Set in the Thatcher era with the cool sounds of the 80's, THE BUSINESS is an action packed gangster flick set in Spain's sun drenched Costa Del crime. Frankie (Danny Dyer), is on the run ... See full summary »
Charlie is a London youngster who,with his friends,indulges in streaking and petty crime. However he aspires to better himself though his reckless friend Justin ruins his chances of working... See full summary »
The Football Factory is more than just a study of the English obsession with football violence, its about men looking for armies to join, wars to fight and places to belong. A forgotten ... See full summary »
The film is based loosely around events in December 1995 that culminated in the murders of three drug dealers in Rettendon, Essex, UK. On 6th December Patrick Tate, Craig Rolfe and Tony ... See full summary »
A loan shark gives ex-con Nick a period of 24 hours in order to pay back the money he owes. Up against it, Nick involves his best mate on a multi-part mission in order to raise the cash ... See full summary »
Nick Love based the screenplay on newspaper stories and anecdotes he's been told by people all over the UK. The narrative is fictional, but many of the incidents portrayed are based on fact. See more »
Get Aids or jump on a bus with a rucksack full of explosives, the government will dish you out a free car these days.
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Nick Love continues to tarnish the British Film Industry (while working completely outside of it) with another kick-to-the-balls of a film. It's hard to imagine how you could possibly go wrong with a vigilante film starring Sean Bean and Bob Hoskins, but the script is absolute bargain basement. Substituting any form of characterisation for pointless bouts of nasty violence, its hard to see what attracted any talent to this rubbish. You spend the entire film wondering why the characters really do behave the way they do as well as trying to focus your eyes on horribly shot and lit digital video. Love seems to think that by yanking the camera all over the place gives a sense of gritty realism. Well it doesn't. This film is like a Daily Mail readers wet dream. Despite Love's track record (of which only The Business showed any sort of film making talent) I really was hoping for an interesting British take on vigilantism, that addresses many of the hopes and fears that British people feel at this time. I was also impressed the way Love and his producers gathered together the finance to make this. It's a shame they didn't hire a talented writer to pen something even remotely interesting. This film has absolutely nothing to recommend it at all.
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