Frankie decides enoughs enough with his life as a street thug living on a South London estate, and jets off to spain where he meets big time businessman Charlie who's currently running the ... See full summary »
Charlie is a London youngster who,with his friends,indulges in streaking and petty crime. However he aspires to better himself though his reckless friend Justin ruins his chances of working... See full summary »
The film is based loosely around events in December 1995 that culminated in the murders of three drug dealers in Rettendon, Essex, UK. On 6th December Patrick Tate, Craig Rolfe and Tony ... See full summary »
The Football Factory is more than just a study of the English obsession with football violence, its about men looking for armies to join, wars to fight and places to belong. A forgotten ... See full summary »
Melvin, a reluctant Superhero, lives only for crime, women and drugs - until he realises that the only way he will ever get to see his estranged son is to go straight and fulfil his potential as a crime fighter.
Luis Da Silva Jr.
Nick Love based the screenplay on newspaper stories and anecdotes he's been told by people all over the UK. The narrative is fictional, but many of the incidents portrayed are based on fact. See more »
When I saw the trailer for OUTLAW I knew I wanted to see it Sean Bean is one of my favourite actors and I loved the look of the vigilante plot. But it was one of those films that slipped by until now, when I finally caught up with it on TV one night. I'm glad I didn't get to it sooner.
The film is a crushing, no-budget disappointment, nothing like it's made out to be in the trailer. The plot is passable at best, and while it contains some intense, shocking moments (the attack on the barrister's wife is one of the most disturbing I've seen in some time), it never seems to go anywhere, and by the end turns into the usual good guys vs. arch villain type action flick. Some scenes are ludicrous, like the bit with the shoot-out with the police in the wood, and the characters are never likable as they should be. Take Sean Bean's lead for instance he's a disturbed ex-soldier, yes, but we never learn a thing about his background or what makes him tick. Bean tries hard to make the best of the material, but his talents are wasted here.
It's a shame, as the talents of other decent actors such as Lennie James and Bob Hoskins are also left unexploited to their full potential. The biggest problem of all lies in the director, Nick Love. For some stupid reason, he adopts a shaky cam in an attempt to give his film edge, but it's distracting at best and nauseating at worst. Paul Greengrass he certainly isn't and the camera-work alone is enough to ruin what was potentially an interesting film that raises some important questions about crime and justice.
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