: modern warfare. Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

Trust no one. See more »


Motion Picture Rating (MPAA)

Rated R for strong violence including some torture, and for language throughout | See all certifications »

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Details

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Language:

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Release Date:

10 October 2008 (USA)  »

Also Known As:

Chatter  »

Box Office

Budget:

$70,000,000 (estimated)

Opening Weekend:

$12,884,416 (USA) (10 October 2008)

Gross:

$39,380,442 (USA) (9 January 2009)
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Company Credits

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Technical Specs

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Leonardo DiCaprio wore brown eye contact lenses and dyed his hair black for his role. See more »

Goofs

The film makers have gone to great lengths to import Dutch EMT and firefighter costumes for the Noordermarkt, Amsterdam scene. Unfortunately, they haven't done the same for the fire trucks and ambulances. They don't even slightly resemble the vehicles actually used in The Netherlands, but seem to be American. See more »

Quotes

[first lines]
Title Card: I and the public know what all schoolchildren learn, those to whom evil is done, do evil in return. - W.H. Auden
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Connections

Referenced in Honest Trailers: Prometheus (2012) See more »

Soundtracks

Sabra Dima
Written by Youssef El Mejjad & Pat Jabbar
Performed by Amira Saqati
Courtesy of Barraka El Farnatshi Prod.
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Frequently Asked Questions

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User Reviews

 
A marvelous character study
22 October 2008 | by (New York NY) – See all my reviews

Amidst all the slam-bang, Body of Lies is actually a superb character study of two preening, bumbling CIA (presumably) agents trying to save the world in the Middle East. Roger Ferris (Di Caprio) is the agent on the ground, and Ed Hoffman (Crowe) is his remote-control boss in Washington. Their collective M.O. is to overreact and improvise at every turn, aided and abetted by their deep attachment to high-tech gadgetry and fundamental disregard for human lives. Their ally and foil, the Jordanian head of intelligence (Mark Strong), prefers more patient methods informed by a less skin-deep understanding of the people(s) involved.

All three are trying to penetrate and take out a shadowy, violent Islamic fundamentalist group and its leader. The plot is serviceable, the elements familiar, but it all works well to coax out Scott's and screenwriter William Monahan's critiques of the American way of unconventional war in the Middle East. The movie itself is funny, visually fine (Scott's touch hasn't deserted him), and engaging. Its center is the uneasy but highly entertaining partnership between Di Caprio and Crowe. At times verging on pure comedy (their semi-serious macho argument over which of them could beat up the other 10 years ago is a high point), the film never tips too far in this direction thanks to the two actors' easy skill and Scott's sure hand at maintaining a certain tone.

Is Body of Lies an antiwar statement? I don't think so - it's possible Monahan and Scott even think the Americans' grotesque imperial venture has a chance, if only they could learn a few lessons from the likes of the self-possessed Jordanian. But this seems unlikely. At the beginning, Crowe makes the very good point that it's precisely the Americans' mastery of (by?) their high-tech appurtenances that makes it nearly impossible for them to see their foes, who use much more down-to-earth techniques - like passing instructions by word of mouth. He then proceeds to ignore his own advice throughout the movie. Di Caprio rips into Crowe for his disregard of the lives of their local operatives, then goes on to thoughtlessly place in mortal danger an architect and an Iranian refugee nurse with whom he's infatuated.

They just don't learn. If they did, they wouldn't be who they are: the gallant spreaders of justice, democracy, and casual calamity. If that's what Scott and Monahan are trying to tell us, it's antiwar statement enough, the same news that Graham Greene brought us over 50 years ago with The Quiet American, updated and just as pertinent.


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