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A group of people who feel betrayed by their government and let down by their police force form a modern-day outlaw posse in order to right what they see as the wrongs of society.

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Cast

Cast overview, first billed only:
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Joe Jackson ...
Subaru Kid #1
Igor Breakenback ...
Subaru Kid #2
James Farbell ...
Subaru Kid #3
Emily Maitlis ...
Herself
Sonic ...
Big Kid (as Sonic Rainer)
Shane Reese ...
Kid #1
Ethan Wilson ...
Kid #2
Rory Pettyjohns ...
Kid #3
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Storyline

A group of people who feel betrayed by their government and let down by their police force form a modern-day outlaw posse in order to right what they see as the wrongs of society.

Plot Summary | Add Synopsis

Taglines:

There will be no excuses. The guilty will be punished. No one is above OUTLAW


Motion Picture Rating (MPAA)

Rated R for violence, pervasive language and brief sexuality/nudity | See all certifications »

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Details

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Release Date:

9 March 2007 (UK)  »

Also Known As:

A Lei da Milícia  »

Box Office

Budget:

£2,500,000 (estimated)

Opening Weekend:

£582,434 (UK) (9 March 2007)

Gross:

£1,519,736 (UK) (23 March 2007)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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2.35 : 1
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Did You Know?

Trivia

Nick Love based the screenplay on newspaper stories and anecdotes he's been told by people all over the UK. The narrative is fictional, but many of the incidents portrayed are based on fact. See more »

Quotes

Walter Lewis: The geezers a fucking nonce. Put him down.
Bryant: You're a good man, Walter.
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Connections

References Munich (2005) See more »

Soundtracks

This Picture
Written by Brian Molko
Performed by Placebo
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User Reviews

 
Absolutely awful
2 October 2007 | by (United Kingdom) – See all my reviews

Nick Love continues to tarnish the British Film Industry (while working completely outside of it) with another kick-to-the-balls of a film. It's hard to imagine how you could possibly go wrong with a vigilante film starring Sean Bean and Bob Hoskins, but the script is absolute bargain basement. Substituting any form of characterisation for pointless bouts of nasty violence, its hard to see what attracted any talent to this rubbish. You spend the entire film wondering why the characters really do behave the way they do as well as trying to focus your eyes on horribly shot and lit digital video. Love seems to think that by yanking the camera all over the place gives a sense of gritty realism. Well it doesn't. This film is like a Daily Mail readers wet dream. Despite Love's track record (of which only The Business showed any sort of film making talent) I really was hoping for an interesting British take on vigilantism, that addresses many of the hopes and fears that British people feel at this time. I was also impressed the way Love and his producers gathered together the finance to make this. It's a shame they didn't hire a talented writer to pen something even remotely interesting. This film has absolutely nothing to recommend it at all.


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